Update On Aulani

Mike from TimeStream Software recently took a vacation to Hawaii and shares some photos with us from the Aulani DVC Resort.

Some facts about Aulani – A Disney Resort & Spa:  It will have 359 hotel rooms, 481 time-share units, restaurants, a convention center, a 15,000 square-foot spa and a massive water play area overlooking the lagoon, which will feature a volcano tube slide and snorkel lagoon.  It’s located on 21 acres on Oahu’s Leeward coast in the Ko Olina development, located about 1/2 hour from Honolulu.  It’s currently scheduled to open August 29, 2010, with hotel reservations to begin next month.  Time-share sales started three weeks ago.

Mike’s app, “Walt Disney World Guide” Notescast, can be found at www.Notecasts.com. You can find more photos of Aulani on the website.

World of Color Road Show Details Released

ANAHEIM, Calif. (July 1 , 2010)Viewers around the world will join a one-of-a-kind, online phenomenon in July to experience the extraordinary magic of “World of Color,” the new after-dark spectacular presented nightly in Disney California Adventure park in Anaheim.  The interactive tour will feature live shows in four California cities, and the online audience will travel “virtually” to each location to watch the shows and interact with the webcast.
In each city, specially produced animation will be projected onto a familiar city landmark, using a sensational mixture of special effects, high-tech projections and one of the storytelling themes presented in “World of Color.”
The public is invited to participate online only at the “World of Color” Road Show website (www.worldofcolorroadshow.com), where viewers will enjoy a rich experience that includes Disney animation and music, video entertainment and a “viewer’s choice” opportunity to vote for the starring color in that evening’s show.  Each city will have a broadcast location designed for media only.
This “online spectacular” is inspired by the dazzling “World of Color” show, which combines music, animation, water and a multitude of special effects in a magical celebration of Disney characters and storytelling.  A new venture for the Disneyland Resort, the tour will utilize streaming online video to bring its own special magic to the World Wide Web and to iconic locations in San Francisco, Sacramento, San Diego and Los Angeles.  Each locale will deliver a different, amazing show.
ONLINE EXPERIENCE: Viewers will be able to access the webcast performances live and on encore nights at the website, in English at www.WorldofColorRoadShow.com and in Spanish at www.coloresdisney.com.  The site also features an artistic video mashup, interviews with the creators of “World of Color” and the voting option.  Video clips from each iconic location will be added to the show on ensuing nights, inspiring viewers to follow the virtual tour throughout California.
CAST YOUR VOTE: Just as fairies cast their spells, online viewers will cast their votes each night for one of three colors representing each of the Three Good Fairies from “Sleeping Beauty” – Flora, Fauna and Merryweather. The color with the most votes will be featured in the show’s opening moment, complete with a trail of pixie dust.  In true Disney style, the winning fairy will fly from computer screens to the landmark location and she will conjure the magical transformation of the landmark using the chosen color – red, green or blue.  With this bit of magic, online audience members are able to lend their own spark of inspiration to the show.
SHOW THEMES: A different theme will come alive in each of the four cities, with each show reflecting a theme from the“World of Color” production at Disney California Adventure.  To experience the show in each city, people will have to visit the website. There will be no accommodations on site in each city.

