WDWNT is Your D23 Expo Central – August 8, 9, 10, & 11, 2013

Since the first D23 Expo back in 2009, we here at WDWNT have strived to bring you the absolute best coverage of this amazing, multi-day event. Well, this weekend will be no different. With multiple reporters in attendance as credentialed media, we look to bring the excitement of the D23 Expo to you faster and in more detail than any other site can provide.

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Live updates will be pouring in via our twitter and Vine accounts, but we we also be constantly adding articles, pictures, and video stories to the main site here at WDWNT.com throughout the weekend.

Also, every evening we will be presenting live audio reports from the Anaheim Convention Center on www.WDWNTunes.com. These shows will be released on the WDW News Today Podcast feed and here on the site as well for your convenience and will act as episode 301 of the WDWNT Podcast.

UPDATE: We have also been invited to a special media preview on Thursday evening August 8th, so our coverage will actually begin then and not on the 9th as posted. This preview includes the Parks and Resorts Pavilion, Disney Consumer Products, and Treasures of the Walt Disney Archives.

As you can see, we are ready to bring you the magic of the D23 Expo from Parks and Resorts to television and movies. It’s going to be a great three days, so please make sure you join us for our coverage as WDWNT.com becomes D23 Expo Central August 8, 9, 10, & 11, 2013!

WDWNT: The Magazine – A WDW Celebrations Event: Flora, Fauna, and Fantasy!

A WDW Celebrations Event: Flora, Fauna, and Fantasy!

by Patty Granger

On April 19th, 2013, WDWCelebrations held their eighth Disney fan event. The event, Flora, Fauna, and Fantasy included a visit to New Fantasyland at the Magic Kingdom®, a stroll through the blooms of the Epcot® International Flower and Garden Festival, and ended with a celebration of the anniversary of Disney’s Animal Kingdom® Park.

Who is WDWCelebrations, you may ask? WDWCelebrations is a not-for-profit, unofficial Disney fan organization. The group kicked off its first fan event, Celebration 25, in 2007. Since then they have been holding events that are not only about gathering Disney fans together but also focus on giving back to the community. Each event raises money for a designated charity. The event this past April raised $550 for Give Kids the World.

I had the great pleasure of attending Flora, Fauna, and Fantasy and it was a trip that will NOT soon be forgotten. This was my first opportunity to enjoy an entire WDWCelebrations event, having only been able to previously stop in for one day at Project XL: The World at 40. There was another significance this particular trip to Disney. This was my first solo trip to the World!

The great thing about WDWCelebrations events are that you don’t have to go with friends and family, you can show up to an event not knowing anybody attending and find yourself new friends once it’s over. So if you have opted not to go to a Celebrations event in the past because you didn’t have anyone to go with or didn’t know anyone who was attending DON’T let that stop you from going to a future event. In my opinion, the best part about attending a WDWCelebrations event is all the amazing fellow fans you meet over the course of an event. Everyone is there to meet old and new friends alike and it seemed like everyday I was meeting someone new. Meeting fellow fans wasn’t the only highlight of the trip though, here are several other highlights of the weekend:

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Eating at Be Our Guest restaurant,

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Witnessing a party of 60 or so get on Living with the Land for a group ride,

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Running around Animal Kingdom for a scavenger hunt,

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And being picked to be in the parade at Animal Kingdom.

These are just a few of the many events that took place over the course of the weekend. Like I said it was a trip not soon forgotten. I know in the future I will be making every effort to attend any events WDWCelebrations throws. So who will be attending WDWCelebrations next event, Studio 25?

If you want to stay updated on all of WDWCelebrations latest happenings or just learn more about their organization go to their website, follow them on Twitter, or become a fan on Facebook.

 

WDWNT: The Magazine – Fantasia: Music Evolved Announced for Xbox One

Fantasia: Music Evolved Announced for Xbox One

by Michael Truskowski

Technology is a funny thing. A new iPhone comes out every year, and your new computer is replaced the day after you buy it, but the video game consoles are now closing in on a decade on the market. The 7th generation consoles (Xbox 360, PS3, Wii) landed in 2005/2006. After years of speculation, the 8th generation is upon us. The Nintendo Wii U hit store shelves at the end of last year (and unfortunately for Nintendo has largely stayed there), Sony “showed off” the PS4 in February (and by “showed off” I mean they talked about the console for an entire press conference without ever showing it), and just a few weeks ago, Microsoft announced the Xbox One (proving that yet again, they are incapable of numbering systems that make sense). One of the major features of the Xbox One is that the Kinect sensor, which allows for controller free game play, will go from being a mere accessory to being a standard, fully integrated part of the experience. It was Kinect Disneyland that finally persuaded me to go out and get a Kinect for my Xbox 360, a game which I reviewed for this magazine. I think I know what will be the first Kinect game I play on the One.

