D23 Expo 2015 Tickets Go On Sale August 14

On Thursday, August 14, at 10 a.m. PT, D23: The Official Disney Fan Club will begin selling tickets for the next D23 Expo, which will take place August 14–16, 2015 at the Anaheim Convention Center.

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The largest Disney fan event in the world, the D23 Expo celebrates all the worlds of Disney entertainment, uniting all parts of The Walt Disney Company under one roof, including The Walt Disney Studios (which includes Marvel, Pixar, and Lucasfilm); Walt Disney Parks and Resorts; Disney Consumer Products; Media Networks (such as ABC, Disney Channel, and Radio Disney) and Disney Interactive. D23 Expo 2015 marks the fourth bi-annual event held in Anaheim.

More than 65,000 Disney fans from around the world gathered at the Anaheim Convention Center in 2013 for the third D23 Expo. The Expo will celebrate the past, present, and future of Disney with live events, celebrity appearances, panels, presentations, sneak peeks, and immersive experiences. D23 Expo 2015 marks the return of fan favorites including the Disney Legends Awards, honoring the talented men and women who have made indelible contributions to the Disney legacy; and Treasures of the Walt Disney Archives, which spotlights costumes, props, and set pieces from Disney’s rich history.

As in previous Expos, D23 Expo 2015 will showcase all of the latest stars in the Disney universe. As of this writing, talent, panel and presentation lineups haven’t been announced.

Tickets for D23 Expo 2015 are available at a discounted price for a limited time. From August 14–December 31, 2014, tickets are $61 for a one-day adult admission and $42 for children 3–12. Tickets for members of D23: The Official Disney Fan Club are $52 for a one-day adult admission and $37 for children. Multi-day money-saving tickets are also available. D23 Members can save as much as $268 off the price of admission, based on the purchase of four three-day tickets at the D23 Member rate. For more information on tickets and the ticket pricing structure for members and general admission, visit D23Expo.com.

In addition to these special advance-purchase savings, an extremely limited number of D23 VIP Sorcerer Packages will once again be available. Based on fan feedback, even more benefits have been added this year including exclusive opportunities in the Walt Disney Imagineering pavilion and Mickey’s of Glendale.

The SORCERER PACKAGE includes:

  • Three-day admission ticket and commemorative Sorcerer credential
  • Reserved seating at all presentations in the main hall, Stage 23, and Stage 28
  • Limited-edition D23 American Tourister boarding bag
  • Pre-Expo tour of the Treasures of the Walt Disney Archives exhibit
  • Special tour of the Walt Disney Imagineering Pavilion
  • Exclusive shopping time in the D23 Expo Dream Store, Disney Store, and Mickey’s of Glendale
  • Tour of the D23 Expo show floor the day before the Expo is open to the public
  • Welcome Reception on Thursday evening
  • Exclusive entrance to the Expo each morning
  • A voucher for an appointment with an on-site massage therapist
  • Exclusive D23 Expo gift pack including gifts from D23 and the rest of The Walt Disney Company
  • Saturday morning Meet and Greet Coffee with a special Disney guest
  • “Fond Farewell” reception on final day of Expo
  • Plus, access to the Sorcerer Member Lounge and other benefits

Sorcerer Package tickets are available exclusively to both Gold and Silver D23 Members at $2,000 per ticket. Members have the option to purchase up to two Sorcerer tickets. Additional details and benefits are highlighted at D23Expo.com.

D23 Gold and Silver Members are entitled to early admission to the Expo show floor and D23 will once again give a special thanks to D23 Charter Members, providing them special access to the Expo’s Charter Member Lounge.

Visit D23Expo.com to relive some of the extraordinary experiences from the first three Expo events and get a peek at what’s to come in 2015.

Keep checking WDWNT.com for D23 Expo news and information as it becomes available.

INTERVIEW: Celebrating the 45th Anniversary of Disney’s Haunted Mansion with Jeff Baham

DoomBuggies.com founder Jeff Baham. Used with Permission.

DoomBuggies.com founder Jeff Baham. Used with Permission.

Even though the California and Florida editions of Disney’s Haunted Mansion were not constructed on the same day 45 years ago, it seems appropriate to acknowledge August 9, 1969 since the versions are so similarly conceived. So it is in this “spirit” that we have caught up with DoomBuggies.com founder, Mousetalgia founder and co-host, and author of the just-released The Unauthorized Story of Walt Disney’s Haunted Mansion Jeff Baham. Jeff has joined us for a look into the Mansion’s spooky history as we anticipate its 45th Anniversary.