SAN FRANCISCO:
In San Francisco, the unique animation will be projected onto the façade of a landmark that will be revealed online on Opening Night.  The presentation is dedicated to the theme of “Love,” featuring romantic couples from Disney and Disney•Pixar animated films.  The live show, presented Wednesday and Thursday, July 7 and 8, will repeat continuously from 9 to 11:30 p.m. Pacific time and will be shot from several different angles for the ongoing, live webcast.  Encore webcasts (not live) of the San Francisco show will appear online from 9 to 11:30 p.m. on Friday, Saturday and Sunday, July 9-11.
SACRAMENTO: With forest and garden scenes from such films as “Snow White and the Seven Dwarfs,” “Pocahontas,” “Bambi” and “Alice in Wonderland,” the online experience in Sacramento will be built around the theme of “Nature.”  Presented Thursday through Sunday, July 15-18, in historic Old Sacramento, it will be webcast live from 9 to 11:30 p.m. each evening.
SAN DIEGO: The next stop will be San Diego where, appropriately enough, “Water” will be the theme of the interactive experience, featuring scenes from “The Little Mermaid,” “Finding Nemo” and others projected onto the U.S.S. Midway Museum at Navy Pier.  The San Diego webcasts will be live from 9 to 11:30 p.m. Thursday through Sunday, July 22-25.
LOS ANGELES: The final shows of the online tour will be projected onto the Walt Disney Concert Hall in downtown Los Angeles Thursday and Friday, July 29 and 30.  The theme will be “Sky,” illustrated by scenes from such films as “Aladdin” and “Fantasia.”  As before, the live online presentation will be repeated continuously from 9 to 11:30 p.m.  Encore performances (not live) will be webcast from 9 to 11:30 p.m. on Saturday and Sunday, July 31 and Aug. 1.

World of Color Hits The Road

California Adventure can no longer contain World of Color. Starting July 7th, Disney will travel to Four cities around California and take the animation from World of Color and project it for all to see. Disney will also be broadcasting the show live over the web in case you cant make it to one of the locations.

The Disney Parks Blog gave us a sneak peak on what the show will look like with this picture of the Walt Disney Concert Hall in Downtown Los Angeles.

Exact locations and dates have not been announced. You can find videos and follow the road show on its website, www.WorldofColorRoadShow.com.

Disney Legend Fess Parker Passes Away

From E! Online:

The King of the Wild Frontier is gone.

Fess Parker, the strapping star who played Davy Crockett in the hugely popular Disney television show of the 1950s, died today of natural causes at age 85, his family announced.

The actor, whose classic roles also included the son-consoling dad in Old Yeller and another ‘coonskin-cap-favoring frontiersman in NBC’s Daniel Boone, had retired from showbiz in the 1970s and founded a hugely successful winery and resort in Santa Barbara.

He was 85.

Fess Parker recieved a rare Frontierland window dedication at Disneyland in late 2004, as seen above. He was also one of the earliest Disney Legends honored back in 1991. From the Disney Legends website:

In the mid-1950s, when Fess Parker first donned a coonskin cap to play the American historical character Davy Crockett for a three-part Walt Disney television show, little did he know he was about to become a hero to Baby Boomers across the nation.

More than forty years later, in 1997, Fess described the profound influence his popular character had on young viewers. “Folks tell me over and over how much that character shaped their lives,” he said. “I have to believe that the impact of those programs was due as much to the values inculcated in them as to their entertainment quality.”

Fess was catapulted to fame almost overnight after “Davy Crockett Indian Fighter,” “Davy Crockett Goes to Congress,” and “Davy Crockett at the Alamo” debuted on the “Disneyland” television series, beginning in 1954. Even the ditty he recorded for Disney and RCA records, “The Ballad of Davy Crockett” was on the lips of every young boy (and girl) in America at that time, winning the actor a gold record. And when Disneyland opened in 1955, his personal appearance on horseback, as Davy Crockett, proved to be a huge crowd-pleaser.

Born in Fort Worth, Texas, on August 18, 1924, Fess grew up on a farm in San Angelo, Texas. Named after his father (“Fess” means “proud” in Old English), he graduated from the University of Texas in 1950, where he studied law and business administration. He then moved to Los Angeles, to pursue an acting career and studied drama at the University of Southern California. Shortly thereafter, he made his film debut in “Untamed Frontier,” starring Shelley Winters.

In 1954, Walt Disney spotted the actor in a film called “Them!” and quickly signed Fess to a Studio contract. He went on to star in such Disney films as “Westward Ho The Wagons!” “The Great Locomotive Chase,” “Old Yeller” and “The Light in the Forest.” He also starred in two additional Davy Crockett television shows: “Davy Crockett’s Keelboat Race” and “Davy Crockett and the River Pirates.” Much later, in 1978, Fess appeared in “NBC Salutes the 25th Anniversary of the Wonderful World of Disney.”

