Artist Brian Shapiro Supports Urban Film Kickstarter

Brian Shapiro has begun a new series he titles “Incognito.” The first in the series is called “Put on a Happy Face” and features Donald with a Mickey mask on.

This is a brilliant and very well executed idea. It is very smart because Brian found a way to make a Donald custom and not have to try to paint that annoying beak! (I know from experience that duck beaks are a little tricky) The other exciting thing about this custom, is it is up for auction at the Vinylmation Bid Wars Facebook page and all proceeds will go to the Kickstarter for the Urban Vinyl film that is trying to get made.

WDWNT: The Magazine – “Escape from Casey Jr.” by Daniel Butcher

Escape from Casey Jr.

By Daniel Butcher

You will probably find me strange.  It has been my dream to experience a significant evacuation from a Disney attraction.  I am convinced that it would be exciting and a cherished memory!  Seriously, how cool would it be to be walked off from Space Mountain with the lights on?  Would it not be great to see the Haunted Mansion from outside a Doom Buggy?  My daughter and I have both held our breaths as ours came to a halt in the graveyard scene.  Some may believe these sorts of incidents would lessen the magic, but for me it would only increase it!

Sure I have had my near misses but nothing significant.  Several years and a kid ago my family was stuck on Peter Pan’s Flight.  We dangled in our ship above the scene, staring at Captain Hook as the crocodile attempted to swallow him.  After about ten minutes of hanging, the ride resumed and we returned from Neverland.  In 2011, we were actually walked off, Monster Inc. Mike and Sully to the Rescue.  Yes we were guided past the immobile show scenes and led to the exit.  We were not even given a Fastpass for our troubles.  Of course, when I say walked off, we walked out from the very last scene and the only real difference in our tour of Monstropolis was Roz failed to speak to my family and we had to walk a little further.  These near misses just made me even more anxious for a significant ride evacuation.

All the signs for our August 2012 vacation pointed to the fact that a serious evacuation was going to happen!  Every day the entire family began to note the large number of attractions going 101, the Disneyland radio code for a closed attraction.  When the children begin to notice the number of closed rides, Disneyland you may have a problem.

Then the near misses began and my heart broke as I thought I missed my chance.  First, as we were standing waiting to enter our hanger at Soarin’ Over California, Patrick quit talking but we were still standing.  But we did not realize anything was atypical.  A cast member exited from the hanger and informed us that the ride was not working.  We were all given a special Fastpass, which we could use to speed our wait through the other hanger, or in the case of my family speeding up our wait for Toy Story Midway Mania later in the day since it could be used on most rides within Disney California Adventure.  Yes, Radiator Springs Racers was excluded!   In this near miss we did not even get to enter the ride and there was nothing backstage for us to witness.

A larger tragedy was to come.  The family had reentered Disney California Adventure after an afternoon nap.  Our direction was clear; the taller members of the family were set with our journey straight back to Paradise Pier to ride California Screamin’.  Then we made what to me was a critical error.  We stopped and took advantage of the short wait for Grizzly River Run since the whole family could enjoy the attraction together.  After getting soaked, we exited and headed back towards our desired roller coaster, hoping it would dry us off.  As we crested the path next to The Little Mermaid: Ariel’s Undersea Adventure, I saw the unthinkable.  Guests were standing on California Sreamin’s tallest lift hill, and I was not one of them.  I looked on with envy as the guests dismounted the train and stood staring out into what had to have been a fantastic view of the park and the sprawl around the park.  I imagined myself standing at the top of the lift hill with my cell phone out snapping photos that I would enjoy for a lifetime.  My wife awoke me from my daydream with, “we are so lucky we stopped, that could have been us.  I would have hated it.”  Dear, I would have been in heaven.  With a tear in my eye, I still did not know my day was coming as I decided to go undersea in a poor alternative to getting stuck on one of my favorite coasters.  My moment was awaiting me in Disneyland Park with an attraction that opened in the inaugural year of 1955.

 The Train

It was a hot August morning at Disneyland.  The family had just exited from it’s a small world walking back into the heart of Fantasyland.  The youngest member of the family made his pitch to ride the Casey Jr. Circus Train, a ride we had yet to enjoy on this visit.  For the adults in the family we do not enjoy Casey Jr. since it is more of a kid sized ride.  And I for one am a full sized adult.  But knowing that he had been dragged to all the rides and shows the older members of the family wanted, I could not tell him no.  We walked up to the queue and were shocked to find the switchbacks not full of families.  I looked at my wife and said, “We have to do it.”  She looked back and gave me a look that said, “Enjoy!”  With my wife deciding to take a break from rides after our busy morning, the smart choice, I marched my kids up the ramp towards destiny.

As we moved through the queue the cast members were loading the train which was preparing to chug out the station.  I thought that we would likely be waiting until the next trip.  Except the cast members failed to shut the gate and my son in the lead proudly marched through and declared, “cages please.”  I had to admit, I liked the fact he knew what he wanted!  The cast member told me we would probably be waiting for the next train.  I reassured her it was fine.  Then the other loading cast member found a space for us in a monkey cage.  And as my son led me to my fate, he smiled from ear to ear knowing he was getting his desired seat.

