‘Limited Time Magic’ Continues at the Disneyland Resort with New Orleans Bayou Bash!

From Erin Glover on the Disney Parks Blog:

Join Princess Tiana and Prince Naveen at the New Orleans Bayou Bash at Disneyland Park

It’s almost time to let the good times roll at Disneyland park with the return of New Orleans Bayou Bash! – this year, part of “Limited Time Magic” here at the Disneyland ResortNew Orleans Square will be decked out for a party, and so will some of your favorite Disney friends! New Orleans Bayou Bash! will come alive in New Orleans Square from 10 a.m.-6 p.m. on the following dates:

  • January 18-21
  • January 25-27
  • February 1-3
  • February 8-12

Here’s a look at what is in store:

  • Princess Tiana’s Mardi Gras Celebration – Princess Tiana, Louis and Prince Naveen make their way through New Orleans Square to the Rivers of America, where a musical celebration takes place featuring tunes from Disney’s “The Princess and the Frog.”
  • Jambalaya Jazz Band – The popular band will perform their jazzy tunes along the streets of New Orleans Square.
  • Royal Street Bachelors – This Disneyland favorite will be found at the French Market Stage, and will be joined throughout the day by Princess Tiana.
  • New Orleans Traditional Jazz Band – Throughout the day, a rousing Mardi Gras procession will burst onto the streets of New Orleans Square. In traditional “second line” style, an umbrella dancer leads the mash-up of colorful performers and musicians.
  • Character Greetings at Court of Angels – Princess Tiana will be greeting Disneyland park guests along with Mickey Mouse, Minnie Mouse and Goofy in their Mardi Gras finest.

Video: A Salute to The Golden Horseshoe Revue

Watch as the beloved show in Frontierland graces the stage of the Golden Horseshoe once more as Miss Lily hosts A Salute to The Golden Horseshoe Revue. The show is a part of Limited Time Magic and runs January 10-14, January 17-21, January 24-28 and January 31-February 4. Are you ready for a A Rip Roarin’ Good Ole Time?

Fun Eats at the Golden Horseshoe for ‘Limited Time Magic’ at Disneyland Park

By Pam Brandon on the Disney Parks Blog:

‘A Salute to the Golden Horseshoe Revue’ at Disneyland Park
Starting Thursday, get a taste of “Limited Time Magic” at the Golden Horseshoe at Disneyland park, where the celebration includes a special tribute to the historic “Golden Horseshoe Revue” but also includes some fun eats that will make the whole experience even more fun.

The bite-size renditions of the Monte Cristo are back, one of the all-time favorite Disneyland sandwiches. Indeed, the delightful little bites are on the “Limited Time Magic” menu just for this show that runs from January 10-14, January 17-21, January 24-28 and January 31-February 4.

“A Salute to the Golden Horseshoe Revue” takes you back to the days of musical variety shows (the kind that Walt Disney loved), but the food is decidedly contemporary – crispy mozzarella sticks, chicken wings, chicken salad and those Monte Cristo nuggets served with sliced apples and blackberry jelly. (You still can get the popular chili cheese fries and the chili in a bread bowl with shredded cheese.) And a special sweet ending is red velvet cake with cheesecake mousse, raspberries and a snazzy can-can girl decoration.

To reserve a seat for “A Salute to the Golden Horseshoe Revue,” stop at the podium at the entrance to the Golden Horseshoe on the day you want to see the show. A cast member will issue a ticket for the preferred show time, based on availability, which you’ll need for admission. (Anyone old enough to remember that this is the way it was done back during the show’s original run?)

WDWNT: The Magazine – “20 Years Running”

20 Years Running

by Michael Truskowski

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When the Walt Disney World Marathon was first run in 1994, a few thousand runners took part. This year, for the 20th running of the race, over 20,000 took part in the 26.2 mile run. Not to mention the other 40,000 or so participants who participated in the weekend’s other activities, such as the Walt Disney World Half Marathon, the Disney Family 5K, and the Kid’s Races. As the sport of running has gone mainstream, the runDisney events have become some of the most popular on the Disney Parks calendar.

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My first Disney marathon (and my first marathon ever for that matter) was the 2011 Walt Disney World Marathon. Last year I stepped it up and ran my first Goofy’s Race and a Half Challenge. The Goofy, for those who may not be aware, is comprised of both the Walt Disney World Half Marathon AND the Walt Disney World Marathon. That is a combined 39.3 miles over the course of two very early mornings. This year I went one step further, and ran my first “Dopey” challenge. Unlike the Goofy, the “Dopey” is not an official event. But every year several thousand Goofy runners add the Disney Family 5K to the weekend’s events, completing a 42.4 mile weekend.

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This year was a particularly brutal year thanks to the weather. The last several years have been very cold for Marathon Weekend. The 2010 Half Marathon actually had some snow fall at the start! I remember last year wearing multiple layers to the start line to keep from freezing before the race (I threw almost all those layers off at the beginning, which Disney collects to donate to local shelters). This year, however, things went completely in the other direction. At the start of each of the races, at 5:30am, the temperatures were already in the upper 60s, and by the end had reached into the 80s. While anyone who has visited Walt Disney World in July would think this a break from the heat, for a marathon, these were potentially dangerous conditions. Couple that with humidity of upwards of 97% and you had one of the hottest races I have yet run, and easily the hottest marathon. Disney was well aware of this and went so far as to post numerous warnings at the start line.

