REVIEW: Satuli Canteen Lunch and Dinner, Pandora – The World of AVATAR at Disney’s Animal Kingdom

The Satuli Canteen is the quick service dining location in Pandora: The World of AVATAR at Disney’s Animal Kingdom, offering a fairly unique menu compared to other counter service offerings at the Walt Disney World Resort.

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Discover healthful dishes and familiar flavors from another world—wholesome grains, fresh vegetables and hearty proteins.

Between your aerial adventures on Avatar Flight of Passage and family-friendly voyages aboard Na’vi River Journey, tuck inside the Quonset-hut structure called Satu’li Canteen—long ago an RDA mess hall, now a peaceful dining facility adorned with Na’vi art and cultural items.

Owned and operated by Alpha Centauri Expeditions (ACE), Satu’li Canteen supplies travelers all the comforts of home—courtesy of a unique, fast-casual menu that’s been crafted from Pandora’s natural abundance.

Featuring international-inspired cuisine, vegetarian options and specialty libations, it’s the perfect place to refuel as you venture through the Valley of Mo’ara.

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I would best describe the inside of the restaurant as an Animal Kingdom Lodge restaurant located in an abandoned hangar. That’s pretty much what it is. It’s a strange blend, but it isn’t unpleasant. There isn’t much indoor seating, but the outdoor seating looks to be comparable in size, so it should work out when crowds descend upon the land.

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The ordering area is massive, featuring a number of bays utilizing what remains of a former RDA commissary (in storyline).

Menu

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Satuli Canteen Lunch and Dinner Menu, Pandora – The World of AVATAR

Here are the menus for lunch and dinner (including the one for those with allergies). We’ll cover breakfast in a separate review.

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Satuli Canteen Lunch and Dinner Menu, Pandora – The World of AVATAR

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Satuli Canteen Lunch and Dinner Allergy Menu, Pandora – The World of AVATAR

Entrees

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Chopped Wood-Grilled Chicken Bowl ($11.49)

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Wood-Grilled Chicken Thighs marinated with Garlic and Olive Oil topped with Crunchy Vegetable Slaw and Boba Balls served with your choice of Base and Sauce

As you may notice in the photographs, the ubiquitous Disney Parks plates are not to be found here, instead, you get a “real” plate and silverware to dine with. A nice touch that we have seen at some of the nicer counter service locations in recent years.

This particular dish has the Creamy Herb Dressing, which ended up being my favorite, especially mixed with the Red and Sweet Potato Hash (which is also a winner). The chicken was cooked well enough and mixed with the sauce and base in a nice way. The vegetable slaw and yogurt boba balls are fine, which is good, BECAUSE IT COMES WITH EVERYTHING.

Slow-Roasted Sliced Grilled Beef Bowl ($12.99)

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Slow-Roasted Sliced Grilled Beef marinated in a blend of Garlic, Herbs, Red Pepper Spice, and Red Wine Vinegar topped with Crunchy Vegetable Slaw and Boba Balls served with your choice of Base and Sauce.

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You’ll see two unique orders of the beef above, one with Mixed Whole Grain and Rice, and another with the Red and Sweet Potato Hash, but both have the Charred Onion Chimichurri. The chimichurri is pretty bland and adds almost nothing to any dish, and especially in this case with the rice, which is flavorless to begin with. The beef itself is a real winner, tender with a lot of flavor for a counter service offering.

Sustainable Fish Bowl ($12.99)

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Panko Breaded Sustainable Fish topped with Crunchy Vegetable Slaw and Boba Balls served with your choice of Base and Sauce

The fish in this case was mahi-mahi and I thought it was solid, crunchy on the outside with a flavor in the vicinity of sweet and flaky inside. Again, the rice and the chimichurri are under this and I just would not recommend this combination.

Chili-Spiced Crispy Fried Tofu Bowl ($11.49)

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Crispy Fried Tofu seasoned with Chili-Spice topped with Crunchy Vegetable Slaw and Boba Balls served with your choice of Base and Sauce

The chili-spiced fried tofu was possibly my second favorite to the beef, offering a good flavor with a little kick if you aren’t in the mood for meat. It mixed really well with the Creamy Herb Sauce and the Red and Sweet Potato Hash, a combo I would have again. One thing worth mentioning is how huge these dishes are. I had a hard time finishing this dish and I usually can clean a plate pretty well.