I wedged myself into the corner of a monkey cage and noticed my riding companions.  Two young mothers and their daughters had already staked claim to most of the cage.  I nodded, knowing that our interactions would only be lasting the three minutes of our journey since their children clearly had not yet passed the blessed 42 inch barrier which had opened up a whole new world for my son.  I settled down to what I hoped would be a few moments of sitting and resting my feet, and a quick check of my email.

Everything was running as normal as we left the station.  The soundtrack was putting me in a good mood and Casey Jr. was reassuring us that he could.  But he couldn’t.  As we climbed up the hill behind the Storybook Land Canal Boats, Casey Jr. stopped!  Having been on rides which had stopped before for a variety of reasons I expected the train to restart at any moment, instead the engineer pulled on the whistle as a distress call.  That caught my attention.  After the whistle nothing happened yet again.  A few minutes later the silence was broken by the engineer informing us that Casey Jr. was not operating and she was awaiting assistance so we could be evacuated.  My dream had happened, on what could only be called a kiddy ride!

The cast member announcement was followed by sitting.  This is when I realized how different I was from my riding companions.  Yes, we may all have been parents but these young mothers began to alternate between gossiping about their daycare situations and giving me questioning looks.  Was this strange man in a baseball cap, t-shirt and shorts a threat?  If the train was forced to cannibalism how much of a threat was he, and if eaten first how many days could he feed their kids?  I attempted to avert my eyes and risk conversation with my companions.  Instead I texted my wife and let her know I would be on the train FOR-EV-ER! 

The sitting was fully on.  The next seven to ten minutes had none of the romance I dreamed of when daydreaming of a ride evacuation.  Instead it was a lot of sweating.  My son’s desired ride vehicle, the monkey cage, was quickly becoming the sweat box of prison movies and television shows.  We were in the hole!  And with the car stopped next to a high hedge, there was little air flow through the cage.  I moved my body to avoid the gaze of the moms, and so I could look out at what would have to be a unique view.  What could I see?  There were some bushes, a small part of the Story Book Canal, and some cage bar in my sights.  Then I remembered I could have been stuck at the top of California Screamin’ instead!  I stuck my phone through the bars and took some of the most boring pictures ever of the Story Book Canal, without boats, which suddenly quit passing by.  Perhaps Disney wished to avoid witnesses to the anarchy that was sure to break as the train passengers established new lives upon the hill!

The Evacuation

As I sat with my kids, reassuring them that someday we would leave the train, I wondered how we would escape.  And being locked in a hot cage, unlike those in the open cars, I did mean escape!  A second cast member arrived and began leading us to freedom.  Being locked in a monkey cage I could not see the exit route those in the cars in front of us were taking.  When we had been evacuated from Monster’s Inc. Mike and Sully to the Rescue, cast members walked guests out of the attraction.  They collected those in each vehicle one at a time and added to a group walking from the heart of the ride.  Here it appeared they were releasing guests one car at a time.  So hopes of walking the track back to the entrance seemed unlikely.

Finally, escape was provided for my family.  The car to the monkey cage was opened by a cast member who scooted between the hedge and the cage.  Then I saw problem one with our evacuation.  The closeness of the hedge meant there was only one path for escape.  The open door combined with the hedge created a gate which meant we could not exit to the rear of the car.  We would only be able to move to the front, and any attempts to walk back meant we would have to walk up to the engine and then walk back from the Story Book Canal Boats facing side of the train.

The second problem occurred as I attempted to leave the hot car first.  As I stepped out I saw next to the hedge was a small concrete lip, then a drop off and finally the monkey cage.  Therefore a misstep would result in fall for the escapees.  I moved my foot to the ledge and squeezed my frame up past the front of the monkey cage.  Then I saw the head of a cast member awaiting me, poking out from the hedge!  I paused and entered what turned out to the most anxious moments of my escape, my son on a ledge.  As the youngest member of the family he was also the least agile.  He reached out cautiously with his foot and very gingerly moved forward on the ledge with no stumbles and no fear in his eyes.  He understood the value of adventure.  Finally, my daughter followed, also serving as a safety net for her brother.  The two youngsters with their smaller masses proved to handle the small ledge with more confidence than I had!

I waited for my party of two to catch up to me.  Then we shimmed past two empty cars to the smiling cast member.  She led us to a hole that now existed in the hedge.  A hidden door was now evident with it open to the concrete areas of backstage behind the hedge that previously had appeared to be part of the landscape.  Then the smiling cast member gave me my first real direction, “Sir, please put away your cell phone, we are about to go backstage?”  I had kept my phone in my hand while I worked the ledge, acting as if I was texting my wife about our escape.  Instead, I was capturing precious memories of my children walking the ledge.  Yes, my camera was the open application.  And yes, I had intended to take pictures wherever we were lead.  Begrudgingly I turned off my phone and placed it in my pocket!  Disney had successfully kept me from preserving a hidden secret in pictures.

My traveling companion moms were still in the cage as I escaped with my family.  I guess they had spent enough time with the man bold enough to ride the Casey Jr. Circus Train unaccompanied by an adult female companion.

Warning, if you desire to keep magic preserved.  Stop reading now!