On June 4th, Disney announced Fantasia: Music Evolved, and upcoming game for the Xbox One (a version for the Xbox 360 will also be released).The name itself is a not so subtle nod to Halo: Combat Evolved, the game which helped define the Xbox platform (though I suspect Fantasia will involve fewer machine guns). Unlike the button mashing of Halo, this game will be all movement.

The storyline puts you in the role of the Sorcerer’s Apprentice (Mickey apparently having been furloughed due to the sequester). If you ever wished you can step into Mickey’s role, controlling your surroundings with a mere wave of your hands, then this looks to be the game for you. Under Yin Sid’s direction, you will go forth into a world that, at least in a few of the screen shots released, bear a striking resemblance to the levels from Epic Mickey. Your interactions to the music will bring the areas to life, rewarding you with increasingly complex and interesting harmonies. There is no winning or losing in this game. It’s all about creativity.

In terms of the music, this is not your grandfather’s Fantasia. In addition to classics from the film such as “Night on Bald Mountain,” Fantasia: Music Evolved will also feature the music from contemporary (or close to it) artists. Announced so far are Avicii, Bruno Mars, Fun, Kimbra (is it a sign that I am officially old that I had to look this one up?) and Queen (every music game is now contractually required to have Bohemian Rhapsody). Disney has promised music from over 25 artists, so I suspect we will learn about more of the options as the release date gets closer. The focus on more modern pop tracks has me slightly worried. Yes, it will be more appealing for the younger crowd, but I do hope that we do not lose the Fantasia feel. I will reserve judgement of course, but I secretly hope that there will be a “classic” mode somewhere in there that will give you the option to command a real symphony.

Still, the Disneyland game for Kinect was enjoyable, if flawed. This will not appeal to the hardcore gamers, but it is not meant to. I am glad to see Disney continuing to look for ways to innovate in the video game space. We have come a long way since Mickey Mousecapade. For those of you attending this week’s E3 conference, be sure to stop by the Disney Interactive booth for a hands on demo. The game is set to be released some time in 2014. Look for a detailed review here once it is.

Fantasia: Music Evolved Official Fact Sheet

Overview

“Fantasia: Music Evolved” is a breakthrough musical motion video game inspired by Disney’s classic animated film “Fantasia.”  In the game, players enter the magical realms of Fantasia, selected by the legendary sorcerer Yen Sid, to hone their musical and magical prowess as his new apprentice.  “Fantasia: Music Evolved” takes players on an interactive and immersive motion-controlled journey through worlds of music and magic.

Players will control music spanning all genres and eras, including classics from the original film such as “Night on Bald Mountain” to over 25 hit artist selections ranging from chart-topper Bruno Mars to rock royalty Queen and electronic DJ and producer AVICII.  Using Kinect motion control technology and natural, controller-free gameplay, players will control the musical flow of these hits, unlocking the power to transform the music and living world.

Designed by Harmonix, critically acclaimed creators of Rock Band and Dance Central and the world’s leading music and motion gaming studio, players become the sorcerer’s newest apprentice, exploring remarkable worlds and unlocking the magic within the music, with Disney Interactive’s “Fantasia: Music Evolved.”

 Game Features

  • Perform your favorite songs from Bruno Mars, Queen, Fun., Kimbra, AVICII, as well as other world renowned artists and classical masters – using natural, gesture-based movements that put you in complete control of your own musical journey.   Experience a full range of genres and style unique to each performance.
  • Transform and remix music via magical manipulators in real-time like never before, changing music in intuitive and surprising new ways.
  • Explore breathtaking environments with your motion controlled “muse” including the mysterious subaquatic world of “The Shoal,” an enchanted printing press, and more;
  • Discover worlds filled with hidden musical interactions designed to engage players, encouraging them to unleash their creativity.