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As always, the weekend began with a trip to the ESPN Wide World of Sports Complex for the Disney’s Health and Fitness Expo. A visit to the expo is required for all participants to pick up their race material. The expo is also the place to hear from running experts, as well as shop for all kinds of gear, including a massive official merchandise booth (bring money, LOTS of money).

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I had last run the 5K in 2011. The course was the same this year, with the only change being that the race now has a corral system at the start. It is still an untimed “fun run”, but the corral system is meant to help ease congestion by putting the faster runners in front (much the same as the system used at both the half and full marathons). There were 5 corrals, A – D, with D being split into two, one for runners only and one for the stroller division. The 5K is the only race that allows strollers, or anything not carried directly on the runner’s body for that matter. I was in corral A, so I do not know what effect this had, but they did seem to put a good amount of time between corrals, as the stroller division was beginning right as I was coming across the finish line.

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Morning two of waking up at 2:45am was for the Half Marathon. This was the first year I did not have monorail transportation to the start of the race as I was staying at Fort Wilderness. Much as I love the campground, I think I will be going back to the Contemporary next year as the buses certainly did add some time getting to the park. If you have never run the races before, fair warning: You have to get there EARLY. If you are any later than about 4am, you will be late getting to the start line. We got there before 4am and still managed to be a bit late, although that was due to much worse than usual congestion on the walk from the staging area to the start line (which is not a short one).

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One of the highlights of this year’s race was that the Castle Dreamlights were turned on when we ran up Main Street and through the castle. This was not the case in previous years, so I was very happy to see it this time (yes, this race begins so early that after running from Epcot to Magic Kingdom, it was still night).

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The way back to Epcot was when it got really hot, as the sun had then come out. This set the stage for the next day.

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The marathon is always the premier event of the weekend, and so much more so this year due to it being the 20th running. Among the 25,000 runners who gathered at the start line were 95 people who were known as “Perfect 20s”. These 95 people have run each and every Walt Disney World Marathon since they began in 1994.

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The course was changed for this year to celebrate the 20th. Rather than going through Epcot immediately after the start, the course instead followed the half marathon exactly up to Magic Kingdom and out. The first truly new experience was when the course entered the Walt Disney World Speedway. The course wound around nearly the entire length of the track, passing many of the race cars and exotic driving experience cars along the way. Exiting out of the speedway, the course then resumed its normal direction toward Animal Kingdom.

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By this point, I was really feeling the heat, and essentially downgraded my own race to a “fun run”. I stopped for many more pictures than I had in the past, which was a lot of fun. But the most fun moment of the course took place in Animal Kingdom itself. I had seen runners leaving the course to ride Expedition Everest in the past, but I was always running for time, so I bypassed it. This year, as time was no longer a consideration, I decided it was worth losing 5 minutes to hop on. It was just after park opening, and the ride had just started running for guests. But the normal crush of thrill seekers in the morning was not there, as they would have the cross the course multiple times, leaving the line empty except for the runners. I felt that coaster more than I ever have before, and it was a blast.

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From there, it was on to the most difficult part of the course, the highway. It’s hilly, there is not a lot to see, and almost no spectators (other than the drivers trying desperately to get to Animal Kingdom). By now it was hot, and I felt as though I was going to melt.

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The most significant change was next. Instead of turning back to go to Hollywood Studios, we kept going and entered the ESPN Wide World of Sports complex. A full three miles of the race took place here. We got to run through almost every part of the complex, including the baseball field (which reminded me a lot of the Disneyland Half Marathon course running through Angel Stadium). Leaving the complex we passed mile 20, which was a special mile this year to commemorate the 20th running. Mickey, Donald, and Goofy were all on stage, and large puppet characters were out along the sides. The mile marker had every medal from previous years along the sides.

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After this, the course returned to normal, heading through Hollywood Studios, past the Yacht and Beach Clubs, and through Epcot to the finish. I was over an hour and a half off my normal time, a combination of all the stops and the general slowdown of the heat. But I got my special 20th anniversary medal, and my Goofy Challenge medal.

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I always feel so much better after the Disney Marathon than most others, mainly because, being in Walt Disney World, I don’t end up falling asleep. Instead, I get to walk off the pain by heading out to the parks. It is always great fun to see everyone wearing their medals around the park, with everyone saying congratulations to random strangers.

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It has been amazing to see how big runDisney has become even in just the last few years. Only a week later, the Tinker Bell Half Marathon took place in Disneyland, meaning many runners already have their Coast to Coast medals. The Disneyland Half Marathon sold out in only one day. I missed it, so will definitely be using the early registration option at the Expo next year. This was not my best marathon (okay actually it was my worst), and the weather made it extra challenging, but in a way it was the most fun. It was my 5th full marathon (it would have been my 6th had this year’s NYC Marathon not been canceled due to Hurricane Sandy). I fully intend to go back next year. If you want to join me, check out www.rundisney.com. Registration will open in the next few months. You can also sign up for other races such as the Princess Half Marathon, the Expedition Everest Challenge, the Tower of Terror 10 Mile, and the Wine and Dine Half Marathon. So get training, and see you on the course!