What we found backstage was an island of concrete.  The area we had dropped into was paved and clearly a service area.  From my left there was a concrete path that came from what I would assume were dressing rooms, more on that later.  What dominated my view were large metal trash bins.  I had found where the trash from Fantasyland came together.  Standing next to the bins and unconcerned with our comings and goings was a custodial cast member searching through the trash to reclaim recyclables, proving one should be kind to these hard working cast members by putting trash in trash bins and recyclables in recycling.  Because those things mishandled have to be manually separated by a person.

We walked down some stairs past the trash and were met by a third cast member.  She issued a Fastpass good for any ride, except the Matterhorn Bobsleds, for my entire party including my very lucky wife.  Yes, she benefited for our inconvenience!  The cast member then pointed us to exit to the right.  As my view moved I noticed a break table where two cast members in Fantasyland costumes were smoking and conversing.  They seemed to not notice the invasion of small groups of guests moving from the hedge.  We were clearly in their area, where they could relax and the inclusion of outsiders was not going to ruin their break before returning to the heat.  On the other side of the path was a storage area for the canal boats.  At least 16 unused boats were lined up side by side in a packed in area under a low ceiling.  The holding area appeared to be behind King Triton’s underwater castle from the boat ride.  This is the entry point where one can witness new boats being added to the attraction as additional capacity is needed.

But the real royal treat was yet to come!  As we made our turn we stepped behind a trio that was strolling from the path on the left.  We were suddenly in a party of Ariel, Belle and their royal attendant.  This grouping, I believe, noticed our presence and the fact I was accompanied by children.  For from the moment we spotted them they were regal!  The princesses walked side by side at a purposeful pace.  Their heads were both held high with their shoulders tall and straight.  Their hands were held high clasped together.  They had smiles on their face as they conversed, like two close friends sharing their tales of being princesses, not paid actresses.  They were perfect!  The attendant walked behind at a respectful pace.  With their presence and demeanor I could sense the magic was about to resume.  And I was correct, they slipped past a wooden partition ahead and we followed.  We spilled out into Fantasyland once more, directly facing the Disney princess meet and great area, being held on the walkway area opposite it’s a small world after the closing of the Princess Fantasy Faire.  My dream adventure was over!

As my wife returned to us she just giggled.  She knew I had finally been evacuated and had my adventure.  It was even on an attraction that Walt Disney would have been familiar with from his days personally overseeing Disneyland.  But in the end it was nothing like what I imagined or hoped for.  I will still continue to cross my fingers, for something to safely break!

 

Daniel Butcher is a husband and father who looks forward to spending time with
his family in Disney Parks. Daniel can be reached at dbutcher23@betweendisney.com.

 

Episode 110 Blue/Yellow Gear Bear

Ep. 110 Blue/Yellow Gear Bear

This week we have a ton of news to cover including Animation 3, Jr. 8, Tokyo 30th and much more. We also run down Chuck’s list of proposed WDW Resort vinyls and talk about the reorganization of D-Street Orlando. And of course, we give you the complete release and events calendar. Stay tuned at the end of the show for the special 2013 Custom VinylMadness Selection Show!

Listen in Popup Player

Download podcast

WDWNT: The Magazine – “Marc Davis: Imagineering Master”

Marc Davis: Imagineering Master

By
Daniel Butcher

 

Everyday guests of the Walt Disney World Resort enjoy the efforts of largely unknown and unnamed Imagineers.  Imagineer Marc Davis began to impact theme parks years before Walt Disney dreamed of Disneyland.  Davis was a late comer to attraction design, working in animation when Disneyland opened.  From animation to attraction design, Davis has left a mark on the Disney experience and his legacy continues today where it started, in film.

Marc Fraser Davis was born March 30, 1913, in Bakersfield California.  But California is not where the Davis family stayed.  Davis’ father, Harry A. Davis, was a wandering jeweler and magician who attempted to strike it rich in the boomtowns of the United States with his wife Mildred and son in tow.  The nomadic life of the Davis family meant that young Marc was always the new kid in town, attending 23 different schools before he graduated.  From Florida to Oregon the Davis family was vagabonds.  Alone and generally friendless, Davis turned to drawing to fill his spare time.  He became a self-taught artist sketching at local zoos and copying illustrations from anatomy books he found in libraries.  After high school, Davis sought formal instruction at the Kansas City Institute of Arts and European art schools.  Realizing he desired to be a professional artist, Davis attempted to get hired by the Walt Disney Studio and submitted an application under the name M. Fraser Davis.  The studio rejected the inquiry, noting they were “not hiring women artists.”  Davis used his full first name in future inquiries to overcome the prejudices of the day and on December 2, 1935, started as a Disney artist.


marc-davis

Animator

            Davis’ first major assignment at Disney was to serve as an assistant animator to Grim Natwick on Snow White and the Seven Dwarfs.  Natwick had helped develop Betty Boop.  Natwick further Davis’ skills as an artist.  Being noticed for his talent, Davis was moved into the Character Model Department after concluding his work on Disney’s first feature film.  In his new role, Davis’ understanding of animal form shined with him developing the models for characters such as young Bambi and Thumper.  Walt Disney was especially impressed with the David designed skunk, Flower.  Bambi encompassed six years of Davis’ career as he was moved into an animator position.  Davis finished the 1940s at the studio animating more animals including Brer Rabbit and Brer Fox in Song of the South for which he was the directing animator.  He also began a 17 year teaching position at Chouinard Art Institute, where he met a young female student named Alice Estes who would later become his wife years later.