After leaving Disney, Fess donned his coonskin cap once again to play Daniel Boone. For six years, beginning in 1964, he starred in the popular television series by the same name and directed five of its most popular episodes.

Today, a successful businessman and real estate developer, Fess owns a winery in Los Olivos, California (near Santa Barbara) where he can often be found signing his autograph for wine and Disney lovers, alike.

Disney Legend Fess Parker Passes Away

From E! Online:

The King of the Wild Frontier is gone.

Fess Parker, the strapping star who played Davy Crockett in the hugely popular Disney television show of the 1950s, died today of natural causes at age 85, his family announced.

The actor, whose classic roles also included the son-consoling dad in Old Yeller and another ‘coonskin-cap-favoring frontiersman in NBC’s Daniel Boone, had retired from showbiz in the 1970s and founded a hugely successful winery and resort in Santa Barbara.

He was 85.

Fess Parker recieved a rare Frontierland window dedication at Disneyland in late 2004, as seen above. He was also one of the earliest Disney Legends honored back in 1991. From the Disney Legends website:

In the mid-1950s, when Fess Parker first donned a coonskin cap to play the American historical character Davy Crockett for a three-part Walt Disney television show, little did he know he was about to become a hero to Baby Boomers across the nation.

More than forty years later, in 1997, Fess described the profound influence his popular character had on young viewers. “Folks tell me over and over how much that character shaped their lives,” he said. “I have to believe that the impact of those programs was due as much to the values inculcated in them as to their entertainment quality.”

Fess was catapulted to fame almost overnight after “Davy Crockett Indian Fighter,” “Davy Crockett Goes to Congress,” and “Davy Crockett at the Alamo” debuted on the “Disneyland” television series, beginning in 1954. Even the ditty he recorded for Disney and RCA records, “The Ballad of Davy Crockett” was on the lips of every young boy (and girl) in America at that time, winning the actor a gold record. And when Disneyland opened in 1955, his personal appearance on horseback, as Davy Crockett, proved to be a huge crowd-pleaser.

Born in Fort Worth, Texas, on August 18, 1924, Fess grew up on a farm in San Angelo, Texas. Named after his father (“Fess” means “proud” in Old English), he graduated from the University of Texas in 1950, where he studied law and business administration. He then moved to Los Angeles, to pursue an acting career and studied drama at the University of Southern California. Shortly thereafter, he made his film debut in “Untamed Frontier,” starring Shelley Winters.

In 1954, Walt Disney spotted the actor in a film called “Them!” and quickly signed Fess to a Studio contract. He went on to star in such Disney films as “Westward Ho The Wagons!” “The Great Locomotive Chase,” “Old Yeller” and “The Light in the Forest.” He also starred in two additional Davy Crockett television shows: “Davy Crockett’s Keelboat Race” and “Davy Crockett and the River Pirates.” Much later, in 1978, Fess appeared in “NBC Salutes the 25th Anniversary of the Wonderful World of Disney.”

After leaving Disney, Fess donned his coonskin cap once again to play Daniel Boone. For six years, beginning in 1964, he starred in the popular television series by the same name and directed five of its most popular episodes.

Today, a successful businessman and real estate developer, Fess owns a winery in Los Olivos, California (near Santa Barbara) where he can often be found signing his autograph for wine and Disney lovers, alike.

Sneak Preview of “Rayovac Powers Your Imagination” Ad

Before Rayovac batteries debuts their new television ad during ABC’s Good Morning America on December 21st, we have been granted a sneak preview of the new spot for Rayovac as the official battery of the Disney Parks:

In conjunction with the debut of its new commercial, Rayovac is offering a $3.00 off coupon to visitor to its new Facebook page, www.facebook.com/rayovacfans.

Roy E. Disney Passes Away at Age 79

Roy E. Disney in his office in 1985

From the Los Angeles Times:

Roy Edward Disney, the nephew of Walt Disney whose commitment to his uncle’s creative spirit prompted him to mount revolts that led to the unseating of two of the company’s chief executives and a revival of the studio’s legendary animation unit, died today. He was 79.