Brian: Jeff, thanks for being with us for such a ghoulish occasion.
Jeff: Thanks. I’m always up for discussing one of my favorite topics.
Brian: Given that, I think it’s safe to assume that you have a rather nice collection of Haunted Mansion artifacts and collectibles. What is your favorite piece of Haunted Mansion history?
Jeff: My favorite piece is a silk-screened poster from Disneyland advertising “I Scream Sundaes,” featuring the famous hitchhiking ghosts. I was lucky enough to purchase this from someone who worked in the park’s print shop, where they had a copy or two of the silk-screened prints archived. It has been pictured in books before, but I’ve never seen one out on the market. I love it — very vintage, very classic Disneyland.
Brian: It’s all about who you know and being in the right place at the right time.
Jeff: And a little luck.
Brian: You reference “vintage Disneyland” and there are definitely different vibes between WDW and Disneyland. Regarding the Mansion specifically, there are some obvious differences and some not-so-obvious differences. Why the architectural variance in the Florida and California versions of the Haunted Mansion?
Jeff: I’ve heard Tony Baxter say that they didn’t want to put a southern plantation-style home in Florida since that type of architecture might not be as uncommon out on the east coast as it is here in California. But I suspect the Imagineers also wanted to play with the scale and apparent scope of the attraction. Part of the charm of Disneyland’s Haunted Mansion is that so much happens in a space that should be obviously far too small to contain it all. I can imagine some designers may have had the idea that the suspension of disbelief was too high for such a small house — but I still run into people to this day that marvel at how so much action can take place in Disneyland’s tiny southern manor. They really have no idea that there is a separate show building!
Brian: Passport2Dreams has a fairly exhaustive post about this exact topic for anyone that is interested.
Jeff: Yes. She’s very thorough.
Brian: When I first started going to the parks I really didn’t understand all the love the Mansion got. After doing little reading, however, I have formed my own opinion on this. With so many great attractions in the Disney parks, why do you think the Haunted Mansion remains far and away the most popular?
Jeff: I think there are a couple reasons for this. One is that the internet has enabled like-minded souls to find each other and many of these people like to walk briefly on the wild side without really dabbling in anything awful or gruesome. Halloween and Disney’s Haunted Mansion are two perfect expressions and outlets for this kind of personality. Another reason is that the attraction contains something more than just scenes —it contains magic. Literal stage magic. Some of the tricks Imagineer Yale Gracey came up with were adapted from techniques reaching back all the way to the late 1700s, while other tricks he used were cutting edge in the ’60s. Even today new digital techniques are being utilized in the Mansion. It’s an audio-animatronics show, it’s a magic show, and it’s a spook show. It covers a lot of bases.
Brian: That’s better than my answer.
Jeff. Ha. Well it’s what I do.
Brian:  Both the Florida and California Mansions went through some changes in the late 2000s. What changes or refurbishments would you like to see in the next 10 years?
Jeff: Well, I guess I’m a purist. I always prefer that the Imagineers either take an attraction away completely or leave it alone if it’s a classic. But I don’t get upset about it when they do change things — I just hope for the best. That said, I think one of the most effective additions to the Mansion in recent years has been the audio effects in the Walt Disney World stretching gallery. It brings the room to terrifying life in a way that Disneyland’s can’t match.
Brian: I’m more a purist as well. I walk that line between “Stop!” and “Just please don’t blow it.”
Jeff: I might like to see what the Imagineers could do with enhanced audio effects throughout the attraction — or even smells. But I’m essentially a purist.
Brian: An interview like this isn’t complete unless there’s at least one question about the Hat Box Ghost. Tell us what you know about the Hat Box Ghost and its amazing disappearing act.
Jeff: I can’t tell you everything!
Brian: Ha ha. Of course you can’t.
Jeff: But I can say this – the gag was sketched out by Marc Davis among many other equally worthy characters and ghostly creations, and Yale Gracey did his best to make it work; but the Haunted Mansion relies on stage magic, not close-up effects. Whatever they tried, they just couldn’t get the head to completely vanish when it appeared in the hat box. Because of this, only days after the attraction opened, Marc asked to have it removed. Blaine Gibson sculpted the head that was used, which was one of the ghost heads used a number of times in the attraction – for the skeletal hitchhiker and a family portrait or two hanging in the corridor of doors. The Imagineers know that the legend of the Hat Box Ghost has grown tremendously over the years to the point that I think they are truly torn over whether or not it would make sense for them to revisit the character at all. Nothing they do could ever live up to the hype in people’s imaginations. But ol’ Hattie may show up someday — maybe in a slightly different location, in a slightly different form. Who knows.
Brian: I’ve read that the timing of the illusion was a problem as well. That is, the entire gag couldn’t be pulled off in the time allocated by the speed of the doom buggy.
Jeff: I’ve read that as well. It makes sense.
Brian: Given the length of time between concept and completion and the imagineering legends that contributed to the attraction, the Haunted Mansion is practically a “museum of imagineering.” What is most interesting to you personally about the Mansion’s history?
Jeff: I think one of the most interesting aspects of the Haunted Mansion’s history is simply Walt’s tenacity in having it placed into Disneyland and his motivation behind putting it there. Every park that Walt had a hand in creating, from his original Mickey Mouse Park that was intended for a small lot in Burbank, to Disneyland, to the Riverfront Square project in St. Louis, and finally to the Magic Kingdom in Florida — each of those proposed parks had a haunted house included in the design. In fact, in the park Walt was proposing for St. Louis, the plans called for the front gates to open toward a boulevard that ended with a hill upon which was to sit a dramatic haunted house, rather than a castle like the other parks. At Disneyland, the Haunted Mansion was always in development. It was probably in the conversation before the park even opened in 1955 and assuredly since 1957 when Ken Anderson started designing the attraction in earnest. Walt clearly believed that any park that would echo his concept of American life would also necessarily include some sort of haunted house.
Brian: Ah. I’ve never looked at it that way. That’s fascinating.
Jeff: Walt’s understanding of the American psyche is fascinating.
Brian: Right. Walt Disney’s footprint on Twentieth Century Americana is staggering. Next question. Sea captains, Beauregard, the Ghost Host, Leota, the bride, the raven. There has been quite a bit written about the Haunted Mansion story and how it came together (or didn’t come together, depending on the source). What has your research led you to conclude about the origin of the current Haunted Mansion story?
Jeff: The origin stories of the Haunted Mansion are many because some of the designers responsible for its creation never really regarded it as a success. So each of their takes on the project stand alone. Generally speaking, I think you could consider Ken Anderson’s initial stabs at a storyline for the attraction, based on a sea captain and a probable marital tragedy, among the foundations with the deepest roots. Much of what Yale Gracey and Rolly Crump did when creating special effects and magical techniques were based on Ken’s sketches and ideas. Even Marc Davis, when he came to the project in the early ’60s, started by trying to visualize the ideas that Ken had developed, with brides and pirates, et cetera. Some of the minor details came about later in the game, when X. Atencio was writing the script for the Ghost Host. My conjecture is that it all boils down to the fact that Walt Disney himself was never completely satisfied with the solutions that had been developed for the attraction, up to the time of his death. Ken wrote treatments and built sample sets with intricate scenes developed to show to Walt. But he eventually was sent back to Animation to help with Sleeping Beauty so he must not have captured exactly what Walt was envisioning. Ditto the rest of the team when they came back after the World’s Fair. I think that’s why when Rolly had something way outside of the box to add to the conversation with his ideas for surreal characters and scenes for the Mansion, Walt was very open to him — even if he never really knew exactly what to do with them, eventually suggesting a sort of “Museum of the Weird.”