With 1950’s Cinderella, Davis began over a decade of designing and animating female characters as he continued in feature films.  He was the directing animator for the title character Cinderella.  Additionally he animated one of Walt Disney’s favorite animation sequences ever, Cinderella descending the staircase in the mouse-made dress.  He also animated the Cinderella transformation scene as the fairy godmother dressed Cinderella for the ball.  Cinderella was followed by Davis overseeing the animation of Alice for 1951’s Alice in Wonderland.  For 1952’s Peter Pan Davis was charged with creating and animating Tinker Bell.  In Peter Pan, Davis had to draw a fairy that both communicated and emoted purely through motion being a character without a voice.  For Sleeping Beauty in 1959, Davis oversaw the development and animation of both Maleficent and Princess Aurora.  And finally Davis contributed the character of Cruella De Vil to 1961’s 101 Dalmatians, a character that he alone animated for the film.  Davis’ animation creations alone are sufficient to label him a Disney legend.

Davis’ female characters were known for having strong personalities.  A onetime avowed bachelor, Davis was known in the Disney studios for courting strong-willed women, and it was natural that the personality traits that he found attractive would emerge in his creations.  He designed characters with large hands so they could be more expressive when animated.  Many observed that Davis was able to create characters that audiences were attracted to.  However, Davis himself did not enjoy these years of designing female characters.  He found rotoscoping, tracing over live action film, uninteresting and desired to animate animals, not heroines and villainesses.

The legacy of Davis’ animation years can be seen throughout Walt Disney World, especially the Magic Kingdom.  Be it character development or animation, Davis helped construct the images and personalities of the characters guests love today.  At the heart of the Magic Kingdom Park guests find Cinderella’s Castle where one can meet Davis’ creation in flesh and blood at Cinderella’s Royal Table, and Aurora and Snow White may also be found in the dining room as well as through the park.  Tinker Bell also can be found throughout the Magic Kingdom from the magic of waking her up at Tinker Bell’s Treasures, flying high in Peter Pan’s Flight or seeing her star in the nightly fireworks streaking across the sky in Wishes.  Tinker Bell has been featured in the Magic Kingdom nightly fireworks since she took flight for the first time on July 4, 1985.   Fantasmic! at Disney’s Hollywood Studios features Maleficent as the villain ringleader invading Mickey’s dreams including co-conspirator Cruella De Vil.  And Snow White and Tinker Bell both make appearances in this nighttime spectacle.  From Snow White to Cruella De Vil, everyday Walt Disney World guests enjoy the fruit of Davis’ animation career.

legends-web

Imagineer

Davis had remained with animation for the early years of Disneyland’s existence.  In 1962, Walt Disney invited Davis to visit Disneyland and provide notes on the troubled Mine Train through Nature’s Wonderland attraction.  Davis suggested that the mine cars be reorientated to allow guests to better observe the story and provided suggestions on gags to make the ride more playful.  Pleased with his feedback, Disney asked Davis to provide direction on reimagining The Jungle Cruise.  Davis’ suggestions included the Indian elephant pool and the trapped African Safari, gags which were included in the Walt Disney World version of the attraction. Additionally, Davis supported the development of the Enchanted Tiki Room, in which Davis designed the talking Tiki poles and artwork adorning the attraction walls.   The Walt Disney World version of the attraction was available to guests on opening day titled Tropic Serenade and was re-imagined as The Enchanted Tiki Room (Under New Management) including Davis’ Tiki poles and art.  In summer 2011, Imagineers returned the attraction to its classic beginnings as the Enchanted Tiki Room.  With these attractions under his belt, the veteran animator would not return to feature animation, he would now animate in three dimensions.

Davis was assigned to all of Disney’s projects for the 1964-1965 World’s Fair, including those that would influence Walt Disney World attractions.  He was asked to animate the Audio-Animatronic’s movements including standing for Great Moments with Mr. Lincoln a precursor to the Hall of Presidents.  He added story elements to The Carousel of Progress which was moved from the fair to Disneyland.  On January 15, 1975, it reopened in its new home in the Florida Tomorrowland and is currently Walt Disney’s Carousel of Progress.  Finally for it’s a small world, Davis provided story ideas, including gags that adorned Imagineer Mary Blair’s backgrounds.  For this attraction he worked with his wife Alice who created costumes for the Audio-Animatronics.