I also spiced this dish up with tabasco, which is available at the condiment station.

Cheeseburger Steamed Pods – Bao Buns ($10.99)

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Steamed Cheeseburger Pod stuffed with Ground Beef, Ketchup, Mustard, Pickle, and Cheddar Cheese served with Crunchy Vegetable Slaw and Vegetable Chips

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These were good, but I think a bit overhyped. Don’t get me wrong, I like them, but the meat to bun ratio is way too uneven. If they loaded some more meat and cheese in here, it could be one of my favorite entrees at a quick service, but the flavors just don’t even out right now. The meals are also a little on the small side, so don’t get these if you are starving. They might actually work better as something to share as a quick snack or something to split between your entire party should you all just want to try them.

My favorite part of the meal was the vegetable chips which have a really pleasant flavor palate with a salty tinge.

Vegetable Steamed Curry Pods – Bao Buns ($10.99)

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Steamed Vegetable Curry Pod with Eggplant, Cauliflower, Sweet Potato, Carrots, and Shallot Cilantro Cream served with Crunchy Vegetable Slaw and Vegetable Chips

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While the cheeseburger pods are getting all of the attention, I actually think that these were just as good, if not better. There is a curry spice sprinkled over the pods, but on the chips as well, adding quite a bit of spice to the plate. The vegetable mix in the pod makes for a unique and tasty flavor. If the cheeseburger version isn’t of interest to you, these are a good option.

Kids Menu

“Teylu” All-Beef Hot Dog Wrapped in Dough ($6.79)

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All-Beef Hot Dog wrapped in a Parker House Dough served with Vegetable Chips and Grapes, and Small Dasani Bottled Water or Low-fat Milk

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A big step over the usual kid’s hot dog dish, the wrap-around bun is quite good and a vast improvement. The delicious vegetable chips are included with this as well.

Cheese Quesadilla ($6.49)

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Cheddar and Mozzarella Cheese in a Tortilla served with Vegetable Chips and Grapes, and Small Dasani Bottled Water or Low-fat Milk

Back in the day, I used to really enjoy the cheese quesadillas when they were located at Pizzafari, and these are very similar and pretty good if your little guy or girl are in the mood for such a thing. Quesadillas aren’t complicated, but these were made with quality ingredients and you could taste it. AND AGAIN THERE’S THE VEGETABLE CHIPS.

Desserts

Blueberry Cream Cheese Mousse ($5.29)

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Blueberry Cream Cheese Mousse with Passion Fruit Curd

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The most discussed dessert leading into the opening of Pandora, this item is no longer even a cheesecake and has already been greatly reduced in size. It’s good enough, but personally not something I would order again. It did prove popular with others at the table, so maybe it’s just my taste on this one, but it has such a weird, gelatinous texture and the flavor wasn’t what I expected at all. Way too much passion fruit for me.

Chocolate Cake ($5.29)

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Chocolate Cake with a Crunchy Cookie Layer and Banana Cream Topping

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While the former cheesecake now mousse dessert received top billing, this was by far my favorite of the two. The flourless chocolate cake flavor of the airy dessert blends perfectly with the crunchy cookie layer at the bottom and the banana cream on top. This is a must order in my book, one of my favorite desserts in all of Walt Disney World.

Beverages

Pandoran Sunrise ($4.49, $13.49 with Navi Flute Cup)

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Exotic blend of Tropical Juices including Pineapple, Mango, Lime and a hint of Melon with a Pineapple garnish served over ice (also served in a Na’vi Flute Cup)

The Pandora Sunrise is probably worth skipping for something at Pongu Pongu instead (namely the Night Blossom). It’s refreshing, but pales in comparison. For a better value, fountain drinks with refills provided by self-derive fountains are available, with many more options than you might usually expect, including Sprite Zero, Barq’s Root Beer, and Coke Zero in addition to the usual variety.

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The Navi Flute Cup is pretty nice, including a flute that can be detached and played.

Dreamwalker Sangria ($9.50)

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Refreshing White Sangria with a hint of Blue Curaçao

Carbonated non-boozey garbage honestly. It’s light and fruity with a grape tartness due to the ones placed on top, but I wasn’t able to fully grasp flavors over the blue curaçao.