 Publisher:                           Disney Interactive

Developer:                          Harmonix Music Systems

Platforms:                           Xbox One®  & Kinect™ for Xbox 360®

Genre:                                   Musical Adventure

Players:                                Compete and collaborate with friends in multiplayer for up to two local players

Available:                            2014

ESRB Rating:                      “RP”  – Rating Pending

Price:                                    TBD

Official Trailer: Fantasia: Music Evolved Trailer

WDWNT: The Magazine – Downtown Disney, A History

Downtown Disney, A History

by Nathan Bradley

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Hello Humans! Today I’ll be sharing the history of Downtown Disney and venturing into what lies in its future…

Downtown Disney is an outdoor shopping, dining, and entertainment complex on the south side of Disney’s property. It was initially called The Lake Buena Vista Shopping Village, opening on March 22, 1975, as a shopping complex intended to serve the planned residences within the Walt Disney World property. As the target audience ultimately became all Walt Disney World visitors, it was renamed Walt Disney World Village in 1977. In 1984 came the Eisner era. His famous “keep them on property” philosophy was applied through beefing up the area. The area started to attract locals as well.

In 1986, to compete with the growing popularity of the Church Street Station clubs in downtown Orlando, Pleasure Island was announced. It was opened on May 1, 1989, the same day as the Disney-MGM Studios theme park. It was the height of Eisner’s philosophy: if someone else in the area is doing it, we’ll do it too, except better. Later that year, the original adjacent shopping complex was renamed The Disney Village Marketplace.

In 1995, major enhancements and expansions were announced for the area, with The Disney Village Marketplace and Pleasure Island being combined into a newly-branded district named Downtown Disney. Two years later, when the rebranding was implemented, major additions also came to the area. 1997 saw the addition of Downtown Disney West Side, featuring La Nouba by Cirque Du Soleil, DisneyQuest, and Virgin Megastore. The expansion of the World of Disney and the AMC Pleasure Island Theaters also came at this time. With the new West Side, a thriving Pleasure Island and a packed Marketplace, 1997 until 2004 was arguably the Golden Age of Downtown Disney.

Pleasure Island was a nighttime entertainment complex with two comedy clubs and four dance clubs. While the Village/Marketplace and West Side have always been free to enter, Pleasure Island required the purchase of admission and was closed during the day. The clubs included 8TRAX, BET Soundstage, Comedy Warehouse, Mannequins Dance Palace, Motion, Pleasure Island Jazz Company, Rock ‘n’ Roll Beach Club, and, of course, the Adventurers Club. Beginning in summer 2004, Pleasure Island became free to enter, and only those guests entering the nightclubs were charged admission. It was from then that Pleasure Island began its decline. The free entertainment was attracting large groups of local teens which was considered “undesirable.” As a teen myself who wants to go to concerts without paying the price, I can easily see why this happened.

Many repeat Walt Disney World visitors were and still are upset by the closing of Pleasure Island, which provided an escape for adults from the theme park grind and an overall fun experience. Not to mention the fact that the performers, especially at the Adventurers Club and Comedy Warehouse, were of the highest Disney quality. Although I never got to experience these clubs, being 16, people have recounted some of their most fond Walt Disney World memories to me, which were from Pleasure Island. Downtown Disney nightlife is definitely not to be underestimated on the Walt Disney World hierarchy of attractions.

All clubs closed permanently in 2008 with the nightly “New Year’s Eve” celebrated for a final time. New shops and restaurants were planned to replace the closed clubs, but the economic recession of 2009 delayed those plans. On November 18, 2010, Walt Disney World Resort announced a project named Hyperion Wharf, which was planned to replace the Pleasure Island complex. Pleasure Island would have undergone extensive renovations and re-theming to transform into the early twentieth century wharf-themed entertainment area. New shopping and dining locations would have also been added. In July 2011, it was announced that these plans had been delayed. Hyperion Wharf was later cancelled in favor of Disney Springs: a retheming of the entire Downtown Disney area.

Credit to Disney

Disney Springs, expected to be completed in 2016, will be divided into 4 main “neighborhoods”: The Town Center, The Landing, The Marketplace, and The West Side. Along with the retheming, many additions are planned for logistical purposes. The specific additions listed are based on the leaked concept art and not official Disney press releases. These additions include a bridge across the marketplace lake, a bridge from the marketplace to Saratoga Springs, and a multi-level parking structure. Right now, Downtown Disney is a logistical nightmare, so these modifications are certainly welcome. Specifically, the inability to easily walk from one side of the complex to the other is crippling to the success of the West Side and Pleasure Island. In terms of theme, Disney Springs is to “Draw inspiration from Florida’s waterfront towns and natural beauty,” according to the official Disney press release. The West Side, as per the leaked images, will have abandoned, elevated train tracks where adults can drink above the shoppers below. The whole complex is supposedly a town that evolved around a single spring during the days of the Florida pioneers. Thus, the Downtown Disney area will for the first time have a coherent backstory, something that should always sit well with Walt Disney World veterans.

