Custom Class with Rust This World: Lesson 3 – Stripping Paint

This week in Custom Class, I’m going to be showing you how to strip paint off of Vinylmation figure. Paint removal is kind of advanced technique, and definitely only applicable in very specific situations. With the I Heart Mickey series that just came out, us custom artists now have a cheap and easy source for Buzz bubble helmets. Unfortunately, they all have some sort of paint on the inside of the back part of the helmet. I’ve had a lot of people asking how to strip paint from something. I’m going to show you two different ways.

Here are the two products I’ll be using. On the left is a bottle of acetone nail polish remover. This is the stronger of the two liquids I’ll be using. It strips paint off figures really easily, but is also a lot easier to mess something up with. On the right is my bottle of brush cleaner that I use to clean the paint out of my brushes after I’m done painting. It’s definitely more gentile than straight Acetone, but it may take a bit more work.

So I’ll start with the helmet. I’m using the brush cleaner for this because I don’t want to accidentally mess up the inside of the helmet, since it needs to be clean when I’m done. What I do is dip my brush into the brush cleaner and just brush over the spot I want to remove the paint from. Depending on the paint, sometimes I’ll brush the stuff on and then give it a minute to dilute the paint, before wiping it off.

As you can see, I can not wipe off some of the paint.

It takes a few layers of brushing, then wiping, then repeat until it’s completely removed.

Next up I have a Bambi 25th Anniversary figure that I want to completely remove the paint from except the face, which I’ll just paint over. I start by brushing on brush cleaner just like before.

With the ears completely clear, I move onto the body. I don’t know how the glue and glitter will react to the brush cleaner, so I sanded it down to just the figure and paint.

Using the same technique, I gradually am able to remove the paint from bamboo’s body and arms. She had several layers of paint, so it took longer and was a bit messier than just the writing on the helmet.

Eventually, I was able to get his entire body down to just the plastic.

For the last part of the lesson, I’ll be using Acetone. You don’t want or need any industrial strength acetone as there’s a good chance it will melt your figures. Nail polish remover with Acetone in it will work fine. If it can’t eat through the plastic bottle it comes in, it won’t eat through your figure. If you’re buying the acetone in a metal can, you’re over doing it. I’m going to be turning this I Heart Mickey figure into just a clear red figure. Because Acetone is more acidic than the brush cleaner, I use a cue tip instead of my brushes so that I don’t destroy my brushes.

I pour a little bit of acetone into the cap to dip my cue tip into and begin to wipe away the paint.

It may takes several passes and multiple cue tips to remove all of the paint and sometimes it will just smear around.

I probably went through 7 cue tips, using both ends, to get it to this stage where it’s completely clear.

To stop the acidic effects of the acetone and make sure it doesn’t melt my figure, I run the figure in some water and dish soap. The soap acts as a base to cancel out the acetone.

And finally, I end up with a plain clear red figure on the current mold.

By stripping the paint from the Bambi figure and the bubble helmet, I was able to make this Madame Leota figure, which I like so much more than the version from Haunted Mansion.

Custom Class with Rust This World: Lesson 2 – Sculpting

Alright children, class is back in session after a long summer break. Today, we’ll be talking about sculpting. Sculpting is something that can really take your figure to the next level. More and more vinyls are coming with accessories these days; whether it’s a hat, a weapon, or even little stuff like the rim of Darth Vader’s helmet in Star Wars 2. Today I’m going to teach you how to do this yourself. Don’t be afraid to ask questions or share ideas for future tutorials. Just leave a comment here or tweet me @rustthisworld. Also check out Lesson 1 – A Beginner’s Guide.

Part 1: Common sculpting materials that custom artists have used.

Sculpey

Sculpey is everyone’s favorite hobby clay. Regular Sculpey is brittle and flimsy when it hardens, so I wouldn’t recommend using it. However, Super Sculpey is a different story. Super Sculpey hardens much harder and stronger. Super Sculpey is great if you want to sculpt something really detailed because it holds detail very well when cooking. Sculpey has a huge downside, you have to heat it in some way for it to harden. This means either baking it or boiling it, both of which can cause serious harm to your vinyl. If you heat it, you probably don’t want to put your figure in the oven as it could melt and release toxic fumes. Heather of Customations fame apparently bakes her figures with the Sculpey attached to it, but just heats at a low temperature. The other way to get the Sculpey to harden is to hold the vinyl and clay with a pair of tongs in a pot of boiling water for about 20 minutes. Now I need to move on and stop talking about Sculpey because the word Sculpey now sounds completely weird in my head. Sculpey.

Crayola Air Dry Clay

Pros: It air dries! No heating required.
Cons: It sucks in everyone other way. It doesn’t hold detail, crumbles and cracks very easily, and is very fragile and hard to work with. It’s for kids to sculpt snakes out of and eat, not for serious use.