Halloween Overlay. Photo courtesy of Karen Daniel

Halloween Overlay. Photo courtesy of Karen Daniel

Brian: I visited Disneyland during the Halloween overlay in the last couple of years. I thought it was a nice mash-up that created quite a lot of energy. Why do you think WDW doesn’t use the holiday overlay for its version of the Mansion?
Jeff: I think that too many people make once-in-a-lifetime trips to Walt Disney World for the park to decide to radically change the Florida attraction for an extended period of time. At Halloween, they probably want a to provide guests with a haunted house to visit, not a winter wonderland. I think that’s probably the main concern — but you never know what might happen.
Brian: And I get the sense that California has more season pass guests, by percentage, than WDW. I’ve always thought that contributed to the decision.
Jeff: That could be.
Brian: How about a book recommendation, Jeff. What resources are available for those of us that want to know more about Haunted Mansion history?
Jeff: Funny you should ask. My own book on the history of the Haunted Mansion is set to be released this month from Theme Park Press. Called The Unauthorized Story of Walt Disney’s Haunted Mansion, it presents an in-depth look at the various key players in the attraction’s development, their struggles and conflicts, and how the attraction finally came to exist as it is. I utilized hours of new interviews and a thorough review of all of the Haunted Mansion-related events and panels held at the various parks over the past 15 years. Nothing else comes close to the level of detail and variety of source material. Having shamelessly plugged that project, I would say that The Haunted Mansion: From the Magic Kingdom to the Movies should be in your library as well because it has a wealth of cool artwork pulled from Disney’s archives. And here’s a pro tip: one book that any hardcore Haunted Mansion fan should have in their library is a copy of  Decorative Art of Victoria’s Era by Frances Lichten, which was published in 1950 and is still readily available as a used book for very reasonable prices on Amazon.com. This is the book that Ken Anderson borrowed from the Disney Studios’ library and used very specifically to create the look of the Haunted Mansion’s architecture. It’s quite likely that he, and other Imagineers, also utilized the book for advice regarding cast iron, home decor, and other elements that went into the development of the look of the Haunted Mansion facades. It’s a distinct part of the history of the Haunted Mansion, and a sort of Haunted Mansion collectible in its own right.
Brian: That is definitely a pro tip.
Jeff: You need to buy it if you don’t already have it.
Brian: I guess you’ve seen a lot of the new Haunted Mansion merchandise that will be available this fall. What “got to have it” items have you found? Note: I have actually asked for the 13-hour wall clock from doombuggies.com for Christmas.
Jeff: Why wait until Christmas?
Brian: My wife, Karen, said so.
Jeff: Good decision. It seems Disney is really testing the well of Haunted Mansion fandom to see how deep it really goes. The recent announcement includes over 100 new products, not to mention the art that releases this year for the 45th anniversary at Disneyland. I’ve finally moved more into the “vintage collectibles” realm of Haunted Mansion collecting, but I do like some of the new home decor that Disney has come up with.
Brian: I really like the plate.
Jeff: You or Karen?
Brian: I’d rather not say.
Jeff: Ha. I guess the item I’d most like to get my hands on is the newest Ink and Paint Department release at Disneyland Park which features a hand-created cel of the Hat Box Ghost. It’s quite beautiful, and a very limited edition.
Brian: Thanks for your time, Jeff. That’s it for us. It’s always a pleasure. Hopefully we can do it again sometime.