Michael Truskowski has been a Disney fan for over 25 years. As a technology nerd, he has always been inspired by the innovations in the parks, particularly Epcot. He has completed two Walt Disney World Marathons (including a Goofy Challenge) and counting. He currently lives in New York City. Read more at www.michaeltruskowski.com

WDWNT: The Magazine – Magical Memorium: Kitchen Kabaret & Food Rocks

Epcot Memorium: Kitchen Kabaret

by Tom Corless

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The Kitchen Kabaret Revue was a 13-minute audio-animatronic show that was located inside The Land pavilion, premiering on October 1, 1982 with EPCOT Center. The host, Bonnie Appetite, introduced the various acts in a musical review and comedy format that advocated healthy eating and provided a basic primer on the four food groups: Meat, Dairy, Cereal, and Fruits/Vegetables.

The entrance stood on the bottom floor, to the left side. The entrance used pastel colors like the remainder of Epcot, but looked like a Broadway theater with it’s marquee. The first waiting room had guests cross under another marquee, complete with a host of production posters along the walls. The final waiting are had a third marquee, calling the attraction simply “Kitchen Kabaret”. Once the doors opened and guests were allowed in the theater, they were greeted with a giant silver curtain that read Kraft Central Foods as they sponsored the entire pavilion at the time. Once guests were inside, the show would begin. The show went something like this…

 

 

Introduction

“Meal Time Blues” by Bonnie Appetite

Bonnie sings this at the start of the show. She looks a bit tired. She has cookbooks and her hair wrapped in a bun. The lights turn off, and the next performance comes.

Act 1

“Chase Those (Meal Time) Blues Away” by Bonnie Appetite and the Kitchen Krackpots

The Kitchen Krackpots band (containers of ketchup, mayonnaise, a spinning jar of mustard, etc.) rises from the floor and plays a boisterous ragtime intro, as Bonnie reappears, now in a showgirl or cocktail waitress costume, to “Thank you all for coming to (her) kitchen.”

 

Act 2

“The Stars of the Milky Way” by Dairy Goods and his Stars of the Milky Way

Mr. Dairy Good is a singing milk carton who emerges from a refrigerator holding an old fashioned radio-style floor microphone close to his mouth, crooning introductions to three dairy products—Miss Cheese, Miss Yogurt, and Miss Ice Cream — in the style of 1930s costume extravaganzas. Each of the dairy products performs a brief cameo in a stylized manner (e.g., Miss Cheese sings like Mae West). Every time they came out, ice cold fog would emerge from the freezer.

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Act 3

“Boogie Woogie Bakery Boy” by The Cereal Sisters

The Cereal Sisters—Oats, Rice, and Corn—sing a parody of Boogie Woogie Bugle Boy in the style of the Andrews Sisters, accompanied by a bugle-blowing bread slice. The bread slice wears glasses and is revealed when a kitchen cabinet is opened.

Act 4

“Meat Ditties” by Hamm & Eggz

Hamm & Eggz is a vaudeville-style comic rendition of The Meat Group Can Help You Keep Strong, in which Mr. Hamm and Mr. Eggz tell jokes and sing a few short ditties. At the end, Mr. Hamm gets angry because Mr. Eggz is telling corny jokes, and decides to split from the group to join another protein group. Some of the bits use sliding animated scenes to illustrate what’s going on, very much like the “All the guys that turn me on, turn me down” sequence from the Country Bear Jamboree. There are also running gags in this part of the show. Mr. Eggz’s bow moves if he’s laughing, and at the end of their parts, smoke bellows around them protecting these two from being seen moving into the ground.

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Act 5

“Veggie Veggie Fruit Fruit” by Colander Combo and the Fiesta Fruit

Night sounds, Latin percussion, and low lighting set the mood for this number, as the produce (broccoli, tomatoes, bananas, etc.) begin to chant “Veggie-Veggie-Fruit-Fruit! Veggie-Fruit-Fruit!” Bonnie Appetite, now in a Carmen Miranda-style carnival outfit, and perched upon a crescent moon that descends from the ceiling, sings. Here, another running gag is present. The center broccoli piece says “cha cha cha!” at times while his glasses flip up and down.

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Finale

“Kabaret Finale” by Bonnie Appetite and cast

Bonnie appetite lowers from the upper part of the stage in a strange gown while sitting on the moon. Bonnie and the cast sing a medley of each of their songs. All of the cast come back out, and Bonnie re-appears in her cooking apron and says good bye, before the curtains come down.

Nestle was scheduled to take over sponsorship of The Land in 1994, so the pavilion was the first in Epcot to be overhauled in the early 1990’s. In addition to changing Listen to the Land to Living with the Land, replacing Symbiosis with the Circle of Life: An Environmental Fable, and updating the pavilion’s dining and shopping, Nestle wanted to update Kitchen Kabaret to feature updated music and be more entertaining than educational. Thus Food Rocks was born on March 26, 1994.

Guest would still enter under a very bright broadway style marquee featuring the new name, but the waiting area was completely remodeled. The first waiting room was now very bright and featured many exhibits where guests could learn about good nutrition and the food pyramid.