Among the original projects Disney gave Davis was a pirate wax museum that had been in development since 1958.  Davis made some initial sketches, but put his work aside for the World’s Fair projects.  Past dark rides, enclosed in a show building, retold established Disney stories such as Peter Pan.  The pirate ride would lack a story that provided guests a pre-established context.  Instead of a story, Davis immersed guests into an experience.  He was teamed with former background painter Claude Coates who created the ride’s sets for Davis’ characters and humorous gags.  Davis and Coats lead the team which brought the Pirates of the Caribbeanride to completion on March 18, 1967, at Disneyland.   “Pirates of the Caribbean” was absent at the opening of Walt Disney World.  Davis had plans for an even more elaborate boat dark ride named Western River Expedition which would have taken guests through old west scenes.  But due to guest complaints about its absence, executives called for a version of the Disneyland ride.  Davis’ river ride was shelved for a new version of Pirates of the Caribbean.  Dissatisfied Davis did use the new ride as an opportunity to update the story, ending the ride in a treasure room instead of the arsenal.  The pirates of Florida would get their ill-gotten loot opening on December 15, 1973.  Meanwhile Audio-Animatronics planned for the Western River Expedition such as buffalos and chickens would make their way to Living with the Land at Epcot.  And concepts from Davis’ plans would help inspire Big Thunder Mountain Railroad and Splash Mountain.

A haunted house attraction had been planned for Disneyland as early in 1951 before the park opened.  The exterior had been completed during 1963 in New Orleans Square, but the attraction did not yet materialize despite promises of coming soon due to other commitments such as the World’s Fair.  A number of Imagineers including Ken Anderson, Rolly Crump, and Yale Gracey had worked on the attraction but progress was slow.  In 1964, Davis completed his first recommendations for the attraction, which included the introduction of the narrating Ghost Host.  But it was not until 1966 after the death of Walt Disney that Dick Irvine reunited Davis with Claude Coats to oversee the completion of the haunted house attraction.  The relationship was tense, with the designers divided between a Davis preferred funny attraction or a Coates preferred scary attraction.  Both got some of what they desired, delivering an attraction that included both scary and comedic moments.  Davis’s fingerprints are all over the design of the current Haunted Mansion.  He painted the stretching room paintings introducing visitors to the special humor of the ride and provided the climax in the graveyard filled with visual gags.  On August 9, 1969, the long awaited Disneyland “Haunted Mansion” opened to record crowds of 82,516.  While the Disneyland version was being produced, a second version with a Colonial façade was being built in Florida.  In April 1971 the attraction was complete and The Haunted Mansion was among the opening day attractions of Walt Disney World on October 1, 1971.

In November 1966, Walt Disney had visited Davis and discussed his future project, The Country Bear Jamboree for Disney’s Mineral King Ski Resort.  Disney told Davis his musical bears were a winner.  As he left, Disney did something he never did.  He said, “Good-by Marc.”  Three weeks later Disney died.  This had been Davis’ last meeting with Walt Disney.  Plans for the Mineral King resort fell through, but the musical bears made an appearance at Disneyland and still perform daily in Florida’s Frontierland.  Davis continued working as an Imagineer, developing his favorite attraction, America Sings, a musical Audio-Animatronics show featuring 114 characters which replaced Carousel of Progress at Disneyland.

           

The Artist’s Mark

In 1978, Davis retired after 43 years with Disney.  Even in retirement he still contributed creatively to Imagineering.  He consulted on Epcot’s World of Motion attraction and Tokyo Disneyland.  Davis’ humor was evident throughout this extinct attraction.  Included among the scenes was a train robbery originally intended for the Western River Expedition.  He continued to draw on a daily basis, spoke at Disney fan events, and enjoyed his retirement.  On January 12, 2000, Davis suffered a stroke.  Later in the day with Alice at his side, he passed away.

There are a number of tributes to Marc Davis throughout the Walt Disney World Resort.  The most obvious tribute is the window on the west side of Main Street U.S.A that bears his name.   The window lists, “Big Top Theatrical Productions” which has been “Famous Since 55.”  Also listed on the window are three other Imagineers including Davis’ Pirates and Haunted Mansion partner Claude Coats.  Another tribute can be found in Disney’s Hollywood Studio in the Magic of Disney Animation courtyard.  There four of Walt’s Nine Old Men including Davis set their handprints in concrete slabs.  Additionally there are hidden tributes to Davis throughout the Magic Kingdom Park.  In the final scene of Pirates of the Caribbean a family crest with the name “Marco Daviso” can be found hanging from the wall as Jack Sparrow delights in his treasure.  In the Haunted Mansion queue a tombstone tribute can be found.  The stone reads, “In Memory of Our Patriarch Dear Departed Grandpa Marc.  Finally, near Country Bear Jamboree a crate is labeled Davis Tobacco.  The subtle and not so subtle nods pay tribute to a true Imagineering legend.

Walt Disney Studios has honored Davis for the entirety of his Disney career.  In Disneyland he is honored with another Main Street window, “Far East Imports – Exotic Art” with Davis as proprietor.  The window celebrates his love of Papua New Guinea.  The neighboring window was revealed May 10, 2012.  The window announces Small World Costuming Co., with Seamstress to the Stars Alice Davis.  In 1989, Davis was named a Disney Legend.  Additionally the company awarded him the Mousecar, a highly exclusive honor, for service to company.