OVERALL

Satuli Canteen is likely the best overall counter service restaurant at Disney’s Animal Kingdom, especially with mobile ordering offered (based on our experience). With a good variety of options with a number of customization aspects, it would be hard to not find something for everyone at this eatery. With the portion sizes leaning towards the larger and fountain beverage refills available, it also feels like a better value than many other options.

Satuli Canteen will open to the public on May 27th, 2017 inside of Pandora: The World of AVATAR at Disney’s Animal Kingdom.

PHOTOS, VIDEO, REVIEW: Flight of Passage is the Next Big Theme Park Thrill Ride, Soars in Pandora – The World of AVATAR at Disney’s Animal Kingdom

I have anxiously awaited my chance to experience the heavily guarded secrets of the AVATAR Flight of Passage attraction in Pandora at Disney’s Animal Kingdom, and during yesterday’s annual passholder previews, I did finally get to ride on a Banshee. Well, virtually at least.

I already talked at length about the queue in my initial thoughts on Pandora, but now it is time to talk about the pre-show and ride experience.

So, how is it?

Disney is still having a lot of problems with the ride, and cast members have told us that all 4 theaters have still not run simultaneously to this point. During yesterday’s preview, they were down to just one theater in fact, and luckily they did have a second come online here and there. With just about 2 weeks left to go, this is not a good sign, but hopefully they will figure it out before May 27th with a lot of long-shifts pulled by Imagineers and others involved. With a theoretical hourly capacity of 1900 guests (if all 4 theaters are functioning), there isn’t going to be much room for error in this heavily-hyped opening Summer.

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The waiting area for the decontamination/matching rooms at Flight of Passage.

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When these doors open, your first pre-show experience begins at Flight of Passage.

The pre-show experience is a bit odd. Once you are corralled into one of several lines, you are then sent into decontamination/matching chambers in groups of 16. In this room, a rather odd scientist takes you through the decontamination process and then finds the AVATAR that is a match for you. While the scripting and acting for this room fall pretty flat, guests will have a lot of fun with the infrared technology in use and the blasts of air and lighting effects that take place. Guests are then whisked off to the briefing room where they learn from the scientist and Dr. Ogden about their experience and boarding the simulators properly. While it is a little bland and boring, it does a great job explaining what’s going on and makes watching the AVATAR movie unnecessary to understand the attraction.

Then it is off to the ride.

The seats are unique for a Disney Parks attraction and you’re not going to find any like this at another theme park. The “link seats” require straddling since you will be riding a Banshee (eventually), and they can be a bit hard to get into for taller and larger guests. My suggestion would be to get your knees as far in as you can before sitting down. While larger guests had many issues during earlier previews, the fairly big individuals visiting with myself yesterday all made it in just fine. We ranged between 6’0″ and 6’3″ and all made it in just fine. If you have larger or longer legs, that may be an issue, but probably not until people start cresting the 6’5″ mark or over 300 pounds.

Now it’s time to ride. If I could only use one word to describe the actual attraction portion, it would be impressive. The technology behind “link chair” is impressive and there’s a lot in each ride through that has to go right for a perfect experience, and it did for both of ours yesterday.

Warning, we’re going to get into some spoilers now…

So what is the ride system? Imagine if you took the Soarin’ system and placed single-person simulator chairs on each level. Oh, and give it the largest, seamless, most vivid 3-D projection screen you’ve ever seen; then you have Flight of Passage. Oh, and throw in some cool, new 3-D shades…

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The individual link chairs provide for a very personal experience, but your family and friends are never so far away that you can’t still speak to them and hear them. One nice thing about this is it will avoid awkwardness of those utilizing the single rider line for this attraction as they get to actually sit alone, a first for anyone utilizing this service. I sometimes feel awkward using single rider lines as I think you can sense that the people you are seated with are never happy that you are there. This will be a nice change of pace.

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The link chairs are also insanely cool. There is a screen with a camera in front of you on each one, which provides some distraction while you wait for others to load (correctly) into their seats. It’s flashy and entertaining enough for what may be a little bit of a wait. Once the ride gets going, the motion on these is enough of a thrill for the whole family, but Expedition Everest it is not. It will likely be on the higher end of the spectrum for children, and the average adult will find it thrilling enough to be satisfied I believe. Basically, I don’t expect a lot of projectile vomiting on this ride.