The show was themed as a benefit concert for good nutrition hosted by Fud (pronounced food) Wrapper. However, the show was continually interrupted by the Excess, a junk food heavy metal band that detests nutrition. In the end, Excess lost their power as Fud Wrapper exclaimed “No power, you guys have been unplugged. There’s plenty of foods out there that are good to eat, but remember, always eat with moderation”.

The Audio-Animatronic characters in the show were food items with human features. The music was based on popular songs by well-known performers, with lyrics adapted to the topic of nutrition. For example, “The Peach Boys”, singing “Good Nutrition”, was based on The Beach Boys’ song “Good Vibrations”. Five of these acts used the voices of the parodied musicians themselves: Tone Loc, Neil Sedaka, Little Richard, The Pointer Sisters, and Chubby Checker all actually performed in the show. Many of the characters returned for the finale.

Here is a list of the acts in order, including what songs were parodied:

  •  We’ll Make It Count in the Kitchen – The U-tensils (Queen) – “Bohemian Rhapsody”
  • Good Nutrition – The Peach Boys (Beach Boys) – “Good Vibrations”
  • Every Bite You Take – Refrigerator Police (The Police) – “Every Breath You Take”
  • High Fiber – Pita Gabriel (Peter Gabriel) – “Sledgehammer”
  • Always Read the Wrapper – Fud Wrapper (Tone Loc) – “Funky Cold Medina”
  • Just Keep It Lean – The Sole of Rock ‘n’ Roll (Cher) – “The Shoop Shoop Song (It’s in His Kiss)”
  • Tutti Frutti – Richard (Little Richard) – “Tutti Frutti”
  • Vegetables Are Good for You – Neil Moussaka Neil Sedaka – “Breaking Up Is Hard to Do”
  • Let’s Exercise – Chubby Cheddar (Chubby Checker) – “The Twist”
  • Give Us Junk – The Excess – original composition
  • Just a Little Bit – The Get-the-Point Sisters Aretha Franklin – “Respect”
  • Choose Before You Chew – U-tensils and Cast, Queen – “Bohemian Rhapsody”

The only characters re-used in the show was the milk. The new animatronic characters were mostly flat and featured simple moving facial features.

Food Rocks closed on January 3, 2004, with rumors that it had something to do with a large building being constructed just behind The Land pavilion, in the space set aside in the 1980’s for Epcot’s movie pavilion (which eventually evolved into the Great Movie Ride and the Disney-MGM Studios). On May 5, 2004, it was announced that Soarin’ Over California from Disney’s California Adventure would be cloned for Walt Disney World and replace Food Rocks. Despite replacing the show, the queue for Soarin’ simply travels through the former theater, leaving the Food Rocks stage encased behind the walls.

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Tom has been regularly visiting the Walt Disney World® Resort from the time he was 4 months old. While he counts over 100 visits in the last 22 years, he did not become a truly active member in the Disney fan community until the summer of 2007, when he decided to launch the WDW News Today website and podcast. Tom has since founded the entire WDWNT Network and become a published author on the subject.

 

WDWNT: The Magazine – “Have You Tried… Spending A Whole Day Resort Hopping?”

Have you tried… Spending a whole day resort hopping?

by Katey McGregor

Many of us know exactly how to spend an entire day in the parks.  Some know how to do all four parks in one day and still hit all the best stuff.  You know where to eat, where to play, and exactly how to get there.  And, many of us have even resort hopped or at least spent a day at the resort instead of hitting a park.  But, with over twenty different resorts at Walt Disney World,how in the world  do you spent a whole day resort hopping without missing something?  Well, the truth is, you can’t, but here’s a guide to show you how to hit all of the greatest must-dos that the Walt Disney World resorts have to offer in one day.

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Morning

Good morning!  Since it’s a resort day, the best way to start off is with a good lie-in.  Make sure you’re well rested because you’re going to be running around to different resorts all day!  My favorite place to start in the early morning is at the Grand Floridian for breakfast at the Grand Floridian Café.  I feel like this restaurant is sorely underrated and serves an exceptional omelet and fruit plate.  This feels like the brunch you always wanted to have but could never find back home, and it’s such a relaxed way to start the day.

After breakfast, head outside to the marina where you can rent watercraft by the hour.  Boating around the Seven Seas Lagoon is a unique way to explore the Magic Kingdom area, and the perfect time to do this is in the morning when the heat of the day hasn’t quite set in.

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Midday

After boating around the lagoon for a couple hours, hop over to the Beach Club Resort for some lunch and dessert indulgence.  Beaches & Cream Soda Shop is one of my favorite go-to locations at Walt Disney World (in case you didn’t know from my previous article about it), and it shouldn’t be missed on any resort-hopping checklist.  You can’t go wrong with the cheeseburger and a good old fashioned Kitchen Sink.  For those who are a little wary,or are on their own, the No Way Jose sundae is also delectable.