Completion of the Disney Springs project can’t come soon enough for fans of the area who remember the days when Pleasure Island was a nightlife hotspot. The last five years of Downtown Disney have been devoid of an overarching theme to transform the commercial district into a truly Disney destination. Nonetheless, with the plethora of marketplace shops, DisneyQuest, and the AMC Theaters, the Downtown Disney area has long been a staple for the “off day” or rainy day for guests. With ever-improving food and entertainment choices, Downtown Disney is also a draw for locals. The Disney Springs theme will only improve the area, infusing life into the barren wasteland of Pleasure Island and making the complex more than just something to do on an “off day.” We’ve already seen additions such as Splitsville and the Fork & Screen theater that have started to draw people away from the Marketplace. With better parking, easier navigation, and more options coming with the Disney Springs project, Downtown Disney very well may enter a new golden age in the near future.

WDWNT: The Job Fair 2013 (We’re Hiring)

WDWNT has over 60 volunteer employees that make up our entire group of websites and podcasts, but we are always looking for more help to keep our finger on the pulse of the Disney Parks and the fans of these amazing places. Here are the positions we are currently looking for:

 

WDW News Today

Walt Disney World Writer – Write stories about Walt Disney World based on given information from press releases and various other sources.

Disneyland Writer – Write stories about Disneyland Resort based on given information from press releases and various other sources.

Walt Disney Company Writer – Write stories about the Walt Disney Company and its non-theme park companies from press releases and various other sources

Photographer – Take pictures on a regular basis at the Walt Disney World Resort.

Videographer – Record video of attractions, entertainment, and special events at the Walt Disney World Resort.

Podcast Editor – Use GarageBand, Audacity, or other audio editing software to edit and compile podcast episodes.

 

WDWNTunes

Original Programming – Produce an original audio program on a regular basis.  You will need to supply your own ideas for your program.  Existing podcasts or other audio programs seeking a home for streaming audio are also invited to apply.

WDW News Today on YouTube

Original Programming – Produce an original video program on a regular basis.  You will need to supply your own ideas for your program.

 

WDWNT: The Magazine

Feature Article Writer – Write feature-length articles on a regular basis for publication on our website.

Editor – Proofread and fact-check submissions of articles and columns. Experience with WordPress desirable.

 

If you are interested in any of these positions, please email us at wdwnewstoday@gmail.com, please include in your email the position(s) you are interested in, and any relevant experience you have.  If you have experience in an area not posted above, in which you think us deficient, feel free to email us with a job description that you could fill.

WDWNT: The Magazine – A Disney Animation Legend Remembered

A Disney Animation Legend Remembered

By Joshua Hall

When I say Pixar, what is the first thing that comes to your mind? Maybe the hopping lamp or the rubber ball with the star on it? Better yet, who comes to mind? How about Steve Jobs, the man who funded PIXAR when it became an independent company? Or John Lasseter, Pixar’s visionary genius who helped to bring the company to Hollywood fruition? Sure there are others: Pete Doctor, Ed Catmull, the list goes on and on but there is another Pixar great that you might not have heard of. I’m talking about Joe Ranft. You know, Joe Ranft? He was an animator, storyteller, and occasional voice actor. Heimlich the Caterpillar, Wheezy the Penguin, and Jacques the Shrimp (viola, he is clean!) all have one thing in common: Joe Ranft. Still don’t know him? From Toy Story to Cars, Joe worked on them all and he did so with artistic savvy and quiet diligence. Alright, alright…so who was this guy and what else did he do?

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Back in the good ‘ol days when animated features were still being made by hand one drawing at a time, a young boy born in Pasadena began to take an early interest in the arts. He fancied himself a storyteller, he liked to draw and make people laugh. He enjoyed film and the occasional magic trick. That young boy was Joe Ranft. With such a personality, it comes as no surprise that Joe, now a young man, enrolled at California Institute of the Arts where he studied animation and began to hone his skills as a writer and as an animator. After two years of study, Joe was offered a job and began working for Walt Disney Studios as a writer and storyboard artist in 1980. During these early days of Joe’s work, he received occasional training from the legendary Eric Lawson, who was one of Walt Disney’s original animators known as the “Nine Old Men”.

During his time with Disney, Joe worked on several animated features as a writer and animator; major blockbusters such as Beauty and the Beast, Aladdin, and the Lion King just to name a few. It was also during this time that Joe met John Lasseter. In the early 90s, Joe left Disney and joined Lasseter at Pixar where he took his first job as story supervisor for Toy Story, a role for which he received his only Academy Award nomination (Best Writing). Joe would continue to work at Pixar. He wrote and provided the occasional voice for many Pixar classics such as A Bug’s Life, Monster’s Inc.,  The Incredibles, and even some small voice credits in Cars (I’m not a Mack, I’m a Peterbuilt!)