Epoxy Putty

Epoxy Putty is a two part compound that when mixed together hardens. There are many different kinds of Epoxy, most are for industrial use, like fixing pipes and filling holes. This kind of Epoxy holds no detail or shape as it’s meant to just expand and fill a space. Other kinds are meant specifically for hobby sculpting, like for models or miniatures. Another custom artist, Joe of War, uses Aves brand of Epoxy and gets good results. Games Workshop (who make my favorite Citadel Paint) have a kind of Epoxy called “Green Stuff” which holds amazing detail and dries rock hard, but it is expensive.

And finally, my secret weapon.

Makin’s Clay

I love Makin’s Clay, and I use it for all of my custom projects that require sculpted modification. It air dries, so you don’t need to cook it. Not only that, but it air dries as hard as plastic. I’ve dropped some of my sculpted pieces from like 8 feet off of the ground and they didn’t break. It comes in all kinds of colors, including Glow In The Dark, though I mainly just use plain white. or “natural”. Since it’s water-based, it makes creating smooth even sculpted extremely easy.

I get mine at Hobby Lobby, but it can also be found online.

Part 2: Some other things you’ll want

Super Glue

If I’m sculpting a shape onto the vinyl that I want to smoothly blend into the figure, I use super glue to stick the basic shape onto the figure. Even if you’re sculpting something like a hat that you want to stick to the figure, Super Glue is there for you. I personally use Gorilla brand Super Glue because it’s a thicker gel-like substance so it doesn’t run everywhere, and it doesn’t leave much white residue like some other Super Glues do. It also it’s super hard when it dries and is much more durable than lesser brands.

Sculpting Tools

I’m not sculpting anatomically correct ecorche here, so I don’t need a million tools. I have 3 (each with two ends, so effectively 6) small plastic tools that I picked up for $3 at Hobby Lobby. They just help shape your sculpt; some ends cut, some ends round or smooth, and some add texture.

 A Dremel

This is totally optional, but I love my dremel. I use it to sand down and smooth out my sculpts so that they’re cleaner and easier to paint, but I’ll go more into that later.

Part 3: The Sculpt

Today I’m going to make a heavily sculpted Kermit the Frog with a sculpted mouth, eyes, collar, and banjo. This will cover both the sculpting on and off of the figure. I’m going to start out by making his collar. First, I take a ball of the clay and flatten it onto the table.

I take my knife tool and cut out little sections so that it resembles the points of Kermit’s collar.

Then, I line it up with the head of the figure I’m using to make sure it’s a good size.

Next I take a couple drops of super glue to fix the collar onto the vinyl.

The clay I use usually takes about 24 hours to fully dry.

Now I’m going to start working on the mouth. This will cover how to sculpt directly onto the figure.

I use the knife tool again to cut out a couple sections that are generally shaped like the 2 halves of Kermit’s mouth. These will be my base.

I add a line of super glue on the back of each and attach them to the head. They don’t need to be fully dry to glue them down. Gorilla Glue hardens very fast, so I just hold the piece I’m gluing to the surface for about 30 seconds and that usually holds it.

It looks too much like a bird’s beak now, so take a couple small clumps to round out and widen the edges of the mouth

Now I begin to add more sculpting to blend the shape of the mouth into the head. I take a big clump of the clay and smooth it out. Makin’s Clay is water-based, so I just dip my fingers into water and then smooth the clay out and blend it into the figure with my fingers.

That’s the basics of how I sculpt onto a figure so that it is seamlessly integrated into the overall sculpt of the figure. Using these same methods, I’ll also add a couple of eyes and made a simple banjo for him to hold.

I also used my razor knife to cut his hands off and glue them back on so that they can accurately hold the banjo.

I then use the same ultra fine sandpaper that I used in my last tutorial and sand the figure down. This should smooth the sculpt out and eliminate any finger prints or uneven edges.

Then I take my trusty dremel tool and attach a buffing wheel onto the end. This really smooths down the sculpt and makes it perfect for painting on top of.

Once everything is dry and prepped, I just paint it like a normal figure.

And that is how I sculpt onto my figures.

Remember if you have any questions, ask them here in reply or find me on twitter (@rustthisworld) and ask on there.

Custom Class with Rust This World: Lesson 1 – A Beginner’s Guide

Attention Students. Custom Class will now begin. I’m your teacher Rust This World. I have been customizing toys for over five years, and have in that time narrowed down my methods to what works best for me. I started with action figures, moved onto urban vinyl, and finally to Vinylmation a little over a year ago. Hopefully in my series of lessons that will be posted here on Destination Vinylmation, I will not only teach you about techniques that will help you in making a custom figure, but also some information about the materials and why specifically what I do works. Science and art combined.