Be sure to check out Jeff’s web site at www.doombuggies.com and follow Jeff on Twitter @JeffBaham.  And I’m excited about the release of The Unauthorized Story of Walt Disney’s Haunted MansionIts includes a foreword by Rolly Crump and is a must for any Haunted Mansion fan. Thanks again, Jeff. And Happy Anniversary Haunted Mansion!

"Alice in Wonderland" Sequel Begins Production

Disney’s Alice In Wonderland: Through the Looking Glass begins principal photography this week, featuring an award-winning production team and all-star ensemble cast, including Johnny Depp, Anne Hathaway, Mia Wasikowska, Helena Bonham Carter and Sacha Baron Cohen.

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The all-star ensemble cast includes:

  • Johnny Depp returns to the big screen as the Mad Hatter—Hatter Tarrant Hightopp.
  • Anne Hathaway portrays the White Queen—Mirana.
  • Mia Wasikowska once again appears as Alice Kingsleigh, who’s on a quest to help the Mad Hatter.
  • Helena Bonham Carter  returns as the Red Queen—Iracebeth.
  • Rhys Ifans fills the shoes of Zanik Hightopp, the Mad Hatter’s father.
  • Matt Lucas returns to the revelry in a dual role as Tweedledee and Tweedledum.
  • Ed Speleers portrays James Harcourt in the film.
  • And Sacha Baron Cohen was called on to bring Time to the big screen.

Alice In Wonderland: Through the Looking Glass also boasts an extraordinary voice cast.

  • Stephen Fry is back as the voice of the Cheshire Cat.
  • Toby Jones provides the voice of Wilkins.
  • Alan Rickman returns as the voice of the Blue Caterpillar.
  • Michael Sheen once again serves as the voice of the White Rabbit.
  • Timothy Spall returns to voice Bayard.
  • Paul Whitehouse is back as the March Hare.
  • Barbara Windsor provides the voice of Dormouse again.

James Bobin will direct the film, which revisits Lewis Carroll’s beloved stories with an all-new new tale that travels back to Underland—and back in Time. Shooting on location and at Shepperton Studios in England, the film is slated for release on May 27, 2016.

Walt Disney Studios

 

 

RUMOR: Maelstrom at Epcot Closing September 28th for FROZEN Attraction?

Maelstrom may be the most beloved “cult” attraction in Walt Disney World, but it may also be weeks away from closing forever…

Maelstrom 1987 3

Cheesy dialogue, a poor representation of Norwegian culture, and a post-show film that people avoid like the plague pretty much sums up Epcot’s Norway pavilion boat ride. The pavilion ended up being funded by Disney almost since it opened in 1988 and Disney has tried on several occasions to find some sponsor to breathe life into the attraction for the most part of the last 25 years. It has seemed for many years as though Maelstrom would survive forever based on the inability to find funding or anything that made sense for that attraction space. Then Frozen was released in theaters…

In the last 8 months, Frozen has taken over Walt Disney World, being hastily rushed into parades, providing the longest meet and greet wait times ever posted, and selling merchandise faster than any property ever has at the Disney Parks. Needless to say, rumors have been swirling that Frozen attractions are in the works for the Walt Disney World Resort and Disneyland Resorts and are fast-tracked to be constructed and open as quickly as possible (albeit with a high-quality standard you’d expect based on more recent Disney World and Disneyland additions like Seven Dwarfs Mine Train & Radiator Springs Racers). Here’s where Maelstrom comes in.

Frozen is based on Norwegian culture and folklore, arguably a better representation of it than the horn-blowing bearded Viking and awkward standing polar bear that currently inhabit the second floor of the Maelstrom show building. Giving the Norway pavilion a Frozen ride would be a big boost to Epcot, a park that hasn’t seen a dramatic attendance rise from a  new attraction since the late-1990’s. Hopefully, a new Frozen attraction would simply take over the space of Maelstrom and not simply be an overlay of the existing ride.

All of this is pure speculation at this point, but rumors indicate Maelstrom may close forever on September 28th, 2014 as no FastPass + booking for the attraction is available from that date forward. This could just be a glitch, but more likely it’s the end of the fan favorite, Maelstrom.