After stuffing your face at Beaches & Cream, work off some of the calories with a bike ride!  Traditional and surrey bikes are available across the lagoon at the BoardWalk Inn Resort, which is about a ten-minute walk away.  For those who don’t want to walk, however, a ferry is available that comes about every 15-20 minutes.  I highly suggest the surrey bike;it’s great for families or groups.  Ringing the bell as you ride around the Epcot resort area is a gas, and it’s a great way to explore the resorts that surround the lagoon.

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Afternoon

Once you’re done bicycling, it’s time to relax. Head over to Port Orleans-French Quarter and enjoy some beignets from the food court.  If you haven’t tried them already, you’re missing out.  This powdered sugar confection will have you addicted from your first bite, and the “streets of New Orleans” out the back doors of the Sassagoula Float Works will enchant you.  While enjoying your afternoon treat, take a walk along the Sassagoula River towards Port Orleans-Riverside.  It’s about a five to ten minute walk, and the view of the old south is charming. Port Orleans is a sprawling property that is just begging to be explored; a horse-drawn carriage ride is the perfect option.  The carriage rides depart from Riverside about every half hour from about 5 PM and run through both Riverside and French Quarter.  After a long day of boating and biking, taking a load off on a carriage ride is a great way to watch the sun set.

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Evening

After enjoying a relaxing carriage ride at Port Orleans, head to the Art of Animation Resort for dinner.  Landscape of Flavors, the food court, is by far one of the best quick service locations I have ever eaten at, and it cannot be missed.  The surf ‘n surf burger is a favorite of mine. However, there’s a “Landscape of Flavors” that is appealing to even the most picky of eaters.  Plus, this is a great opportunity to explore the new resort and its immersive environment.

After eating and taking lots of pictures with Lightning McQueen and Crush, hop back over to the Magic Kingdom area to the Polynesian Resort where you can relax on the beach with a Dole Whip from Captain Cook’s and enjoy Wishes! from afar.  If you’ve never watched Wishes! from the Polynesian’s beach, you’re really missing out on one of the best Disney experiences.  It’s separated from the hectic crowds of Main Street, U.S.A. and offers a more intimate viewing experience.

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Nighttime

After the fireworks, if you still have energy to spare, head back to the BoardWalk Inn Resort where Jellyrolls is just coming to life.  This over-21-only piano bar is one of the best-kept secrets of nightlife at Walt Disney World.  Exuberant and overly talented piano players play both old and new tunes, to which everyone in the audience is encouraged to sing along, and they always take requests.  Jellyrolls offers a great refuge for adults who still want to enjoy some good, clean fun- but without the kids.

Of course, this is just a taste of everything the resorts at Walt Disney World have to offer, but I think it’s the best place to start.  Even though the focus of every Disney vacation is the parks, the resorts cannot be overlooked.  So, have you ever spent an entire day resort hopping?  If so, what did you do?  Do you think I missed anything big? Let me know, and until next time, aloha!

Katey is a 22-year-old student at BYU-Hawaii from Woodstock, Illinois. Her favorite spot in the whole world is standing on the man-hole in the middle of Hollywood Boulevard at Disney’s Hollywood Studios. Katey has dreamed of being a part of the magic since she was young. Today, she is proud to call Walt Disney World her true home and takes deep pride in being a part of that heritage as a Cast Member.

WDWNT: The Magazine – Un Jour à Disneyland Paris

Un Jour à Disneyland Paris

Michael Truskowski

Bonjour et Bienvenue

Most of my friends had always assumed that when I finally got married, the honeymoon would take place at Disney World. This really was not too much of a stretch when you think about how much of a Disney fan I am.  I have been visiting Walt Disney World since I could not even count. I even ran my first marathon at Disney World.

When the big wedding day finally came on September 15th of 2012, we surprised everyone when we did not board a plane for Orlando – rather, we headed to Europe. As much as I love Disney World, I really wanted to do something new and extra special for a honeymoon (not to mention my new husband is not quite the diehard Disney fan that I am).

So it was rather convenient that in the end, I could have my cake and eat it too. On the last full day of our trip, we headed out to the Disneyland Paris Resort (DLPR) – which has Disneyland Paris and Disney Studios parks. This was my first trip to DLPR – my first to any Disney park outside the United States for that matter.

Of all the Disney parks, Disneyland Paris may be the most notorious by reputation. For years, I had heard so much about the place – so much of it negative, often accompanied by the word “failure” – so I was very curious to see what my own feelings would be (particularly having practically grown up at Walt Disney World). What follows are my thoughts on my first all new Disney Resort in 15 years.

Est-ce que vous êtes prets? Alors, allons y! (Are you ready? Let’s go then!)

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Comment Venir

From our hotel in the center of Paris, we opted to take the train to the resort. Very early that morning, we boarded the Metro to the Auber station on the RER A line. The RER is Paris’ regional train system (for any New Yorkers reading this, think MetroNorth). The ride was pretty quick (under an hour) and the station was literally right at the gate of the resort. It is the last stop on the line, so it is hard to miss. (Be aware that the RER A has two different terminal stations. Make sure you get on the train bound for Marne-la-Vallée – Chessy.) While I found the Paris Metro extremely easy to navigate, with well placed signs in multiple languages, the RER was not as clear. Be sure to look at the TV screens on the platform to be sure you are getting on the right train as the trains had no announcements of any kind.