The other neat part of the seats are the sound and movement effects that simulate that you are on a Banshee. You will feel the creature breathing under you and hear it from your seat. Some of these strange effects are also applied during the “linking” effect at the beginning of the ride that sends you mind into the Avatar out on Pandora.

And yes, no physical Banshee appears under you, and no, I don’t want to hear about it in the comments section of any post. Thank you in advance for understanding what a rumor is.

The ride itself is a lot of fun, with sequences that make what I thought to be a rather bland film franchise into a really exciting one. The action is non-stop, but never feels forced, flowing through the different ecosystems on the planet. The most amazing effect of the ride is the way it seamlessly blends in theater effects into the show. The mist on your face, waves crashing, and a seemingly endless array of odors are all felt (and smelled) from your seat. How they do this without the lingering odors found in Soarin’ prevailing through the rest of the ride is beyond me, but they make you feel like you are really there at all moments. All of this combined with the crisp-3D imagery makes for a fantastic ride. It is, without a doubt, the most realistic screen-based ride experience of all time.

Flight of Passage isn’t my favorite attraction I’ve ever been on, but it’s likely in the top 10 somewhere. Based on how guests respond to Soarin’ and the screen-based thrill rides at Universal Orlando, I think the general public is going to flip out for this experience, probably more than any theme park fan will. It is just a screen ride, but it is the best use of projection technology in a ride I’ve seen since Star Tours: The Adventures Continue, and it far surpasses that. The screens work here as they are not here to replace things that could be done with physical sets, but rather offer things that you just couldn’t do if this wasn’t presented on a screen.

While I often feel that Universal doesn’t care either way and just makes an attraction screen-based for budgetary reasons, Flight of Passage feels like a conscious effort to offer the best experience possible. As I felt the first time I rode Harry Potter and the Forbidden Journey, while I didn’t prefer screens, I enjoyed the way they were used in the ride (even if it is a bit nauseating). Screen-based rides aren’t the devil, and they don’t need to be outlawed, they just need to only be used when necessary. If Flight of Passage and Forbidden Journey are examples of how to best to use screens in new, cutting-edge attractions, then Escape from Gringotts and the Na’vi River Journey are good tutorials on how not to (using screens to replace things that could have been physically there).

Regardless, Flight of Passage will become the most popular attraction at Disney’s Animal Kingdom, and possibly in all of Walt Disney World come May 27th, 2017 when it officially opens. Either get a FastPass or be prepared to wait a really, really, really long time for this one folks.

REVIEW, VIDEO: Happily Ever After Debuts at the Magic Kingdom, The Nighttime Spectacular That Disney World Deserves

Tonight marked the debut of the Magic Kingdom’s new nighttime spectacular “Happily Ever After”, which replaced the beloved Wishes show after a 13 year run. So, how was it?

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Happily Ever After at the Magic Kingdom

Getting straight to the point: I loved it. I felt the same way I felt when I saw Wishes 13 years ago. The show is a technical marvel that ties-in beloved Disney characters and music, modern and classic, with fantastic original arrangements and a theme song that will (I think) live on through the annals of Disney Parks history long after this show is gone. Fantasy in the Sky and Wishes have a more than suitable replacement which will be cherished as much once the nostalgia dies down over the weeks and months ahead.

The inclusion of most of the animated film canon is tastefully done, never feeling forced. This show rips through a lot of IPs, but does so without taking the show into and out of too many songs. You may have not thought it would make sense to throw a mixture of Disney classics into a scene with music from just one, but it works here. Think of it as the bubble scene from Walt Disney World’s Fantasmic, but on steroids, and a copious amount.

The show has so many jaw-dropping effects and such worth noting, but here’s what stuck with me:

  • A shooting star firework zips across the sky and seemingly lands on the facade of Cinderella Castle.
  • Illuminated smoke creates the illusion of fire from cannon blasts.
  • The Castle is attacked by Villains with several really unique lighting and pyro effects.
  • Lasers create a Vegas-style lighting effect on Cinderella Castle.
  • The new spotlights surrounding the Castle are phenomenal. They are used in so many creative ways from start to finish, making the scope of the show seemingly larger than life.
  • There are plenty of new fireworks shells the likes of which we have never seen before, and certainly more pyrotechnics than Wishes ever had.