Disney, who had been battling stomach cancer, died at Hoag Memorial Hospital Presbyterian in Newport Beach, according to Clifford A. Miller, a spokesman for Disney’s company Shamrock Holdings.

Disney toiled for years in the shadow of his famous uncle and his father, Roy O. Disney, who behind the scenes ran the business side of the Walt Disney Co. for his brother. But the quiet man in the cardigan sweater would emerge as a forceful protector of family traditions.

“People always underestimated Roy,” said Peter Schneider, the former president of Walt Disney Feature Animation. “You underestimate Roy at your peril, as many people have learned.”

Disney devoted the first 20 years of his career to making nature films, among them “Pancho, A Dog of the Plains,” “The Owl That Didn’t Give A Hoot” and an Oscar-nominated short subject “Mysteries of the Deep.” After the death of Walt in 1966 and Roy’s father in 1971, the younger Disney was spurned in his efforts to take a larger role with the company. He finally quit in 1977, but remained on its board as a director, where he was largely a figurehead.

Adrift, Disney hooked up with lawyer Stanley Gold and became a successful financier, investing successfully in a wide variety of businesses that included broadcasting, soybeans and Israeli industrial concerns through Shamrock Holdings, a company named for one Disney’s racing sloops.

During the 1980s, Gold, Disney and Shamrock became one of the better-known corporate raiders, making unsuccessful hostile takeover bids for companies such as the Polaroid Corp. camera maker and the Wherehouse Entertainment chain of music stores. Its takeover of Central Soya, a soybean processor in Fort Wayne, Ind., would yield a sizable $170-million profit for Shamrock and its partners with its subsequent sale to an Italian agricultural concern. Through investments, Gold sought to free Disney of his financial dependence on the Disney company stock he inherited. Most were successful, although Shamrock stumbled on some, particularly a money-losing investment in sneaker maker L.A. Gear.

By 1984, Disney had grown increasingly frustrated with the Walt Disney Co., which he likened to a real estate company that happened to be in the movie business. The company had let its feature animation film business, once the cornerstone of the company, deteriorate. The company, Disney would later say, had lost its creative drive.

“I said to him, ‘Roy, I think you’ve reached a point where you need to get all the way in or all the way out,’ ” Gold said. “He said, ‘What does that mean?’ I said, ‘You either need to sell your shares in Disney and go independent, or you need to put up a fight and get rid of the managers and find real managers for this business.’ ”

Read More about Roy E. Disney Passes Away at Age 79

BREAKING NEWS: Walt Disney Company Acquires Marvel Entertainment!

Burbank, CA and New York, NY, August 31, 2009 —Building on its strategy of delivering quality branded content to people around the world, The Walt Disney Company (NYSE:DIS) has agreed to acquire Marvel Entertainment, Inc. (NYSE:MVL) in a stock and cash transaction, the companies announced today.

Under the terms of the agreement and based on the closing price of Disney on August 28, 2009, Marvel shareholders would receive a total of $30 per share in cash plus approximately 0.745 Disney shares for each Marvel share they own. At closing, the amount of cash and stock will be adjusted if necessary so that the total value of the Disney stock issued as merger consideration based on its trading value at that time is not less than 40% of the total merger consideration.

Based on the closing price of Disney stock on Friday, August 28, the transaction value is $50 per Marvel share or approximately $4 billion.

“This transaction combines Marvel’s strong global brand and world-renowned library of characters including Iron Man, Spider-Man, X-Men, Captain America, Fantastic Four and Thor with Disney’s creative skills, unparalleled global portfolio of entertainment properties, and a business structure that maximizes the value of creative properties across multiple platforms and territories,” said Robert A. Iger, President and Chief Executive Officer of The Walt Disney Company. “Ike Perlmutter and his team have done an impressive job of nurturing these properties and have created significant value. We are pleased to bring this talent and these great assets to Disney.”

“We believe that adding Marvel to Disney’s unique portfolio of brands provides significant opportunities for long-term growth and value creation,” Iger said.