Stay tuned to WDW News Today as more information becomes available on this story.

President of Disneyland Resort Paris Named GM of Shanghai Disney Resort, Paris Handed to WDW Executive

Euro Disney S.C.A, the holding company responsible for Disneyland Resort Paris, announced today the nomination of Tom Wolber to the position of Président of the three companies responsible for the day-to-day management of Disneyland Resort Paris, which is the number one tourist attraction in Europe.  He will be replacing Phillipe Gas who was named as General Manager for Shanghai Disney Resort.

One of our greatest assets is the global strength of our teams,” said Tom Staggs, chairman of Walt Disney Parks and Resorts. “Both Philippe and Tom are seasoned Disney veterans with a tremendous combination of leadership skills, business acumen, and international experience that will help ensure that we carry on our legacy of creating  unforgettable experiences for our guests. They bring an incredible depth of operational experience to their respective roles and are well positioned to contribute to the future success of Shanghai Disney Resort and Disneyland Resort Paris”.

On behalf of all Supervisory Board members, I would like to thank Philippe for the excellent collaboration we  had together and for his personal involvement in Euro Disney during the last 6 years”, said Virginie Calmels, chairman of Euro Disney Supervisory Board. “We are very proud that The Walt Disney Company has chosen  Philippe, a French top executive, to lead a huge and strategic project such as Shanghai Disney Resort. We also welcome Tom and wish him a lot of success in his new function”.

Tom is German and speaks 4 languages: French, Dutch, English and German. He returns to Disneyland Paris, which he helped to open in 1992 and brings more than 20 years of wide-ranging operations experience including leadership positions at Disney Cruise Line, Disney Vacation Club and both Walt Disney World Resort and Disneyland Paris. He most recently served as the head of Walt Disney World Resort and Transportation Operations, overseeing all of the 28 resort hotels and the property’s extensive transportation network. He has also overseen a number of complex expansion projects, including the successful launch of the Disney Dream and Disney Fantasy and was instrumental in the Disney Springs master plan and the continued growth of Walt Disney Parks and Resorts’ sports business.

For the coming month, Tom and Phillipe will work together at the resort which is located in Marne-la-Vallée, some 32 km (or 20 miles) east of the centre of Paris, with Tom’s role officially commencing from 1 September 2014.  The transitional period will allow for Phillipe to pass on vital knowledge and for the pair to discuss the long term strategic objectives of Disneyland Resort Paris.

Disneyland Parc is just one of the areas of Tom's new

Disneyland Parc is just one of the areas of Tom’s new Magic Kingdom!

 

New Experiences Coming to the International Food & Wine Festival!

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Epcot has added a few new flavors to how guests can enjoy the annual International Food & Wine Festival! It was announced today that Disney will be adding two new experiences for guests during the 2014 festival. The first of the two add-ons sounds like a cross between Epcot’s After Hours Wind Down and Animal Kingdom’s Harambe Nights:

Epcot Food & Wine Festival – Late Nights LIVE! street party will run from 9:45 p.m. to 1 a.m. every Tuesday and Thursday during the festival between the United Kingdom Pavilion and World Showcase Plaza. The event includes six tastes (food and beverages) from select marketplaces, live music, entertainment, and a DJ.

The cost of the street party will be $79, plus tax. Epcot admission is not required for entry after 9pm.

It was also announced that for guests staying at a Disney Resorts Hotel, a new Premium Package will be available:

Now for some brand-new “Premium” fun! From noon-8 p.m. Monday through Thursday during a select festival period (September 22-November 6), the Epcot Food & Wine Festival Premium Package is an opportunity for guests staying in a Walt Disney World Resort hotel (or the Walt Disney World Swan and Dolphin hotels) to sip and savor in style. The package includes an in-room gift with wine for guests 21 and older, a festival wine glass, truffles and credential for the Premium Package Areas at the festival – plus an Epcot International Food & Wine Festival MagicBand and a $50 Disney Gift Card to start the fun. The credential gives access to 10 VIP “Premium Package Areas” around World Showcase Promenade where you can order items from Marketplaces and have them delivered to you – no waiting in line. You can also bring your favorite marketplace treats into the Premium Package Areas and just relax. The package also includes one admission to Epcot Food & Wine Festival – Late Nights LIVE!, which you can attend on Tuesday or Thursday night.

The cost of the Premium package is $199, plus tax and theme park admission.

When you do the math for the premium package, it certainly seems like a great deal. A gift card, admission to the street party, a magic band, wine, and perhaps best of all- a place to eat! Anyone who has been to Food & Wine knows how valuable it is to have a decent place to put your tray down. Add in the fact that you can bypass some of the lines from the Marketplace by having the food delivered to you and this sounds like a home run.

We’d love to know what you think about these new experiences. Let us know in the comments if you’ll be checking out either of these new experiences at this year’s Food & Wine Festival.

EXCLUSIVE: Full Details on Adventure Trading Company (Including a First-Look at the Juju), Debuting at Disneyland August 1st!