Sadly, Joe’s life came to a tragic end when a car he was riding in crashed. He was on his way to a conference where successful businessmen help to mentor young men who are trying to straighten out their lives. Few have made such an impact.

In 2006, Joe was recognized as a Disney Legend, an accolade that is so well deserved. I hope you’ll join me in remembering this amazing storyteller, animator, and human being. Thanks Joe for everything you’ve given to make our day just a little bit brighter.

“It’s fun to draw for me and explore what’s there. To create a drawing and see it come alive, you’ve caught something, something unique.” – Joe Ranft

“For every laugh, there should be a tear.” – Walt Disney

WDW News Today Turns 6 Years Old! – July 8th, 2013

WDWNT6th

Every year this Network grows older, we reflect upon the accomplishments, impact, and incredible growth of WDWNT. It has now been 6 years since WDW News Today launched on July 8th, 2007. What was founded on the website you see before you and built on the back of daily news and information about Walt Disney World is now a vibrant collection of websites, podcasts, online radio stations, & more. The last year in particular has been a memorable one, as we finally condensed all of our amazing content into one website at WDWNT.com. We even set new records in traffic for our websites and podcasts this year, as well as brought you the best live coverage of many big events.

In the world of Disney, our sites have covered huge stories such as the re-opening of Test Track at Epcot, the opening of Splitsville at Downtown Disney, and the unveiling of the first pieces of Magic Kingdom’s New Fantasyland. We even celebrated the 30th anniversary of Epcot along with WDWCelebrations and have continued to present a fascinating series of podcast segments celebrating three decades of the Experimental Prototype Community of Tomorrow.

Tonight, we will continue our annual tradition of presenting a special anniversary edition of WDWNT Live! show on WDWNTunes.com. The show begins at 8PM EST and will last until 11PM EST. During this show, we will be making several major announcements about the future of WDWNT, one of which will forever change the face of our organization forever. We will also be presenting a special edition of WDWNT’s Around the Hub and will be bringing back an old, retired segment from the WDW News Today Podcast for one night only, among a number of surprises. We hope you will join us for that tonight as it is always a very fun event!

On a personal note, the 6 year journey of this website, the podcast, and the entire family of shows and websites that make up WDWNT has been the greatest experience of my life. I’d like to thank the incredible volunteer staff of over 50 people that have worked tirelessly to get us where we are today and the loyal readers & listeners who are to thank for our great success. This journey finally led me to Orlando and the dream life of living near Walt Disney World this year, for which I am eternally grateful to the entity I created. I am very proud of what we have accomplished in the last 6 years and amazed at where it has taken me today. I’m looking forward to many more years of “Bridging the Gaps Between You and the Disney World”.

Tom Corless
CEO & Founder of the WDW News Today

WDWNT: The Magazine – Animal Kingdom Opening Day Remembered

Animal Kingdom Opening Day Remembered

by Ron D’Anna

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[dropcap]F[/dropcap]or the Disney Parks fans, there can be no greater event than the opening of a new theme park.  The last time this rare event occurred at Walt Disney World was April 22, 1998. I was there–a senior in high school skipping class to attend. Earth Day was an apt choice to birth a new park based on conservation and the natural world. Disney’s Animal Kingdom officially debuted that Wednesday at 7 AM.

Animal Kingdom had already been in soft openings for weeks for Cast Members and annual pass holders, but the official opening still felt like something special. Arriving to the plaza in front of the turnstiles a little before 6AM, I was already so far behind in the sea of people I could not see any of the actual opening ceremony events, but the dedication still speaks to what the park is and the broken promises of what it was supposed to be–Beastly Kingdom was well known, even then.  As Michael Eisner read that morning, “Welcome to a kingdom of animals… real, ancient and imagined: a kingdom ruled by lions, dinosaurs and dragons; a kingdom of balance, harmony and survival; a kingdom we enter to share in the wonder, gaze at the beauty, thrill at the drama, and learn.”

Once past the turnstiles, the crowd didn’t seem to just speed toward the Safari Village (now Discovery Island). The winding paths of the Oasis captivated the crowd. People were steadily moving forward, but groups would veer off to stop and look at the exhibits. While we stopped for a brief look at a few habitats, we moved towards our first intended stop fairly quickly– Dinoland USA. We didn’t really look around much, but we headed straight to Countdown to Extinction (now Dinosaur).