Returning on the train was easier, although very crowded as we left at park closing time. We had to stand the entire way back, and these trains were not designed with standing passengers in mind. Still, it was way less than the cost of a cab, and many MANY more people seemed to be heading to the parking lot than the train station after the park closed.

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Premières Impressions

The first thing that struck me about the resort was that it is very beautiful. It was immediately obvious that this was a Disney resort. Right from the start, you encounter very pretty landscaping – complete with running streams and beautiful plant life.

It was a rather chilly day, despite being only the end of September. I imagine that this can be a pretty brutal place to visit when the winter month weather hits, something the U.S. parks don’t have to deal with, at least not beyond the occasional cold front.

Perhaps the most noticeable thing about the resort is that it is rather small. Certainly nothing can compare to Walt Disney World, but the Paris resort felt even smaller than Disneyland in California. Even looking at the map before entering, it seemed that a lot was missing. There is no Jungle Cruise, no Splash Mountain, no Peoplemover. It looked a little sparse compared with the jam-packed park maps from the U.S. parks, particularly the Magic Kingdom-style parks. Here, they are able to put both parks onto a single map.

Once inside, I did feel pretty much at home. Despite the differences, it is a Disney resort, and those of us who have spent substantial parts of our lives at other Disney resorts will instantly feel comfortable once inside the gates.

One last observation I would like to mention: Ever since the resort opened, I had heard about how the French hated the place. How they would not go. How it was only foreign tourists that you find wandering around. While that may well be true, it most certainly was not the case the day we were there. The parks were PACKED, and nearly everyone was speaking French. So for all the foot stomping and cries of “cultural Chernobyl,” it seems our French friends have also discovered the fun of a day in a Disney park.

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Parlez-vous Anglais?

A big question a lot of visitors, particularly from America, are likely to have, is whether you need to speak French to navigate the park. You will be glad to know that you could easily get around without speaking a word of French. All of the signage in the park contains English, and nearly all the cast members we encountered spoke it fluently, or enough to be completely understood.

Do keep in mind, however, that most of the attractions with narration are spoken only in French. This may not be a big deal, especially if you already know the English counterpart (the Phantom Mansion’s Stretching Room dialog, for example, is pretty much a direct translation from the Florida Haunted Mansion). For me, this was part of the fun. It was really cool to not only get to ride the original Star Tours again (as the adventures are not yet continuing in Paris), but also to get to hear the entire thing in French.

As far as my French skills go, I can understand the language fairly decently when spoken at a slower speed, and can speak some simple phrases, but I would hardly call myself fluent. But that little bit went a long way. My husband, on the other hand, speaks not a word, and still seemed to get along just fine (even if he was not terribly loved by the citizens of Paris).

Vingtieme Anniversaire

Of course, our entire wedding was planned for this year to coincide with the 20th anniversary of Disneyland Paris. Okay, that is not true, but we did luck out that it happened that way. The park was decorated for the anniversary, and a whole new nighttime show was created (more on that later) for the event.  I love these celebrations (hot pink Castle cake notwithstanding), and was glad to get to see one here. The celebration was not overwhelming, but it did feel like it was a special year. And of course, this meant there was a ton of merchandise to go home with that had the “20” logo all over it, including a lot of pins (so many pins).

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Parc Disneyland

If you have been to a Magic Kingdom-style park before (and if you are reading this magazine I will assume that you have), then you know what to expect, at least initially, from this park. It is the typical hub and spoke design, with the castle in the middle. Adventureland and Frontierland have swapped locations here (heresy!) and there is no Tomorrowland, with Discoveryland taking its place.

Upon entering, you will, of course, see the Castle at the end of Main Street. Le Château de la Belle au Bois Dormant (Sleeping Beauty’s Castle) is smaller than the Florida castle, but noticeably larger than the one in California. It is also the most unique among the Disney Park’s castles. This was done as a result of Europe having a few of the real thing sitting around. The Castle takes on a more fanciful vibe, almost like it is growing out of the landscape.

Perhaps the most radical change to an attraction from the U.S. parks is Space Mountain: Mission 2. The mountain has a more Jules Verne look to it – it was originally inspired by From the Earth to the Moon. It is closer to Rock ‘n’ Roller Coaster than its siblings. It features a catapult launch into the mountain (it actually starts outside), inversions, and special effects timed to the vehicle, and overall is a more standard steel, coaster-type train. This may be one of the standout attractions of the entire resort. It is a great coaster, and the first place we went when we entered the park.

In addition to Space Mountain, there are two other roller coasters at Disneyland Park. One is Big Thunder Mountain. While the layout of this coaster is more or less a copy of the Floridian version, there is one big difference. The entire attraction, other than the loading area, is out on an island. Imagine Tom Sawyer Island being taken over by Big Thunder. The train goes under the water at the beginning and end of the ride. The part at the end was particularly thrilling, as it is entirely in the dark, and the fastest part of the entire ride.

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The last coaster is…well…disappointing. If you have ever wished there was an attraction based on the mine cart sequence from Indiana Jones and the Temple of Doom, then Indiana Jones et le Temple du Péril will make you wish you hadn’t. While notable as the first Disney coaster with an inversion, the coaster has a boring layout. It is only mildly more interesting than any Wild Mouse coaster you have ridden at any carnival. We lucked out and got there just at the time it opened, and waited in almost no line. If we had spent a significant chunk of our day waiting to ride this, we would not have been happy.