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Beginning August 1, 2014, Adventureland at Disneyland Park will be host (for an undesignated limited time) to the Adventure Trading company, a new interactive game. The game was play tested with guests at the 2013 D23 Expo in Anaheim and is now ready for sa formal debut in the parks. We have the full scoop on how the game will work, what the coveted Juju look like, and how you can obtain them when playing the game today, so let’s jump right in…

Here is some information currently being distributed to cast members about the game:

The Adventure Trading Company is a traveling provisions and publications company that will be in Adventureland at the Indiana Jones Outpost for a limited time! The goods sold by the Adventure Trading Company will send guests on a wild expedition!

THE STORY:

Adventureland has never had such a surplus of unsolved mysteries. Guests are invited to carry the torch of adventure and begin their journey today! By completing expeditions, Guests will discover inner strengths and collect Juju, distinct artifacts that prove they have what it takes to join the pantheon of Disney adventurers.

What is a Juju?

Juju are small, hand-carved artifacts that reflect ancient traditions of storytelling in Adventureland. They have been passed along for generations as symbols of adventurous values. Every Juju has a story attached to it, often the story of how it was obtained.

Treehouse

PiranaMaraElephant

 

 

 

 

 

CroctoothBird

 

 

 

 

 

 

What’s Your Juju Story?

Adventureland cast members will receive a Juju and are encouraged to create their own adventure stories revolving around it. Make sure to keep the below in mind when creating yours:

  • Incorporate the value of the Juju into your story
  • Story must be time period appropriate
  • Story must be true to the theme of Adventureland
  • Story must be family friendly

Along with Guest participants, Cast Members are encouraged to create their own Adventure name. You will receive an Adventure Trading Company name tag from your leader, and it may be placed on the upper right hand side of your costume across from your Disneyland Resort name tag.

It can be as simple as adding a title to your actual name (Professor, etc.) or a nickname before or after your first name.

Here’s how the game works, in short:

  1. Guest buys a publication with an “adventure call-to-action” at the Indiana Jones Outpost. The cashier will notarize the publication with a stamp after purchase.
  2. The guest must then complete the challenge found in the publication
  3. After completion, guests redeem the challenge completed for a Juju and a cast member marks the paper as completed.

There are 3 Juju that are simply acquired through a food or beverage purchase:

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  • Tropical imports is selling a “This Side Up” Pineapple Parfait which will give you the Pineapple Juju
  • Bengal Barbecue has the Venomade which will provide the Snake Juju
  • Trader Sam’s Enchanted Tiki Bar is selling JujuJuice, which gives you the Tiki Mask Juju

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Similar to Disney Pin Trading, there will also be Juju trading with cast members offered. These trades will be one for one with a cast member. The difference will be an added step in the process. The Guest needs to ear the Juju, so a short “hook” will take place before trading. These “hooks” may be a question or a request, for example, telling a joke, singing, or telling a story. Don’t be nervous though, the cast member will help you complete the “hook” if you are having trouble and will make sure the trade actually takes place.

Guests will also be wearing the Adventure name tags, similar to the ongoing Frotierland game guests can currently play at the park.

The game begins tomorrow, August 1st at Disneyland Park. Stay tuned to WDW New Today for more information on the Adventure Trading Company.

VIDEO: New "Guardians of the Galaxy"-Inspired Lego Trailer

Marvel and Lego fan, YouTube star Forrest Whaley has created a Guardians of the Galaxy video, Lego style!

Guardians Lego

Take a look at the clip below.

[youtube http://www.youtube.com/watch?v=xys1kVN_Wec]

 Marvel’s Guardians of the Galaxy releases in theaters beginning August 1, 2014.

D23 Celebrates 23 Issues of “Disney Twenty-Three”

To celebrate 23 issues of its collectible publication, Disney twenty-three, D23: The Official Disney Fan Club circles the planet to experience Disney’s worlds from Europe, South America, and Asia to the fantastical fictional realms of San Fransokyo and Once Upon a Time’s Enchanted Forest.

D23 cover

Disney twenty-three’s Fall issue, available exclusively to Gold Members of D23, starts the journey with a visit to France for an in-depth look at how the creative team at Walt Disney Imagineering brought the spectacular world of Ratatouille to life at Disneyland Paris for Ratatouille: The Adventure. Then it’s off to Japan where Treasures of the Walt Disney Archives is touring the country with a dazzling exhibit featuring more than 70 props, costumes, images, and artifacts. In “It’s A Disney World After All,” D23 goes on a non-stop tour from Latin America to the Middle East to look at Disney’s indelible mark on the rich cultures of many nations. And, in true Disney fashion, we visit the stunning and sleek fictional city of San Fransokyo for a look at spectacular concept art that inspired the upcoming Walt Disney Feature Animation release Big Hero 6.

The cover of the issue features a spectacular photo mosaic with a classic image of Walt and Roy O. Disney with Margie Gay of the Alice Comedies shorts series, courtesy of images of D23 Members from around the globe.