I had been on Indiana Jones and the Temple of the Forbidden Eye a few years previously, so I thought I knew what to expect. The ride, still one of my favorites, was at it’s best back then. The jumping compsognathus, the diving pteradon, and the final asteroid were all there and working. These effects added something to the ride that is missing now but will hopefully return someday. Exiting the ride, we didn’t stop to look around the heavily branded McDonald’s Dinoland, the name and logo were also all over the park map; we decided to hit the E-tickets and return later.

This proved to be a good idea; when we arrived at It’s Tough to Be a Bug, the queue was probably 40 minutes long, if not longer. We actually enjoyed the time in queue, and as we looked at all the intricacies carved into the Tree of Life for the first time, it did seem to make the wait go quicker. I’m sure everyone has had his or her own first time experience in the show and has watched other guests react to the tactile effects for the first time, but being part of an entire crowd freaking out as the sting effect hit might be my most vivid memory of that day except for the screams from the under butt bugs at the end of the show.  At the time, I think the effects made it my favorite 3D show at Walt Disney World, but it’s repeatability has definitely waned.

After exiting the Tree, we walked into Asia; only Flights of Wonder and a dock for the now non-existent Discovery Riverboats were there; however, the “Adventurer’s Guide” park map showed the construction of what was then referred to as Tiger Rapids Run. Next, we took the boat back to Safari Village, and we headed to Harambe Village and Kilimanjaro Safari.

Of the attractions I visited that day, the Safari has probably changed the most.  The wait was only about a half hour, and I remember the TVs setting up a good preshow of the Harambe reserve; I don’t know if they still do this, I haven’t ridden it without a FASTPASS since then. The animals were actually out and fairly active that day; I’ve seen it much better and much worse over the years. The most memorable difference was the existence of the Big Red plot and her body.  This is the only time I remember seeing the body. I’ve heard people say it was only there for the previews, but I clearly remember seeing it there that day.

We moved on to the Gorilla Falls Exploration Trail (now the Pangani Forrest Exploration Trail – I think there’s a pattern here). Here, very few of the animal exhibits were active. The animals were in their habitats, but they seemed to still be shying away from the viewing locations. I knew about the tricks Disney had employed to keep the animals visible, but they didn’t seem to be working too well. The lack of animals led a friend to paraphrase Jurassic park: “You do intend to have Gorillas on your Gorilla Falls Exploration Trail?” I like to think this lead to the name changing just a few months later. Not all the animals were hidden from view, and I do remember being fascinated by the meerkats and the aviary.

With some time to kill before lunch, we headed to Conservation Station aboard the Wildlife Express; there was no mention of Rafiki anywhere.  It was still a good distraction, but I don’t remember anything standing out about it at all as two high school  seniors weren’t exactly the target audience for the petting zoo. After getting back to main part of the park, we decided it was time for lunch. All of the quick service locations had fairly massive backups; the park map listed only five “Dining Locations” as separate from “Quick Bites.” We ended up getting the perennial favorite turkey leg at the Dino Diner cart (now Trilo-Bite) and sneaking into the back of “Journey into the Jungle Book.” The show was good and should have stayed longer than it did.

We decided to ride Countdown to Extinction again and encountered something that you won’t see anymore since the addition of FASTPASS: a line circling the entire carnotaurus rotunda. We spoke to some other people who told us what we missed on the other half of the Discovery Riverboats. So, we decided to head over to the Safari Village dock, but the line was an hour long. We went back and started to walk around the Dinosaur Jubilee which was a tented area containing some very cool exhibits including the skull of an actual Tyranasaurus rex nicknamed Sue. Sue was a truly unique exhibit to a Disney park and now resides in the Field Museum in Chicago. The exhibit was something that Animal Kingdom does well in certain places but is lacking in Dinoland–a real life look at the animals as they exist, and in this case as real fossils being examined.

At this point, word had spread among the guests that Disney was giving commemorative lithographs as guests were leaving the park. We were not quite done for the day but headed out to the Oasis to pick up our prints before they ran out. Afterwards, we wandered around and took in the animal exhibits in the Oasis and around the Tree of Life and shopped for a few hours. By 3 PM, we were ready to head home and face the three-hour drive ahead of us. We did catch part of the March of the Animals (later Artimals) before leaving too. We spent 8 hours in the park and didn’t even see half of the shows; Festival of the Lion King and Pocahontas and her Forrest Friends were both showing that day. Long before Kali River Rapids and Exhibition Everest, Animal Kingdom was still a full day park if you took the time to examine it.