“Disney is the perfect home for Marvel’s fantastic library of characters given its proven ability to expand content creation and licensing businesses,” said Ike Perlmutter, Marvel’s Chief Executive Officer. “This is an unparalleled opportunity for Marvel to build upon its vibrant brand and character properties by accessing Disney’s tremendous global organization and infrastructure around the world.”

Under the deal, Disney will acquire ownership of Marvel including its more than 5,000 Marvel characters. Mr. Perlmutter will oversee the Marvel properties, and will work directly with Disney’s global lines of business to build and further integrate Marvel’s properties.

The Boards of Directors of Disney and Marvel have each approved the transaction, which is subject to clearance under the Hart-Scott-Rodino Antitrust Improvements Act, certain non-United States merger control regulations, effectiveness of a registration statement with respect to Disney shares issued in the transaction and other customary closing conditions. The agreement will require the approval of Marvel shareholders. Marvel was advised on the transaction by BofA Merrill Lynch.

Investor Conference Call:

An investor conference call will take place at approximately 10:15 a.m. EDT / 7:15 a.m. PDT today, August 31, 2009. To listen to the Webcast, turn your browser to http://corporate.disney.go.com/investors/presentations.html or dial in domestically at 800-260-8140 or internationally at 617-614-3672. For both dial-in numbers, the participant pass code is 51214527.

The discussion will be available via replay on the Disney investors website through September 14, 2009 at 7:00 PM EDT/4:00 PM PDT.

About The Walt Disney Company
The Walt Disney Company, together with its subsidiaries and affiliates, is a leading diversified international family entertainment and media enterprise with five business segments: media networks, parks and resorts, studio entertainment, interactive media and consumer products. Disney is a Dow 30 company with revenues of nearly $38 billion in its most recent fiscal year.

About Marvel Entertainment, Inc.
Marvel Entertainment, Inc. is one of the world’s most prominent character-based entertainment companies, built on a library of over 5,000 characters featured in a variety of media over seventy years. Marvel utilizes its character franchises in licensing, entertainment (via Marvel Studios and Marvel Animation) and publishing (via Marvel Comics).

Forward-Looking Statements:

Certain statements in this communication may constitute “forward-looking statements” within the meaning of the Private Securities Litigation Reform Act of 1995. Such statements relate to a variety of matters, including but not limited to: the operations of the businesses of Disney and Marvel separately and as a combined entity; the timing and consummation of the proposed merger transaction; the expected benefits of the integration of the two companies; the combined company’s plans, objectives, expectations and intentions and other statements that are not historical fact. These statements are made on the basis of the current beliefs, expectations and assumptions of the management of Disney and Marvel regarding future events and are subject to significant risks and uncertainty. Investors are cautioned not to place undue reliance on any such forward-looking statements, which speak only as of the date they are made. Neither Disney nor Marvel undertakes any obligation to update or revise these statements, whether as a result of new information, future events or otherwise.

Actual results may differ materially from those expressed or implied. Such differences may result from a variety of factors, including but not limited to:

* legal or regulatory proceedings or other matters that affect the timing or ability to complete the transactions as contemplated;
* the possibility that the expected synergies from the proposed merger will not be realized, or will not be realized within the anticipated time period; the risk that the businesses will not be integrated successfully;
* the possibility of disruption from the merger making it more difficult to maintain business and operational relationships;
* the possibility that the merger does not close, including but not limited to, due to the failure to satisfy the closing conditions;
* any actions taken by either of the companies, including but not limited to, restructuring or strategic initiatives (including capital investments or asset acquisitions or dispositions);
* developments beyond the companies’ control, including but not limited to: changes in domestic or global economic conditions, competitive conditions and consumer preferences; adverse weather conditions or natural disasters; health concerns; international, political or military developments; and technological developments.

Additional factors that may cause results to differ materially from those described in the forward-looking statements are set forth in the Annual Report on Form 10-K of Disney for the year ended September 27, 2008, which was filed with the Securities and Exchange Commission (“SEC”) on November 20, 2008, under the heading “Item 1A—Risk Factors” and in the Annual Report on Form 10-K of Marvel for the year ended December 31, 2008, which was filed with the SEC on February 27, 2009, under the heading “Item 1A—Risk Factors,” and in subsequent reports on Forms 10-Q and 8-K and other filings made with the SEC by each of Marvel and Disney.