 

Back to the Movies

Davis’ career began in movies with Snow White so it is only fitting that his work as Imagineer has influenced recent movies.  In 2002, The Country Bears was released and though a box office disappointment started a line of Davis’ influenced movies.  In 2003, The Pirates of the Caribbean: The Curse of the Black Pearl became a blockbuster and featured gags designed by Davis that were adapted from the ride.  The original film was followed by three financially successful sequels.  Pirates of the Caribbean: The Curse of the Black Pearl was followed months later by the financially successful The Haunted Mansion starring Eddie Murphy which included Davis gags familiar to park goers including several from the graveyard.  Future Disney film projects continue to be influenced by Davis story work with a planned Jungle Cruise movie, sure to have an elephant bathing pool, and a second darker Haunted Mansion film to be directed by Guillermo del Toro.  It was just not his story work that has influenced movies but also his life story!  The story team for Disney Pixar’s 2009 Up interviewed former Imagineers to determine “What are the most important things in life?”  Alice Davis was interviewed and the Davis marriage including their shared love of adventure helped influence the development of the characters Carl and Ellie Frederickson.   

Marc Davis has left a long-lasting legacy on the Walt Disney World Resort.  The characters he both animated and designed are honored in the rides guests visit today.  Additionally, he helped design many of the attractions that today we label as classic.  Davis was a renowned story man, using character to move story forward in film and attractions, so it should be no surprise that his work continues to inspire Imagineers, movie makers and guests today.

Daniel Butcher is a husband and father who looks forward to spending time with
his family in Disney Parks. Daniel can be reached at
dbutcher23@betweendisney.com.

A Figment of Noah’s Imagination

Update 3/6/13 Here are a few facts from Disney:

  • Each piece is hand-painted in a purple pearl finish, which shines to show off Figment’s smiling face, along with planets and stars
  • Hand-signed by the artist on foot
  • Includes acrylic stand with printed Noah Figment graphic on cut-out number “30” backdrop
  • Produced on demand up to 30 pieces
  • Inspired by Epcot’s Journey Into Your Imagination with Figment attraction
  • Commemorating Epcot’s 30th Anniversary (Epcot� Center opened to the public October 1, 1982)
  • Exclusive to DisneyParks.com/store
  • Note: Custom hand-crafted works typically display unique texture and paint handling. Coloring may vary. No two are the same!
  • Please allow 6-8 weeks for delivery due to the custom nature of this product.
  • Please Note: Each Guest will be limited to ordering a maximum of 2 of this item per order.
  • Please Note: Due to the unique nature of this item, there are no refunds, exchanges or returns.
  • Sorry! Express shipping not available for this item.

Artist Noah has released his latest 9″ Vinylmation creation titled “Dream Dragon.” It features Figment from Epcot’s Imagination Pavilion and celebrates the 30th anniversary of the theme park.

There will be 30 of these made and are for sale right now exclusively at Disney’s Vinylmation Facebook Store for $750. This custom continues Noah’s style of an airbrushed figure on a stand with a painted back. I really like the Figment that is featured on the stand as well as the cut on “30.”

Kickstarter for Urban Vinyl Film

Evilos brought us information about a kickstarter that has been started by a indie film maker named Jordan Ahern. After watching the short video on his kickstarter page, I’m convinced we need to help this guy make his movie.

Here are the details. Jordan needs $13,660 to make his film, a documentary about Vinyl artists. At the moment we are posting this, he only needs $2,468 to make his film. The goal is to raise this money by March 13th 2013. This is a kickstarter so he needs to get his goal in order to get any of the money donated.

Now here’s the cool part, when you donate, depending on the amount, you will get gifts. The basic gifts are digital download for $15 or a DVD for $25. But check out his site. For more money you can get packages of customs that have been donated to help raise the money. These customs are crazy cool.

Jordan has a tumblr at dopevinyl.tumblr.com
The kickstarter for the movie is at http://kck.st/12GHqQn

If you don’t seem interested in donating, at least take a look at the site. It’s a good example of the custom artwork that artists are doing in the vinyl world, outside of vinylmation.


March Disney Store Sale

A listener named Matt sent us an email today. He said he was at his Disney Store and they were having a buy one 3″ Vinylmation, get a free Vinylmation sale. The free vinyls were Robots 3, Myths and Legends, and Zooper Heroes. The interesting part, was the original 3″ could be anything, including vinyl on clearance, like Phineas and Ferb for $2.99.

Just something to think about. Thanks Matt!

Walt Disney World 2013 – Coming Attractions

So, 2012 is coming to a close and you’re probably now asking, “Well, what is happening at Walt Disney World in 2013?” It’s going to be nearly impossible to top all the changes and additions we had in 2012 at the Vacation Kingdom of the World, but there will be a steady diet of exciting offerings coming in 2013:

Princess Fairytale Hall

Princess Fairytale Hall

Disney princesses including Cinderella, Aurora, Snow White, Jasmine, Tiana and Rapunzel will have a new home for meeting their loyal subjects when Princess Fairytale Hall opens in 2013 in the shadows of Cinderella Castle. The castle-like entrance will feature walls of stone and stained glass windows leading to a large, high-ceilinged room where portraits of the princesses adorn the walls. When summoned, Magic Kingdom guests will proceed to elegantly furnished chambers to meet the princesses.