Another classic attraction that is represented here is Pirates of the Caribbean. The attraction is closer to the longer Disneyland version than the Walt Disney World version, but with many of the scenes in a different order. I am not quite sure whether this helped the story along or made it more muddled. It may have been a little of both.

One of the major reasons we chose the day we did is that it was the only day of our trip that Phantom Manor was going to be open (that and the weather was very nice that day).  The ride is very similar to the Disneyland version, but there are some major differences. Perhaps my favorite is the large staircase backdrop to the loading area. I thought it was stunning, and really puts to shame the dark wall we have in Florida. Once you enter the attic sequence, the ride changes from other versions and becomes much darker. The graveyard contains skeletons, rather than the playful ghosts of the U.S. versions. I could see this being more frightening to small children, but perhaps the French don’t scare as easily.

I could not pass up a trip on It’s a Small World. I love this ride (so I like the song, leave me alone). It’s a classic, it’s fun, it’s relaxing. The Paris version has a little treat too. There is an entire section of the ride for North America, including a Statue of Liberty, Empire State Building, and Golden Gate Bridge.

Fantasyland here is very beautiful. After visiting both California and Paris, I see why people often referred to Walt Disney World’s Fantasyland as “ugly.” I think that is going a tad too far, but I see where they are coming from. This will all change soon mind you (thank you, New Fantasyland). But the park definitely deserves kudos for making this a very nice area. I stared at Mad Tea Party for several minutes, and I didn’t even ride it. It’s really beautifully done.

One major complaint I had both about this park and the next was the Fastpass system. Those machines are terrible. I cannot tell you how many times we saw people desperately attempting to scan their park tickets, only to receive nothing for their efforts. And trust me, this is not guests being dumb. I tried it myself, and those machines are evil. Part of the issue is that there are two different types of tickets at Disneyland Paris. One is a magnetic strip (anyone who has ever had an annual pass replaced knows how flaky those can be). The other is a barcode, due to the fact that you can print your own tickets at home. One would think the barcode would work better, but if there was a right place to hold the ticket to make it work, I never found it. And all this drama led to some of the Fastpass distribution lines being painfully long. Merci Parc Disneyland, réparez le Fastpass.

Studios

Walt Disney Studios

I had previously put Disney California Adventure (DCA) at the bottom of my list of Disney Parks. That list now has a basement, and therein lies the Walt Disney Studios. With DCA improving, the Studios seems to have not only slid into DCA’s former space, but managed to be even worse in many respects.

A quick list of the problems of this park would include the small size, the terrible layout, the overall cheap feeling to it, and the small number of attractions. But maybe the biggest issue I had was the sheer congestion in this place. All of the attractions had ridiculously long lines. We ended up skipping Tower of Terror entirely as they, for some reason, were not offering Fastpass, and the wait time was over 90 minutes.

But we would end up waiting about that long for the one attraction I really did want to do, Crush’s Coaster. I actually would say this ride alone makes it worth a visit to the Studios park. It combines a dark ride and a pretty good coaster. The cars can spin independently of the ride track. It is not unlike Primeval Whirl, just less ugly (but only slightly as they really did not try to hide the show building). The coaster was great, but they NEED to get that wait line under control, or build another one to increase capacity, or something. I enjoyed it, but was not terribly happy to have blown nearly two hours of the day to get on it.

The only other attraction we went on here was Rock ‘n’ Roller Coaster avec Aerosmith. Yes they still use Aerosmith here, which led to what is probably the worst preshow at any Disney park (and I am not a fan of the one in Florida). It really felt like they somehow realized that Steven Tyler didn’t speak French, so they had everyone talk over each other for a few seconds, then an unseen announcer interrupted in French, and… that’s it. Go get on the ride now. Seriously, why even bother?

Things improved after that though. The track is the same layout, but there were some differences in the lighting that I thought actually enhanced the ride. While having more light usually spoils indoor coasters, here it actually seemed to make the track feel even more twisted. The first inversions, in particular, benefited from this. It was really disorienting and felt like you were literally spinning out of control.

After that, we decided to leave the park, through the giant gift shop that is the entrance. This Studios park clearly was built during the dark times of Disney (it came only two years after DCA). While it is supposedly getting some much needed attention, it has a long way to go before it gets to a California Adventure-level of improvement, much less anything close to being a first rate park. Right now, Disney Studios feels directionless, lifeless, and almost annoying to attend. So we headed right back to Disneyland Park.

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Le Spectacle Nocturne: Disney Dreams

Je t’aime Disney Dreams, je t’aime. This show was spectacular. Was it as big as the shows in the U.S.? No. But it did combine the best aspects of each of them, and did so very well. Imagine Wishes, combined with Magic, Memories, and You, plus Fantasmic, and a little World of Color thrown in.

Like so much of the park, the show is in both French and English. This made particular sense with the French characters, like Lumière and Quasimodo. It made a little less sense when characters from the same film spoke separate languages (Peter Pan spoke in English, while Wendy responded in French) but I do get the effect they were going for.