I don’t really remember any other official events commemorating the opening day. There was a corridor of media booths with radio and television stations from across the country that lined one of the paths out of Africa, and we stopped to talk to a couple of Miami DJs we were familiar with. I don’t think large-scale ceremonial events are really necessary to appreciate the weight that day carried. The crowd had a unique energy to it and an awareness of the occasion. If you ever get a chance to visit a park opening, it truly is an event worth the trip.

 

Ron has been going to WDW longer than he can remember. As a former Cast Member, he has always tried to share his love of Walt Disney World. Ron can be reached at graceysbutler@gmail.com.

Episode 143 Texting

Ep. 142 Texting

This week we review Park 13 and the Frozen vinyls. We also talk about the new Hawaii and Vegas figures featuring Stitch. This episode is also our 2013 Dee Vee Award wrap up were we run down some of the numbers from and interesting stats from the show.


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WDWNT: The Magazine – 2013 Disney Dining Plan: Finding the Value

2013 Disney Dining Plan: Finding the Value

by Ron D’Anna

Screen Shot 2013-06-13 at 10.40.34 AMThere appears to be little about Walt Disney World that is as rationally and hotly debated as the Disney Dining Plan (“DDP”).  Convenience, value, amount of food, access to reservations, and the food quality are all aspects that are questioned constantly on innumerable podcasts, blogs, FAQs, and forums. While many of these topics are unquantifiable, one is easy to test: value. Are you getting your moneys worth on the Dining Plan? A quick answer is impossible to come by.

I’ve always been fascinated by numbers and how easily they can show us complex situations in a simple format, so a few years ago, I decided to break down the relative value of the DDP. I have updated it year by year, which isn’t an easy task. With over 85 participating counter service and over 70 table-service locations, there were a lot of items to go through. In fact, if you were to eat one dinner entrée a day, it would take you over four and a half years to sample every one of them! And since these menus change constantly, the task may actually be impossible. As such, please do not take this as absolute results; it is meant to be a general guide, not a play-by-play way to game the system. In fact, the data is already out of date: in the month it took me to compile the pricing, multiple locations changed menus. I have decided not to try and update it any further and let the general rules stand. I would like to thank TouringPlans.com for an excellent and regularly updated menu and pricing depository, without which this study could not have been done.

For those that are unfamiliar, there are three basic dining plans: the Quick Service Dining Plan (QSDP), the Plus (or standard) Dining Plan (PDP) and the Deluxe Dining Plan (DxDP). All plans also include the refillable mug you can use at your resort. The costs can vary by season, but the non-peak prices are $35.58 for QSDP, $55.59 for PDP and $99.97 for DxDP. Prices listed are per person, per night.

  • The QSDP includes one snack credit and two quick service credits per night of your stay.
  • The PDP contains one snack credit, one counter service credit and one table service credit per night. Both counter service and table service credits entitle you to an entrée, a drink and a dessert (if used for lunch or dinner).
  • The DxDP contains three table service credits, appetizers with lunch and dinner table service meals, and two snack credits per night.

Table service meal credits can be used at counter-service locations, but that is a definitively poor use for the plan. To figure out if any given restaurant is worth using on the plan, the components of the plan had to be broken down price wise. I did this with some relatively basic algebra and a few assumptions. The first assumption was that the refillable mug is just a bonus. Since you only get one per person whether you buy the dining plan for a week or for a night, its price isn’t something that can be calculated on a general scale. Second, the generally accepted snack credit value has been about $4 for a few years. Some snacks can definitely be purchased above that value, but that had been the general cap. I just set the value at $3 for my purposes for two reasons: 1) it gives a perceived premium value to the dining plan, and 2) Disney knows a lot of people just use them on things like sodas and bottled water, items priced well below the maximum value. My third assumption was that the Deluxe Plan was priced in such a way that Disney assumes two table service and one counter service use per day.

With these assumptions, the pricing was easy to work out with just a little playing around–the value of a counter-service credit is $17.29, a table service credit is $35.30 and the value of the appetizer for the DxDP is $3.04. I justified the relatively low cost for the appetizer in two ways: 1) you do not get it at breakfast and 2) Disney assumes people aren’t eating that much and will split them sometimes. Some final assumptions had to be made when pricing out the individual restaurants.

While there are many places that will offer milkshakes or other premium drinks, it was not always possible to tell which ones would be included without extensive hands-on research, which was not possible. Additionally, results could vary from server to server, so for simplicity’s sake, I priced all counter service meals to include a large soda, and have added $2.50 to all table service meals. There are also conflicting reports that certain items are exempt on certain menus, but these are inconsistent reports, so for the purposes of this article I’ve included all menu items. The value of items that say “for two” have been cut in half as I’ve heard they can be split.