There are so many great scenes to talk about, but the “I Can Go the Distance” sequence might be my favorite in any fireworks show that I’ve ever seen, maybe even in any nighttime show. It emerges from the Villains portion so perfectly and is fantastically uplifting. It’s a great lead-in to the finale. I would name a few others that I liked, but I quickly realized that the list I created included every other sequence. I’m not kidding, I made a list and all of them were on it. I went through the show video to check, and somehow I remembered all of the scenes and enjoyed them all that much that they all made my list of what I enjoyed. If you forced me to pick a second favorite, my sentimental choice would be “Out There” from the Hunchback of Notre Dame. Disney Dreams may be gone from Paris, but this scene has made it stateside and was everything I dreamt it would be.

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Happily Ever After at the Magic Kingdom

The narrative of the show is not overstated, but I think resonates more strongly than Wishes. Now, please hear me out before you run to the comments section. Happily Ever After takes us from setting out on adventure, to finding friends and romance, to facing adversity, bringing yourself to the the triumph of learning that you can “go the distance” and “you can fly”, reaching your Happily Ever After. The show shares a theme of many recent Disney animated films: you can have your wishes come true in this world if you work hard enough. “All our dreams can come true, if we have the courage to pursue them.” Now, who said that?

Having only seen the show from one vantage point, I don’t have any tips for viewing just yet, but I can tell you that there are a lot of unique and cool places you’ll likely want to see this from. Up close will give you a better view of projections and lighting effects, but standing farther back will allow you to take in the full scope of the spectacle (which you will see in the video below). I’ll let you know what I think after a few more viewings. I also need to see all the new lighting in the trees to the left and right sides of the Castle, because whatever was going on there at certain points in the show looked really neat.

If Walt Disney World is the flagship of the Disney Parks, and the Magic Kingdom is the pinnacle park for the company, than this is the nighttime show it deserves. Taking what was learned from shows like Disneyland Forever, Disney Dreams, and others to combine so many high tech show elements, Happily Ever After is the next step in nighttime spectaculars and the new crown jewel of evening entertainment at Walt Disney World. It is a must see and will likely remain so for a long time to come.

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Happily Ever After at the Magic Kingdom

CONCEPT ART: New Scenes To Debut in Fantasmic When It Returns to Disneyland This Summer

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It’s hard to believe that Fantasmic! is 25 years old tomorrow. The show premiered at Disneyland’s Rivers of America on May 13, 1992 and quickly became a guest favorite. While the show has undergone upgrades over the years, including a new sound system in 2007, and a completely new lighting package in 2008.

However, the show is currently undergoing its biggest makeover yet. When it returns this summer, the show will still retain its storyline, fanfare, and theme song, but quite a bit will be new. The mist screens will be upgraded and coupled with state of the art projectors to provide brighter, more vibrant visuals with better clarity than ever before. What may be the biggest change, however, is the addition of brand new show scenes featuring Aladdin, The Lion King, Tangled, and Pirates of the Caribbean.

The concept art above shows one of the dazzling new scenes, where Aladdin and Jasmine are floating over a bed of fog on their flying carpet during “A Whole New World.”

A return date for the show has not yet been announced, but stay tuned to WDW News Today for more information about the show’s premiere in the coming weeks.

FIRST LOOK: 2018 Merchandise for Walt Disney World, Disneyland Resort; Goodbye Tower of Terror

I know that it’s May 2017, but who doesn’t want a preview of the 2018 merchandise for Disney Parks?

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The Walt Disney World Resort will be dropping the Tower of Terror from merchandise in 2018 in favor of the Pan Pacific Auditorium entrance from Disney’s Hollywood Studios. I wouldn’t read into this too much as Disney has stated they have no plans to overlay the Florida attraction.

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Both resorts are calling 2018 “The Year to be Here”.

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What do you think of the 2018 merchandise?