This is my first lesson, hopefully of many. I have plans for lessons on airbrushing, sculpting, and making a light up figure, and would definitely do an entire column of user questions if there are enough. If anyone has any questions or requests for specific projects for me to demonstrate, message me on twitter @RustThisWorld or on Facebook facebook.com/rustthisworld.

In this lesson, I will be showing you the proper ways of painting a Vinylmation figure. These are the fundamentals of making the simplest custom Vinylmation by doing nothing more than painting it.

One quick disclaimer before I begin: If you’re a custom artist and your methods are different than mine, I am by no means saying that you’re wrong. These are the methods and products that work for me based on my experience.

We’ll start today’s lesson by discussing…

Paint Type

The most commonly used paint to use on figures is acrylic paint. There are various kind of acrylic paint, but the ones I use most often of those that used for models or hobbies.

Acrylic paint is made up of 4 things: The pigment, which is the raw color, water, which dilutes the paint and makes it possible to brush on and stay wet, the binder, which keeps the pigment and water mixed, and usually some sort of filler that’s a cheap way to fill the bottle without using as much binder or pigment. Some paints are harder to paint with because of their make up, such as white and red paints always being thicker because they use a lot of pigment, and yellows being thinner because they use less.

Here’s my collection of paints.

After years of doing this, I almost exclusively use Citadel Paints, which are made by Games Workshop (the company that does Warhammer). They’re more expensive than other more mainstream acrylic hobby paints, but the quality is unmatched.

Reasons I love Citadel Paints:

1. Long shelf life. Yes, paint doesn’t last forever. As the paint ages, the water dries out, causing the rest of the paint to become thick and sludgy, or even unusable.
2. Huge variety of colors. I’m not crazy about mixing my own colors, and will only do it on small occasions. The amount of colors that Citadel has is huge. I believe there are over 100.
3. Color Quality. Bright vibrant beautiful colors in every shade.
4. Consistency. The consistency of the paint is key to getting clean and smooth brush strokes. If your paint is too thick or too runny, you’ll end up with a mess. Citadel paint don’t need to be thinned or watered down, they’re always the perfect consistency.
5. They dry fast. When you’re painting a figure, you don’t want to wait for long periods of time for the paint to dry.
6. They naturally have a matte finish. Glossy finishes make things look cheap and plastic-y and only work if the subject matter is slimy or wet, like the Cutesters Turtle or Alice Oyster.
7. They dry perfectly. Often with cheaper paints, they will dry sticky or tacky on softer plastics. Citadel always completely dries.

There are other types of Acrylic paints such as Testors or Apple Barrel, but from my experience, they’re not as good. You can get Testors paints for extremely cheap at most hobby stores like Hobby Lobby or Michaels, but their shelf life and colors are not very good in my opinion. Their white and yellow colors are really bad, too. I have a few bottles of testers, they’re all metallic colors.

Brushes

Other than paint, the other thing you need are brushes. Here’s my collection of brushes that I currently use.

Most of my brushes are Watercolor brushes. I use watercolor brushes mainly because they have very smooth bristles, which will leave you with less brush strokes in your paint. I also only really use tiny brushes. The smallest one I use is a 0/4 or 0000 size brush, which is used for super tiny detail and line painting. Blick’s site has a great scale brush size comparison chart so you know what size brush to get: www.dickblick.com/info/brushpdf/brushsizing.pdf

Basing Your Figure

Even if you’re using a Create-Your-Own figure, you need to base it for a few reasons. The first is that CYOs are often just pulled from the molds at the factories and put in the boxes, which means that they’re covered in mold release of some other form of lubrication. The lube is oil based, and any water based acrylic paint you paint on it with, will smear and bubble and separate. In fact, if you’re using a CYO at all, you should wash it with soap and water before doing anything.The other reason is that a thin, smooth, white base coat will make all paint that goes on top adhere much smoother. You can totally paint over non-CYO figures as well. I’m not using a CYO because I’m unabashedly in love with the new mold, and they don’t make new mold CYOs. So this turtle is getting sacrificed to the custom gods today.

Here’s what I use. It’s a white spray on enamel primer, and aside from what I said about Testors earlier, their spray paint is decent. I use white because every color will look bright when painting on top of it. Using a black primer will make any color painted on top look darker. Citadel makes a primer too, but it costs about as much as a down payment on a car and isn’t different enough . These spray primers are meant for models and spray in thin layers. I would not recommend buying industrial grade spray paint from a hardware store, as it will probably spray on much thicker and you may lose detail in the sculpt.

Don’t go overboard on spray this the primer. If you spray too much in one spot, the paint will get thick and drip down the figure. Spray in small bursts from 9-12″ inches away until it’s covered. Here’s what my figure looks like after one pass.