Limited Time Magic

Disney Parks guests will get an extra dash of pixie dust in 2013 with Limited Time Magic. Themed weekly surprises and special offers will surprise and delight Disney Parks guests with 52 weeks of the unexpected. Plans include everything from dance parties, new festivals and character meet and greets to culinary treats, special entertainment and commemorative keepsakes. The bicoastal offering — created to remind guests about the importance of family vacation time together — is full of unique, magical, memory-filled experiences – all available for a limited time only. Special experiences include Valentine’s week with enchanting dinners, or photo shoots with famous Disney character couples; a patriotic salute during July 4th week with red, white and blue lights adorning castles on both coasts and limited edition souvenirs; or the popular Dapper Dans barbershop quartet swapping their old-time melodies for surprise renditions of today’s boy band hits. Each Limited Time Magic offering will have a varying length from a day to a week to a season adding to the element of surprise.

The Kinsey Collection at the American Adventure

The Kinsey Collection Opens at Epcot in 2013

The American story of determination, courage, hope, struggle and inspiration will be told through more than 40 pieces of art, artifacts, books sculptures and documents on display at Epcot. The American Adventure Pavilion will be home to the Kinsey’s personal treasures of African-American art and history, amassed from their travels to 90 countries with some works dating to the 17th century. The Kinsey Collection is the intersection where art and history meet, a virtual history book opened wide, giving voice to untold stories of accomplishment and contribution. After previews during African-American Heritage Month in February, the Kinsey Collection is scheduled to open in March 2013. The Kinsey Collection, at the American Heritage Gallery, will be included in Epcot admission.

Disney Senses Spa Opens at Grand Floridian, Coming to Saratoga Springs
If the new year means a new you, the just-opened Senses – A Disney Spa at Disney’s Grand Floridian Resort welcomes Walt Disney World Resort guests to renew and rejuvenate in 2013. The newly-remodeled spa, owned and operated by Disney, blends Grand Floridian Victorian elegance with modern touches – plus a dash of Disney whimsy.

All the senses are engaged in an ultimate relaxation experience – flavorful and soothing elixirs, color variations in lighting and Disney orchestral music harmonize with the treatment selected. Spa-goers walk through the new Victorian-style entryway and indulge in the spa’s relax, renew, or imagine themes aimed at creating a custom experience. The centerpiece of the spa’s lobby is an original mural reflecting old Florida landscape and nature. Glass mosaic tiles in the Jacuzzi rooms further enhance the elegance and sophistication of the spa.

Fifteen treatment rooms offer pampering services such as water therapy, sugar exfoliation body treatment, rejuvenating citrus facial, a restorative hand and foot ritual with Chinese Jasmine oils, plus a Princess Pedicure or Magical Manicure for youngsters ages 4-12. Lounges, whirlpools and treatment rooms all provide rejuvenation through the healing nature of Florida citrus and botanicals.

The new menu of services also includes a signature 80-minute Grand Floridian treatment featuring a special aromatherapy massage.

Guests can book a spa appointment at the new Senses – A Disney Spa at Disney’s Grand Floridian Resort by calling 407-WDW-SPAS (407-939-7727) or learn more by visiting www.disneyworld.com/spas

All of the spas, salons and fitness centers will be owned and operated by Disney beginning Jan.16, 2013. On that same day the spa at Disney’s Saratoga Springs Resort will temporarily close for renovation and reopen in the summer as Senses – A Disney Spa at Disney’s Saratoga Springs Resort.

“Sophia the First” and “Doc McStuffins” join Disney Junior – Live on Stage
Disney Junior – Live on Stage! at Disney’s Hollywood Studios and Disney California Adventure is periodically updated to feature the latest, most popular characters and stories from the Disney Junior line-up on television. In 2013, the top-rated “Doc McStuffins” and “Sofia the First” join the show. The new version of Disney Junior – Live on Stage! debuts at Disney’s Hollywood Studios in mid-February and comes to Disney California Adventure one month later, in March 2013. “Sofia the First” as a regular series premieres Friday, Jan. 11, on Disney Channel and Disney Junior.

Starbucks comes to Magic Kingdom and Epcot
Starbucks will be opening locations at Disney theme parks at the Walt Disney World Resort and Disneyland Resort. The first two Walt Disney World locations will open in 2013. At Magic Kingdom, Main Street Bakery will close for refurbishment in January 2013. When it reopens in early summer, Main Street Bakery will keep its name and theming and continue to serve Disney favorites like cookies, brownies and seasonal cupcakes, in addition to Starbucks signature beverages and other menu items. At Epcot, Fountain View will temporarily close in March 2013. When Fountain View reopens in midsummer, it will serve Starbucks products. Each Starbucks location inside a Disney Park will reflect the theme of its surroundings. At Magic Kingdom Park for example, Cast Members will wear a costume consistent with the early 20th century look and feel of Main Street, U.S.A. At Future World in Epcot, the new Starbucks location and Cast Member costumes will be designed to match the park’s futuristic theme.