D23 Expo 2017: Meet The Stars Of Freeform’s “The Fosters”, “Shadowhunters”, And “Stitchers”, Plus Its New Series “The Bold Type”

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MEET THE STARS OF FREEFORM’S HIT SERIES THE FOSTERS, SHADOWHUNTERS, AND STITCHERS, PLUS ITS NEW SERIES THE BOLD TYPE, AT D23 EXPO 2017

Fans can meet their favorite stars from Freeform’s hit series The Fosters, Shadowhunters, and Stitchers, along with cast from the new series The Bold Type at D23 Expo 2017, taking place July 14–16 at the Anaheim Convention Center.

Members of The Fosters family, as well as cast from the sci-fi series Stitchers, the saga Shadowhunters, and the new series The Bold Type, will appear throughout the weekend in the “Talent Central” autograph area, located in Hall A. Following is the appearance schedule (subject to change, times and cast to be announced at a later date), plus more information on each series.

FRIDAY, JULY 14

Stitchers

The Fosters

SATURDAY, JULY 15

Shadowhunters

The Bold Type

Shadowhunters returns for the second half of season two with Shadowhunters and Downworlders reeling from what happened at the New York Institute in the winter finale. As the rift between the two sides grows larger, the team and their Downworld friends and lovers are put in the middle of the dangerous divide. Torn between the Clave’s rules and what they feel is right, Clary, Jace, Alec, and Isabelle struggle to help forge a new beginning. Relationships will be tested, a new Shadowhunter named Sebastian will join the fray, and the Seelie Queen will step out of the shadows in the summer season. Shadowhunters is produced by Constantin Film and executive produced by Todd Slavkin, Darren Swimmer, McG, Michael Reisz, Matt Hastings, Mary Viola, Martin Moszkowicz, and Robert Kulzer. The series stars Katherine McNamara, Dominic Sherwood, Alberto Rosende, Emeraude Toubia, Matthew Daddario, Isaiah Mustafa, and Harry Shum Jr. Shadowhunters midseason premiere will be MONDAY, JUNE 5, at 8 p.m. EDT.

On the upcoming season of fan favorite Stitchers, Kirsten and the Stitchers team hack into the minds of the recently deceased to investigate diverse and unusual cases spanning from international relations to within their own families. New relationships will develop while others will end, and the true purpose of the Stitchers program will be revealed. Stitchers is executive produced by Jeffrey Alan Schechter, Jonathan Baruch, and Rob Wolken. The series stars Emma Ishta, Kyle Harris, Ritesh Rajan, Salli Richardson-Whitfield, Allison Scagliotti, and Damon Dayoub. Stitchers will return for its third season on MONDAY, JUNE 5, at 9 p.m. EDT.

The Fosters returns for its fifth season. Winner of a Television Academy Honors Award and GLAAD Media Award for Outstanding Drama Series, The Fosters follows a multi-ethnic family mix of adopted and biological teenaged kids being raised by two moms. The drama’s fifth season will include the milestone 100th episode. The Fosters is executive produced by Jennifer Lopez and created by Bradley Bredeweg and Peter Paige, who also serve as executive producers and writers, along with Joanna Johnson. Greg Gugliotta, Elaine Goldsmith Thomas, and Benny Medina also serve as executive producers. The series stars Teri Polo, Sherri Saum, Hayden Byerly, Noah Centineo, David Lambert, Maia Mitchell, Danny Nucci, and Cierra Ramirez. The series is produced by Nuyorican Productions, Inc. in association with Freeform. The fifth season premiere of The Fosters will be on TUESDAY, JULY 11, at 8 p.m. EDT.

The Bold Type, inspired by the life of Joanna Coles, chief content officer of Hearst Magazines, reveals a glimpse into the outrageous lives and loves of those responsible for the global women’s magazine Scarlet. The rising generation of Scarlet women leans on one another as they find their own voices in a sea of intimidating leaders. Together they explore sexuality, identity, love, and fashion.  The series stars Katie Stevens, Aisha Dee, Meghann Fahy, Sam Page, Matt Ward, and Melora Hardin as Jacqueline, editor in chief of Scarlet Magazine. The Bold Type is executive produced by Sarah Watson, David Bernad, Joanna Coles, and Ruben Fleischer. Holly Whidden is co-executive producer. The series is a Universal Television and The District production. The Bold Type will have a special two-hour premiere on TUESDAY, JULY 11, at 9 p.m. EDT.