The show was very beautiful. Will and I got particularly teary-eyed when it came to the lantern sequence from Tangled. It was our honeymoon after all. Furthermore, it goes to show that the castle projections can be used for so much more. It really was the perfect end to the final night of our honeymoon.

Pour Conclure

I really enjoyed my day at Disneyland Paris. I know the park has had a difficult time over its first 20 years, but there is a lot of good here (well, let’s say more at Disneyland than the Studios).

What the resort needs now is an investment in adding some more attractions, completely overhauling the Studios Park with a DCA-style makeover, and expanding Disneyland with another land or two. This could give the resort a major boost.

If you asked me whether you should book a trip just to visit Disneyland Paris from the United States, I would probably say it would not be worth the expense. But assuming you also intend to visit Paris, then you definitely want to make a day’s pilgrimage out to Disneyland. You will most certainly have a good time.

À bientôt!

Michael Truskowski has been a Disney fan for over 25 years. As a technology nerd, he has always been inspired by the innovations in the parks, particularly Epcot. He has completed two Walt Disney World Marathons (including a Goofy Challenge) and counting. He currently lives in New York City. Read more at www.michaeltruskowski.com

California Grill Closes Tomorrow For a New Look and a New Menu

The California Grill at Disney’s Contemporary Resort is shuttering for refurbishment on February 1st and will be closed until late Summer 2013. The interior of the restaurant is being remodeled with a design by the Puccini Group in San Francisco and will feature a wall of wines at the entrance and spectacular views from every table. Here are some renderings:

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Chef Brian Piasecki recently previewed some of the new menu options. The pork and polenta dish will become “Pork Two Ways” with wood-fired tenderloin with goat cheese polenta, and braised lacquered pork belly with country applesauce.

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Creative new sushi tastes include the Spicy Kaza roll with tuna, shrimp and scallops with tempura crunch and fireball sauce; Japanese-style bone marrow with crunchy panko, sweet onion jam and beef tartare; and Sea Urchin Nigiri with mamanori (soybean paper), salmon roe and freshly grated wasabi root.

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Also, there is the new 24-hour braised beef short rib with truffle whipped potatoes, vol-au-vent (puff pastry) with roasted vegetables and natural jus.

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Stay tuned for more details on the California Grill refurbishment as they become available.

Goodbye Paper Tickets! RFID Tickets Now Rolling Out at Walt Disney World

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Disney has issued a formal statement to cast members about the roll-out of new RFID tickets this week as they prepare for the launch of MyMagic+:

As we convert our theme park entrances to touch points, single or multi-day tickets purchased at Vacation Planning and Guest Relations locations beginning Jan. 30 will be enabled with radio frequency (RF) technology. Guests with these tickets will be able to utilize the main entrance touch points to enter the parks as well as turnstiles.

The rollout of the new tickets will happen over several days, one park at a time. The tentative schedule is Disney’s Animal Kingdom on Jan. 30, Magic Kingdom on Jan. 31, Epcot and Disney’s Hollywood Studios on Feb. 1 and Downtown Disney on Feb. 4. The remaining locations will follow.

These new single or multi-day tickets will be available onsite at Guest Relations and Vacation Planning locations. Guests who have the new tickets will be able to use the main entrance touch points as well as turnstiles. The tickets function just like the current tickets and Guests can still get FASTPASS tickets from the FASTPASS machines in our theme parks. The new tickets will be plastic and more durable than the current paper tickets. The tickets will have a green background to further help Cast Members and Guests differentiate between the ticket media types.

Frequently Asked Questions
Q. Can I use this ticket at the turnstiles?
A. Yes, this ticket works in the turnstiles and at the main entrance touch points.
Q. Will I still be able to get FASTPASS tickets from the FASTPASS machines?
A. Yes, this will work in the FASTPASS machines.
Q. I have an Annual Pass. Can I convert it to a ticket that works at the touch points?
A. You will be able to do this in the future. We value our Annual Passholders and want you to be among the first Guests to be able to experience MyMagic+. All Passholders will receive communication soon on how to convert their pass to become part of the MyMagic+ experience. When this exciting opportunity to convert your pass arrives, you’ll be able to enter our theme parks through the main entrance touch points.
Q. Why can’t I use my ticket at the new main entrance touch points?
A. Not all tickets are enabled to work at the main entrance touch points. We are in the process of converting our park entrances and also changing our tickets to be compatible with the main entrance touch points. Currently only Key to the World cards and single or multi-day tickets purchased onsite are compatible with the new touch points. All Guests can still utilize the turnstiles to enter our theme parks.

Work Continues on “Explosive” Interactive Queue at Big Thunder Mountain Railroad

As work continues on the Big Thunder Mountain Railroad interactive queue at the Magic Kingdom, we can see more and more of what exactly we can expect while we wait in line. Let’s take a look at the latest progress:

These signs were installed recently

The signs are pretty funny

Signs saying “Explosives” have been added to the large cabinets in the queue

Props that guests can blow-up are being installed on the mountain

I somehow managed to get a closer shot while in a moving train…

I don’t know about you, but I’m really excited to blow things up while I wait to ride Big Thunder Mountain Railroad!