If you think there a spot that needs more paint, wait and until the figure is dry and go back and spray more. I can still see the eyes and some details in the above picture, so I waited about 10 minutes and sprayed some more. I can get about 15-20 3″ figures based out of one of those cans.

Sketching

I always draw my design onto one of the templates from the official Vinylmation blog, so I know how it will look and make any changes before I start painting.

One I’ve based the figure, I take a pencil and sketch my design onto the figure. This isn’t necessary, but it’s very helpful for know exactly how your design will be applied to the figure and will make sure that you paint it correctly the first time.

Painting

I start with the bottom base colors in big blocks. So Donald’s orange beak, his blue shirt, his bow tie, etc. All of the small details I’ll be painting on top of the base colors.

Depending on their consistency, some colors will need multiple coats of paint to look good. Let each layer dry before a brushing on a new layer. Don’t smear a ton of paint on at once, or it will dry clumpy.

When painting, get a small amount of paint on the brush and softly wipe it in even strokes. If you get too much paint on the brush, it will leave clumps and uneven spot. While the paint is still wet, you can continue brushing it in different directions to achieve a smooth even coat.

Even though I have like 30 different colors of paint, sometimes I need a color that I don’t have. Donald’s eyes have a light blue hue to them, but the light blue color I have is a little too dark. I have a small palette that cost like a dollar that I can mix paint in. For those of you who have mixed paint or studied color theory before, here’s the basic rule:

Adding white to a color will “tint” the color and lighten it.
Adding black to a color with “shade” the color and darken it.
Adding grey to a color will “tone” the color and desaturated it.

So to get a lighter blue color, I mix white with a tiny bit of light blue.

I then go in with my smallest brush and add lines and detail to the figure. It’s easier to add the lines after the initial color so that the larger strokes of filling in a large area won’t accidentally overlap on your lines. This part is extremely difficult even though I’ve been doing it for years. The secret is a steady hand and a lot of patience. I’m not perfect at it and I messed up in a few places, but I’ll show you how to fix that relatively easy.

I’m sure there are some people out there who are awesome at painting perfectly straight lines the first time around, but here’s what I do if I accidentally paint a line too thick. I felt that the black line for Donald’s eyebrow is too broad, so I took some white paint and painted it on either side of the brow to thin the black line.

I also did this in several places all over the figure, like the bill and the bow tie.

One thing you can do if you feel that your paint is too thick or there are clumps or brush strokes in places is use sandpaper to sand the paint down. I use very very fine sandpaper (size 180). I tear off a small piece and sand down any visible brush strokes. Sometimes, the sandpaper with ruin the paint where you are rubbing it, but you can always go back and apply a new layer of paint where you sanded, being more careful not to show brush strokes the second time.

After this, I’m pretty satisfied with the paint, but there’s one more step to preserve it.

Sealing the figure

If you want your figure to have longevity, have a nice uniform look, and not get scuffed, you’ll want to seal your figure. Sealer is a clear coat of paint that protects everything paint underneath it. Here’s the sealer I use.

The Dullcoat gives the figure a matte finish and the gloss coat gives the figure a glossy finish.The cans look almost exactly the same, but the dull coat has a cloudy top and the gloss coat has a clear top. That and they say Dull or Gloss on the little sticker label on the cap.

Spray sealer is pretty toxic, so you don’t want to spray it indoors and you definitely don’t want to deeply inhale it. I usually wear a dust mask when I use this. If spraying isn’t your thing, you can also buy sealers and varnishes in bottles and brush it on. If you’re spraying outside (like you should be) it should take about 10 minutes to dry. I spray on each side.

Cleaning Your Brush

So you just bought a really nice watercolor brush, but now it’s covered in paint, what do you do?

This is a bottle of Winsor and Newton Brush Cleaner and Restorer. It’s an alcohol based solvent than not only strips the paint from your brush, but also restores the bristles so that they don’t dry out or break.

So as not to contaminate the rest of bottle, I turn the cap upside down and pour a little bit of the cleaner into the cap. I then swish my brush around, brush it on the top and bottom, and then wipe it off on a paper towel. This usually cleans fresh paint right off. If you’ve let the paint on your brush dry for several hours, you’ll have to soak the brush in the cleaner for 10-20 minutes for the paint to loosen and dissolve.

As a bonus, at the end, your paper towel will double as an abstract painting.

Conclusion

Proper materials is 50% of making a good figure. The other 50% is up to the creativity and skills of the custom artist. I’ve been painting figures for years and I went to art school, but even I’m not perfect. Practice and patience is the key to making a good-looking figure that will earn you tons of Internet respect. No one’s first figure is going to be stellar. Hopefully this tutorial will save you a lot of the trial and error that I went through and get you off on the right foot with the right general idea of how to customize.