Tickets for D23 Expo 2017 are available for $81 for a one-day adult admission and $59 for children 3–9. Members of D23: The Official Disney Fan Club can purchase tickets for $72 for a one-day adult admission and $53 for children 3–9. Multi-day tickets are also available. For more information on tickets and D23 Expo 2017, visit D23expo.com.

About D23 Expo 2017

D23 Expo—The Ultimate Disney Fan Event—brings together all the worlds of Disney under one roof for three packed days of presentations, pavilions, experiences, concerts, sneak peeks, shopping, and more. The event, which will take place July 14–16 at the Anaheim Convention Center, provides fans with unprecedented access to Disney films, television, games, theme parks, and celebrities. For the latest D23 Expo 2017 news, visit D23expo.com. Presentations, talent, and schedule subject to change. To join the D23 Expo conversation, be sure to follow DisneyD23 on Twitter, Facebook, Pinterest, Instagram, and YouTube, and use the hashtag #D23Expo.

VIDEO: “Beauty And The Beast” Coming Home To Blu-ray And Digital HD On June 6th

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Disney has announced that “Beauty And The Beast” will be available on Blu-ray, DVD and Digital HD this June 6th. Check out the announcement video and the the list of Special Features below.

  • Enchanted Table Read – Join the cast for the movie’s elaborately staged table read, complete with singing and dancing to live music, set pieces and more.
  • A Beauty of a Tale – Explore the process of transforming a beloved animated film into a new live-action classic.
  • The Women Behind “Beauty and the Beast” – Emma Watson introduces several of the talented women in all aspects of production who helped bring this enchanted tale to life.
  • Making a Moment with Celine Dion – Celine Dion shares what it’s like to sing “How Does a Moment Last Forever” – and be a part of the legacy of “Beauty and the Beast.”
  • From Song to Screen: Making the Musical Sequences – See what goes into making some of the best-known moments from “Beauty and the Beast.”
  • Extended Song: “Days in the Sun” – Learn more about Beast’s childhood in an alternate version of this beautiful song, introduced by director Bill Condon. “Beauty and the Beast”
  • Music Video – Award-winning artists Ariana Grande and John Legend perform a moving version of this iconic song.
  • Making the Music Video – Go on set to capture the magic as it happens in Ariana Grande and John Legend’s “Beauty and the Beast” music video.
  • Disney Song Selection – Jump directly to all your favorite songs and sing along with the movie.

Source: Flicks And The City Clips

PHOTOS: Happily Ever After Attraction Poster Brings Disney Animated Classics Together

With Wishes saying goodbye last night and Happily Ever After debuting tonight, the poster for the fireworks spectacular was changed overnight at the Magic Kingdom:

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The new poster features Cinderella Castle transforming into other famous Disney landmarks, surrounded by classic characters.

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Happily Ever After Debuts tonight, May 12th, 2017 at the Magic Kingdom.

Magic Kingdom’s “Happily Ever After” Nighttime Spectacular Full Theme Song Now Available for Download

If there has been one part in particular about the new Happily Ever After nighttime spectacular that guests are most excited about in all of the lead up to the show’s premiere this evening, it has probably been the music. Well, now you can own the show’s theme song.

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A version of the theme sung by Jordan Fisher and Angie Keilhauer is now available for download (purchase) on iTunes. Some of this version of the song will appear in the new nighttime spectacular at the Magic Kingdom.

VIDEO: Watch & Sing Along to the Final ‘Wishes Fireworks Spectacular’ During Emotional Farewell at the Magic Kingdom

A final ride on a closing attraction can be special, but thousands more can simultaneously share in the farewell of a Disney nighttime spectacular. That’s what happened last night as the Magic Kingdom said goodbye to the definitive nighttime show of Walt Disney World in the new millennium, Wishes – A Magical Gathering of Disney Dreams. After 13 years, the Magic Kingdom fireworks show came to an end on the eve of the premiere of “Happily Ever After”, a new show that promises to take the platform to a whole other level. That being said, this evening was about Wishes and an emotional goodbye for so many guests who either grew up with the show, worked as cast members during a “Wishes shift”, or were touched by it in some way over the course of its amazing, and lengthy run.

Watch as guests cheer, sing along with, and say goodbye to Wishes at the Magic Kingdom (and apologies in advance for our terrible voices in the walk-off song sing-along at the end):