D23 Cover Inset

 

Also included in the Fall issue of Disney twenty-three:

  • A rich look into Marvel’s remarkable 75-year history, including a season two preview of the ABC hit Marvel’s Agents of S.H.I.E.L.D.
  • A chilling glimpse at Once Upon a Time’s upcoming Frozen-themed season with the series’ creators
  • A dive into the Walt Disney Archives to view rarely seen concept art from 20,000 Leagues Under the Sea, which celebrates its 50th anniversary this year
  • A journey back in time to celebrate 89 amazing Disney milestones from 1989
  • Regular columns including A Walk with Walt, D Society, Ask Dave, and our final edition of PHOTOfiles

All D23 Members are invited to visit www.D23.com for additional members-only content, including an in-depth video interview with Stan Lee who sits down to talk about Marvel’s 75-year legacy.

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Other features coming to D23.com include:

  • A soaring look at Academy Award®-winning composer Michael Giacchino, who used his initial score as inspiration for the soundtrack to Ratatouille: The Adventure
  • More scoop on what’s to come this season on Once Upon a Time
  • An extended gallery of concept art from the development of 20,000 Leagues Under the Sea

Disney twenty-three, which is delivered directly to fans’ doorsteps, is offered exclusively to D23 Gold Members as a benefit of their membership. The publication will begin arriving mid-August.

RESORT REVIEW: Disney’s Boardwalk Inn Hits Just the Right Notes

Late morning on the Boardwalk

Boardwalk Joe’s and the Boardwalk Bakery

The idea of lodging on the Boardwalk, waking up to the Crescent Lake every day, and having not only walkable access to Epcot and Hollywood Studios but Monorail access to Magic Kingdom seems like the perfect scenario. At least that’s what I remember concluding when we ended up turning around at The Boardwalk Inn after taking a wrong turn a few years ago. Even with podcast reviews of the Boardwalk being less-than-superlative among deluxe hotel options, my family and I still wanted to give it a try. (They can’t be right all the time, right?) So finally, this past spring we checked in for our most recent Walt Disney World vacation, excited to call the Boardwalk Inn home for an entire week.

The Boardwalk Inn was built in 1996 and themed in a way reminiscent of the 1920s and 1930s Atlantic and mid-Atlantic Seaboard resorts. Strong notes of Coney Island and, more influentially, the Atlantic City Boardwalk can be felt from a guest’s earliest touches throughout the entire stay. That being said, in the same way Hollywood and Sunset Boulevards represent the “Hollywood that never was,” I think the Boardwalk Inn probably works the same way. This iteration is a romanticized, Disney-ized if you will, version of the original. It feels clean instead of used. It projects modern instead of antiquated. It is fresh instead of worn. Classic black and white period photography on the walls of the hotel corridors and signage typical of early Twentieth Century resorts contribute to the facade the Boardwalk is trying to achieve—and it works. From the moment my family and I pulled into the valet area and made our way into the lobby I could feel my pulse slow and my mind begin to unwind. The open air. The ceiling fans. The windows opening up to views of The Yacht Club across Crescent Lake. These touches were just right.

Access to the Parks
Something my family and I have been talking about for years is taking it a little easier during our trips to WDW. We’ve traditionally been the sort to open up the parks at rope-drop and take every measure to close them down late that night. If we returned home anything other than exhausted then we had failed. We’ve only recently revisited this approach to our vacations, and our last visit was the first with intentionally built-in measures for slowing down and relaxing. Only because we could get in and out of the parks so easily were we able to justify taking the afternoons a little easier. Who wants to miss valuable park time in transit, right?

The hotels along Crescent Lake all give the same access, of course. The Yacht and Beach Club, The Swan, and The Dolphin are all in the same vicinity. I clocked our walk from the Boardwalk to Hollywood Studios between 15 and 20 minutes, depending on the pace. The Epcot entrance was less than 7 minutes. Of course, the Friendship Boats are constantly coming and going thus providing another transportation option. I don’t think we waited longer than 10 minutes at any point.

The journey to Magic Kingdom took a little longer. We walked through Epcot to the Monorail, and it was still just over thirty minutes. We were able to avoid the bus system for every park but Animal Kingdom. (We skipped the water parks.) As nice as it is to stay at a Magic Kingdom resort,  they don’t offer the same access as the Crescent Lake options. We took opportunities during the day to return to the hotel to rest and relax. But we could only accept these terms because of the limited amount of time wasted in transit.

Disney's Boardwalk Inn re-creates 1920s and 1930s Atlantic City atmosphere.

Disney’s Boardwalk Inn re-creates 1920s and 1930s Atlantic City atmosphere.

Atmosphere
Simply put, I love the atmosphere at The Boardwalk. Because I can have a difficult time “unplugging,” I like having something to which I can direct my focus and attention. It’s not constant entertainment that I enjoy as much as I love being in an environment with a certain energy level. This is one of the aspects of the Disney experience that is most appealing to me personally, and this resort, in addition to the overall atmosphere of the Boardwalk, creates a great experience throughout the day.