There are a few general statements that can be made about working with the dining plan to maximize your value. The first one is: avoid using credits for breakfast. This is universally a bad deal across both table and counter service restaurants. The only exception would be breakfast at Akershus, where the $37.99 price tag is already above the credit’s value. While it is true that Cinderella’s Royal Table is more expensive, it is considered a signature restaurant, and therefore requires two of your table service credits. This is the second general rule: avoid dining at Signature Restaurants. It is almost impossible to extract value from them even if you order all the most expensive items, so go ahead and skip getting up at 6 AM to make that coveted Le Cellier reservation—sleep in!!

 

Let’s start looking at the counter service locations. There are many locations where you are never going to be able to get to that target of $17.30 to come out ahead. The chart below lists them out.

Dining Value Chart 1

The outright winners for best value were the two Wolfgang Puck Express locations (over $30 at West Side!), but I cannot guarantee they will honor the dining plan for these items, since they aren’t operated by Disney. The Pepper Market, Bongo’s Window, Sassagoula Food Court, Cosmic Ray’s, Fairfax Fare, Pecos Bills, Tangerine Café, Cookes of Dublin, & Katsura Grill can all top the $20 mark if priced right. There were only five locations that the average meal price will beat the DDP cost: the two Wolfgang Puck Express locations, Tangeriene Café, Bodies, and the Pepper Market are the highest average values. Sorry folks, but perennial favorite Earl of Sandwich is actually the bottom of the list as far as average value goes: under $12.

Table service restrains get a bit more complicated when you add in the DxDP. Tutto Italia tops the list for best potential value with $63.50 for an entrée, appetizer, and dessert. San Angel Inn is the best value if you are on the PDP. There are only seven non signature restaurants that cannot get to the minimum value to make your money back: Big River Grille, Trails End, The Plaza, Beaches & Cream, Tusker House, 50s Prime Time, and the ESPN Club. The vast majority of restaurants have an average cost under the $35.30 threshold. The below restaurants have an average cost that will give you a good value for dinner:

  • 1900 Park Fare
  • Chefs de France
  • Kouzzina
  • Cape May Café
  • Tutto Italia
  • Restaurant Marrakesh
  • Hollywood & Vine
  • Chef Mickey’s
  • Tokyo Dining
  • Garden Grill
  • Boma
  • Teppan Edo
  • Akershus
  • Liberty Tree Tavern
  • Coral Reef
  • Crystal Palace
  • San Angel Inn
  • ‘Ohana
  • Biergarten

Overall, the average maximum value you can receive for table service meals is $28.66 for breakfast, $37.35 for lunch, and $42.18 for dinner, so on average, ordering the most expensive items will get you your value. The overall average values are $28.38 for breakfast, $32.76 for lunch, and $39.01 for dinner. Dinner seems like a good use of the credit!

At counter service, the average values are $10.92 for breakfast, $17.49 for lunch and $17.81 for dinner. Both lunch and dinner will get you your value. The average maximum values you can get are $12.28 for breakfast, $20.67 for lunch, and $21.55 for dinner.

Let’s also just look at the average cost per item across all of property. Starting with the signature restaurant, the average lunch entrée costs $26.18 and dinner is $37.09. A signature lunch appetizer is $12.17, and at dinner it is $14. Desserts will run you $8.83 and $10.11 on average for lunch and dinner respectively. Remember, it will cost you two credits to get those. At standard restaurants, the lunch entrées are $17.96 and dinner is $20.26. The desserts are $7.58 for lunch and $7.02 for dinner. Lunch appetizers average $9.21 and dinner is $9.27. Note that prices for all-you-care-to-eat places, such as buffets, include only the entrée portion of those averages. Counter service entrees average $9.13 for both lunch and dinner and $3.61 for the dessert.

What’s the most you can spend in a day? Well, let’s say you have a Parkhopper and don’t want to eat at the same place twice. You can eat $57.85 on the QSDP, $77.85 on the PDP, and $162.74 on the DxDP.

Given all this, I guess I should answer the question—would I recommend the Disney Dining Plan? While there can be substantial savings, you still have to do some work to get them, so I cannot recommend it outright. However, I cannot completely dismiss it as a waste of money either, simply because you can get your value out of it if you know where to avoid.

I’ve included a link to my summary sheets for those who want more information and specific details—just remember that these numbers are not exact, should only be used as a general guide, and are subject to change at any time:

2013 Summaries

edited by Amy Yacullo