Important Merger Information and Additional Information:

This communication does not constitute an offer to sell or the solicitation of an offer to buy any securities or a solicitation of any vote or approval. In connection with the proposed transaction, Disney and Marvel will file relevant materials with the SEC. Disney will file a Registration Statement on Form S-4 that includes a proxy statement of Marvel and which also constitutes a prospectus of Disney. Marvel will mail the proxy statement/prospectus to its stockholders.Investors are urged to read the proxy statement/prospectus regarding the proposed transaction when it becomes available, because it will contain important information.The proxy statement/prospectus and other documents that will be filed by Disney and Marvel with the SEC will be available free of charge at the SEC’s website, www.sec.gov, or by directing a request when such a filing is made to The Walt Disney Company, 500 South Buena Vista Street, Burbank, CA 91521-9722, Attention: Shareholder Services or by directing a request when such a filing is made to Marvel Entertainment, Inc., 417 Fifth Avenue New York, NY 10016, Attention: Corporate Secretary.

Disney, Marvel, their respective directors and certain of their executive officers may be considered participants in the solicitation of proxies in connection with the proposed transaction. Information about the directors and executive officers of Marvel is set forth in its definitive proxy statement, which was filed with the SEC on March 24, 2009. Information about the directors and executive officers of Disney is set forth in its definitive proxy statement, which was filed with the SEC on January 16, 2009.Investors may obtain additional information regarding the interests of such participants by reading the proxy statement/prospectus Disney and Marvel will file with the SEC when it becomes available.

The Voice of Mickey Mouse, Wayne Allwine, Has Passed Away

While there has been no confirmation from the Walt Disney Company as of yet, a number of credible sources have reported that the voice of Mickey Mouse for over 25 years, Wayne Allwine, passed away over the weekend. Allwine was only 62 years old and has been the voice of the world’s most famous animated character in movies, television shows, theme park attractions, parades, and stage shows since the 1983 film “Mickey’s Christmas Carol”. Wayne’s voice can also be heard in a few obscure roles in Disney feature length animated films such as “The Black Cauldron” and “The Great Mouse Detective” and was also a sound effects editor and foley artist for the Walt Disney Studios. In more recent history, Wayne has been the voice of Mickey on each and every episode the Playhouse Disney show, “The Mickey Mouse Clubhouse”. Interestingly enough, he was married to Russi Taylor, who has been the voice of Minnie Mouse since 1986. Wayne was Mickey’s voice longer than anyone else before him and I don’t think I could ever get used to Mickey with another voice. You can still enjoy Wayne’s work while at the Walt Disney World Resort in “Mickey’s Philharmagic”, “Dream Along with Mickey”, “Muppetvision 3-D”, “Fantasmic!”, “Mickey’s Jammin’ Jungle Parade”, the “Celebrate a Dream Come True Parade”, and the “Move It, Shake It, Celebrate It! Street Party”.

Wayne Allwine 1947-2009

Imagineer and Legend Marty Sklar Is Retiring

Marty Sklar, former head of Walt Disney Imagineering, a man who worked very closely with Walt Disney, and the only Walt Disney Company employee to attend the openings of all 11 Disney theme parks worldwide, has announced that he will finally be retiring from the company. The good people over at Orlando Attractions Magazine have obtained the letter Sklar emailed to various people in the company:

I’ve always thought that the two most important dates in Disney’s parks and resorts occurred in July and October. It was on July 17, 1955 that Walt realized his “dream come true” with the dedication of Disneyland. October 1, 1971 and October 1, 1982 marked the official opening days for the Walt Disney World Magic Kingdom and for Epcot (then “Epcot Center”).

There’s an extra relevance for me: I was a working Disney cast member for all three of these openings…and for the eight that have followed. From Tokyo to Paris, Orlando to Anaheim, and finally (so far!) Hong Kong, I’ve sweated the final details of construction, installation and sho w “buy-offs” leading to the openings of all eleven Disney parks around the world. It is with considerable pride that I can say, “I’m the only Disney cast member who has participated in all eleven of those openings.”