Beginning around 10:00 most mornings, live entertainment on the Boardwalk begins. These acts possess a sense of improvisation and give off a Vaudevillian “air.” They range from comedy to variety show to magic. It was a lot of fun to return after a great day in the parks and walk up on a magic show on the Boardwalk. I still don’t know how one of the acts pulled off a disappearing cell phone trick using a teen from among the spectators that had gathered around. (I remember wondering if her parents were grateful.) While I wouldn’t recommend building a schedule around these shows, they do add to a collective experience that lends itself to a fantastic sense of authenticity.

Friendship Boats represent one of several transportation options. The Yacht Club is visible across Crescent Lake.

Friendship Boats represent one of several transportation options. Yacht Club visible across Crescent Lake.

Resort Activities
Like all the deluxe Disney World resorts, the Boardwalk Inn has plenty of activities for families, adults, and kids. I recommend asking the concierge for a recreation calendar at check-in. It provides times and locations for everything that’s going on during the day. The Boardwalk offers activities that range from tennis lessons and guided fishing to dance parties and poolside games and, of course, dining.

The poolside recreation includes games like Hula-Hoop Games, Simon Says, and “What’s In Your Beach Bag.” Cast Members begin a new poolside game every hour beginning as early as 10:00 a.m. I watched this going on a couple of afternoons while lounging at the pool and it looked like a blast. At 9:00 each evening the resort offers a campfire (weather permitting) and “Movie Under the Stars.” At the time of this post they are featuring Frozen. Much to my delight they also show classics like Pocahontas and The Aristocats as a part of the movie rotation.

Also worth mentioning is the Belle Vue Lounge just down the hallway from the check-in desk. The Boardwalk offers daily breakfast in this area beginning at 6:30, and it remains open until 11:00. The Belle Vue Lounge opens again at 5:00 in the afternoon for drinks and stays open until midnight. You want to talk “throwback.” This area reminds me of rooms in places like the Biltmore and Hearst Castle where ladies and gentleman would convene at the end of the day to discuss the times. In fact, the radio in the lounge plays programming from the 1930s. This area and how they use it is a wonderful addition to the Boardwalk ethos. And of course there’s Leaping Horse Libations (Thumbs Up!), the poolside bar serving those enjoying Luna Park Pool—the Boardwalk Inn’s signature pool area.

Dining
Dining options on the Boardwalk include Big River Grille & Brewing Works, the Boardwalk Bakery, Boardwalk Joe’s Marvelous Margaritas, ESPN Club, Flying Fish Cafe, Funnel Cake Cart, Kouzzina by Cat, Pizza Window, and Seashore Sweets. You can find reviews on each of these restaurants other places so I’ll stick with what worked for us.

First, I would recommend checking out the Belle Vue Lounge before making a purchase at Boardwalk Joe’s. It just feels like better quality. But I admit that there’s something special about being on the Boardwalk at night so Boardwalk Joe’s certainly isn’t out of the question.

Second, we loved the Boardwalk Bakery and hit it up every morning on our way to the parks. My wife usually started her day with one of their many excellent pastries and an iced coffee, while I took a more adventurous approach to their caffeinated options and tried everything from a regular black coffee to an iced Americano to a latte and a cappuccino.

And lastly, I must confess that even amidst gluttony I found myself drawn to the Pizza Window a couple of nights, relatively late. It was a little like college all over again. (Except in Disney World. At the Boardwalk. Put all those things together and it was beyond Magic Plus.) The price wasn’t out of line, in my opinion, the service was good, and the pizza was tasty. Maybe I didn’t need it right before going to bed, but hey, all is fair in Disney dining. No regrets.

One other item to address is the night life. There are basically two options in this category: Jellyrolls and Atlantic Dance Hall. Jellyrolls is a dueling piano bar that sounds ridiculously entertaining, and even though it was on the “to do” list, regrettably we didn’t make it to see for ourselves. (I was eating pizza instead.) We’ll probably save that one for “post-family.” The Atlantic Dance Hall is a dance club featuring Top 40 music that looks like a ton of fun, too. Both of these venues, along with the dining and walk-up food and beverage, contribute to an incredibly festive atmosphere that’s as energetic as just about any place on the WDW property.

Despite how much we appreciated the theming we found here, if you put it up against other options in the same category maybe it doesn’t quite measure up to the authenticity of Animal Kingdom Lodge, the nostalgia of the Contemporary, or the novelty of the Polynesian. But it’s still original and is by no means ineffective. What the Boardwalk Inn does, however, is offer great proximity, excellent transportation options, multiple dining outlets, and original entertainment. It’s very unique. We loved it, which shouldn’t come as a surprise from a family like mine that loves everything about the resorts. We’ll definitely stay here again, but not until we’ve completed the “Disney Cycle” by staying at every resort at least once.