New Dining

  • California Grill at Disney’s Contemporary Resort gets a major makeover and will be closed from February 2, 2013 until late-summer 2013. Chef Brian Piasecki also is tweaking the menu, but the focus will remain on fresh, seasonal creations.
  • Upstairs at the France pavilion, Bistro de Paris has reopened with a new name and a completely refurbished dining room and new menu. Still haute French but a bit more casual, with a nod to famed chef Paul Bocuse in the décor and the name – Monsieur Paul. In the meantime, Boulangerie Patisserie bakery is a brand-new building at the back of the pavilion, opening in January 2013.
  • Citricos at Disney’s Grand Floridian Resort & Spa now offers a private dining experience in The Chef’s Domain for up to 10 guests. Available Tuesdays, Wednesdays and Thursdays, cost is $155 per person plus tax (includes gratuity) for six courses.

Other 2013 additions Disney has not confirmed at this time include The Villas at Disney’s Grand Floridian Resort, Tapaz (a waterside restaurant to be constructed in the Morocco pavilion at Epcot), and a rather large refurbishment project for the Jungle Cruise. We’ll have more on these projects as they become available.

So… what are you most excited for in 2013?

Urban Redux 1 Explained

Urban Redux Explained
Release Date: March 22, 2013
D-Streets and Disney Stores
$12.95
Artist Signing on Friday, March 22 from 5 p.m. to 7 p.m. at D Street in Orlando. Disney Design Group artists, Maria Clapsis, Billy Davis, Caley Hicks, Monty Maldovan and Thomas Scott will there.

Update 04/01/13 Here are all 24 Super Mystery Chasers:



Update 03/24/13 If someone has pulled a “Super Mystery Chaser” they have not shared it publicly at this point. However, custom artist Josh Edwards has posted the following info:

“24 SUPER MYSTERY CHASERS(4 each from six artists) Super Mystery Chasers are blank vinylmation figurines that are personally hand-drawn by each Vinylmation designer. Each is a one of kind creation. Soooooo draw your own conclusions. To me it doesn’t sound like a full blown custom but something quick that was drawn on the figure.”


Until one is revealed, we still have to call this a rumor, but the info is said to come directly off a Cast Member set info sheet.


Update 03/22/13 Urban Redux was released today. We have a photo from Enrique Pita of his Space Monkey Chaser:

And a photo from Michael Bimonte on Vinylmation Exchange of some of the pre-packaged hand signed (not stamped on) figures:

Update 03/19/13 The Disney Parks Blog has revealed more secrets to the Redux series. They included artist signed figs, super chasers and the reveal of another variant!

“Each tray will contain at least one of each of the five known designs shown on the packaging. The tray will also contain at least one of the following three figures – a “mystery” chaser, a variant figure or a super mystery chaser.  We also added fun surprises to Urban Redux, like a small number of figures hand signed by the artists that we mixed into the trays.” – Thomas Scott
You can see the Red Ninja and previously unknown Purple Monster variants above. I also love the reveal that artist signed figures are mixed into the trays. Great addition! I guess since I’m not a numbers person, I never looked at the ratios the way Thomas Scott explained above.  So the fun part about buying a tray is you will get one of each of the 5 basic figures, and then you will get something very special as well. This reminds me personally of cases of baseball cards where special game used, autographed and chaser cards are seeded by ratio in the packs. I am really liking this.

We also now have a photo of that 8 box tray. We have yet to see the Super Mystery Chaser revealed to our knowledge. Lastly, the blog posted a nice photo of all three Lucky Cat combo topper variants.

Update 03/16/13 We know have photos of the Lucky Cat Combos, Variant, and what seems to be a chaser. They were all revealed at last night’s DLR trade night. All the photos in this update are from Vinylmation World.

I found a great article on the Luck Cats at a site called Vinylmation Park. Read it here. The author explains what they are and why they make a great variant. 
We also have a photo of a Red Ninja variant to the Black Ninja on the box.

Also on preview, was what appears to be one of the Mystery Chasers… a Space Monkey. As noted in a comment by Mystery Man, this figure has two different faces. A regular monkey on the front and a space monkey on the back (back of figure is shown in photo below).

Update 03/14/13 Set mistakenly released at DHS… some secrets of the series are revealed. Some of the highlights:

  • Each figure is seeded by ratio
  • A case is 8 blind boxes
  • Chaser is not one per case
  • The Lucky Cat is the Combo Topper. There are three variations: Red, Black and White

Check out this post for some discussion and updates of the surprises.

Urban Redux is the reboot of the Urban series. We have been told this series will be a little different. We do know it is a 6 figure mystery box set as opposed to the standard 12. And we have this quote from the Disney Collections Blog “This new series will be filled with lots of new surprises.” To give an idea, here is the product poster we saw at Mickey’s Circus:

From Mickey’s Circus we do know that the Lucky Cat is part of a combo and that Enrique Pita designed the chaser.

Pig, Bunny, Turtle
1/6

Cowboy
1/6

Ant Farm
1/6

Yellow Monster
1/6

Ninja
5/24

Fantasia 7 Offers More Pastoral Symphony

Fantasia 7 will be released at D-Streets and Online on April 26. The combo was designed by Thomas Scott, will retail for $24.95 and is LE 1500. Today, we got our first glimpse of this pair.

First up is Zeus. And here he is from the Disney film…

The second figure in the pack is Hephaestus.

And here is a screen shot of him from the film…