I’m anxious to join my fellow Imagineers at the next grand opening, too. But for me, the thrill of watching those gates open and the first guests eagerly racing to the attractions that are already their favorites, will be different next time. Because I’ll be cheering you all on from the sidelines, as a retired Imagineer.

I have decided to turn in my name tag on one of those prime dates: July 17. In 2009, that date will mark Disneyland’s 54th birthday, and my 53rd year as a Disney cast member. (I returned to UCLA after Disneyland’s first summer to finish my senior year, then returned to Disneyland’s public relations department in September 1956.)

Naturally, I’ve been thinking back over those 53 years, and what memories they are, starting with that summer day in 1955. I can still see Walt reading the dedication plaque at Disneyland’s opening. Little did I dream that day, as a 21=2 0year old, that I would spend parts of ten years writing personal material for that amazing man, one of the best known and loved in the entire world.

Of course, July 17, 1955 was just the first of those beautiful blank pages we would fill. It was my luck to be “the kid” among the pros…first in public relations at Disneyland, then at WED Enterprises, Walt’s own company – the home of the original Imagineers.

It was here at Imagineering, beginning in 1961, that my real education truly began. I owe much to UCLA (today I’m even a member of the Alumni Board of Directors), but my greatest “teachers” were right here in Glendale: John Hench, Dick Irvine, Herb Ryman, Claude Coats, Marc Davis, Blaine Gibson, Fred Joerger, Harriet Burns, Bill Martin, Rollie Crump, Roger Broggie, Bill Evans, Harper Goff, Bill Cottrell, Bob Jolley, Wathel Rogers, Yale Gracey. They were – they are – the true Legends, and though I was truly “the kid” among them, they accepted me and made me part of their team.

I had the privilege (as my own career grew from Staff Writer to Vice President of Concepts and Planning, and then to President and Vice-Chai rman and Principal Creative Executive of Imagineering) of working with so many amazing talents, past and present. The Legends defined Imagineer and Imagineering, and you have carried on in the tradition they established: the standard of excellence. Walt created Imagineering, but Imagineers made it sing and dance. What Imagineers design and build has few precedents, but many followers.

Today your ability to marry new stories and characters with the wonders of new technologies is exciting to watch. I have long marveled at the capacity Imagineers have for letting new genies out of their bottles, granting wishes large and small for millions of guests around the world every year.

When I became the creative leader of Imagineering in 1974, one of the first calls I received was from the CEO of Disney, E. Cardon Walker. Walt Disney World had just celebrated its third birthday. “Now,” Card said, “what are we going to do about Walt’s idea for Epcot?”

The next 30 years or so filled so many blank pages they are almost like one of those “flip books”, where everything’s a blur. We created nine more Disney parks, including the five in international locations. Imagineering lived up to its roots and truly became the premiere design, engineering and construction organization in the world. The traditions of passion for our product, great storytelling and inspirational risk-taking – the traditions begun by Walt and those original Imagineers – not only continued, they grew and spread across the oceans.

For the last three years, as your Imagineering Ambassador. I’ve had a great time speechmaking and writing about creativity and leadership. I think I exceeded Jay’s expectations when he asked me to take on this role. We have created “Imagineering Week at the Studio”, represented all of you at special events and talked to thousands on college campuses, at IAAPA and TEA, at conventions across the country and Disney programs and events around the world. And I’ve had fun (that’s our business!) writing for many Disney outlets, especially my philosophy and history communications through Sklargazing on the WDI website.

Now it’s time to turn the page. So many of you have asked that I have finally actually begun writing that book about the people, the places and the passions I have experienced as an Imagineer.

As I said three years ago when my “ambassadorship” began, I know you will keep on dreaming big dreams, and creating the newest and best in the world. I’ll still be looking over your shoulders, cheerleading, and filling new blank pages. It’s the most important Imagineering tradition.

Marty Sklar

Marty will certainly be missed from the company, but everyone here at the WDWNT Network wishes him a happy and healthy retirement!