EDITORIAL: Do We Really Need “Star Wars” Spin-Off Movies?

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So what really went wrong with the Han Solo film? Probably the best answer is that it should have never been made. I’m a huge Star Wars fan and I know a lot of Star Wars fans out there and I have yet to hear from any of them that were looking forward to this movie or even wanted it to be made. Harrison Ford is Han Solo and for many of us he is the only one that should play him. As an example, this goes all the way back to The Prequels when casting Anakin Skywalker. We had never seen what Anakin Skywalker looked like but most of us had a preconceived notion, or expectation, of how the character should look and how he should be portrayed. And for some, the end result was disappointing. But it’s canon now and you can’t unsee it, and the same applies to everything that will be in the early adventures of Han Solo. Is it fair to put all of the blame on the actor or the writer? Not at all, but we so love the character that we just don’t want a performance or a story to ruin that character for us.

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I’ve been following the drama surrounding the exit of Phil Lord and Christopher Miller from the Han Solo movie and it comes down to a “he said, she said” argument. After the success of The Lego Movie and the 21 Jump Street movies, Lord and Miller were chosen by Lucasfilm to helm the production of the second Star Wars spinoff movie, Han Solo. Everyone at Lucasfilm was happy because they believed they had two very talented guys on board that would infuse some comedy and lightheartedness into the project. But it soon became apparent that Lord and Miller’s vision conflicted with the screen writer, Lawrence Kasdan, and the president of Lucasfilm, Kathleen Kennedy. Lawrence Kasdan was the screen writer for the project and a lot of  the success of The Empire Strikes Back goes to him. George Lucas asked Kasdan to come back and work for him on The Prequels, but Kasdan refused. Kasdan did however come back for The Force Awakens and it did seem like the magic that we had missed for so long was finally back. Bottom line is that Kasdan deserves a lot of respect for his contributions to the Star Wars franchise. Lord and Miller are known for going off script and instructed the cast of Han Solo to ad-lib frequently. Kasdan was upset that they were using his script more as a guideline, but when they felt like going off script, they did, and they did that a lot. Surprisingly it was revealed that Alden Ehrenreich, who portrays Han Solo in the movie, contacted Lucasfilm and informed them that he had concerns about his portrayal of the character. Lucasfilm had seen the dailies and an early rough cut of the film and told Lord and Miller that they did not like the changes that were made to Kasdan’s script. Going forward they had to stick to the script. But Lord and Miller chose to ignore them and continued to have their actors ad-lib and change the script around. Lucasfilm warned Lord and Miller and told them that they would have to do re-shoots and make severe changes to the movie but Lord and Miller refused and basically said this is why you hired us to make our version of the film. Lord and Miller were then fired and Ron Howard came on board with the difficult task of trying to salvage the footage that they did and have a movie ready to be released next May.

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The main problem is that Kennedy and Lucasfilm wanted to make a Star Wars movie first, with some comedy in it and Lord and Miller wanted to make a comedy first, that was set in the Star Wars Universe. On one side, you have a director’s vision and most feel it should not be tampered with. But on the other side, this is Star Wars and Star Wars is really bigger than anything out there. Kennedy’s job is to protect the characters that George Lucas created. You don’t want Han Solo to be flying the Millennium Falcon wearing a baseball cap that says “I Beat The Kessel Run” or a shirt that says, “I’m With Chewie” and it does appear that this movie was becoming dangerously close to a Spaceballs movie rather than a Star Wars movie.

 width=Ron Howard has always had a good relationship with George Lucas and Lucasfilm. Lucas gave Howard his first starring role in American Graffiti and Howard directed the movie Willow for Lucas. But is Howard the best choice to take over this project? He was once an up and coming director with movies like Apollo 13 and A Beautiful Mind, but his last few movies were duds. There was Inferno, which was the Da Vinci Code sequel that no one wanted, and In The Heart Of The Sea, which was the story behind Moby Dick that sunk at the box office. And then the movies he directed right before those movies were Rush and The Dilemma. Anyone ever heard of those?

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Let’s go back to the history of the Star Wars spinoff movies. Originally they were called Star Wars Anthologies, which was a terrible name, but Lucasfilm decided they needed an even worse name and came up with A Star Wars Story. Lucasfilm wanted to keep the spinoffs separate from the Episodes and felt it was best to stick it right in your face that this is A Star Wars Story. It still didn’t work because I heard someone in my theater while watching Rogue One ask, “Where is Rey and Kylo Ren”? Just call them Star Wars: Rogue One or Star Wars: Han Solo. If the audience gets confused, they’ll learn, eventually.

 width=One of the first directors that was hired to take on a Star Wars spinoff movie was Josh Trank. That movie was to focus on the early adventures of Boba Fett. Trank’s previous work was on Chronicle, and that mess of a reboot, Fantastic Four. After Fantastic Four, why would anyone hire this guy? They also hired Gareth Edwards for Rogue One and his previous movie was 2014’s Godzilla. Again, why hire a guy who directed probably the most boring Godzilla movie ever made that contained very little of the main character. Later it was revealed that while working on Fantastic Four, Trank was very difficult to work with and was the center of drama. He would lock himself in his trailer, have fights with the cast and he even destroyed a house he was renting while making the movie. So Lucasfilm acted quickly and fired Trank and the Boba Fett movie was put in limbo. Then Edwards completed filming Rogue One and a rough cut was made available to Lucasfilm and they weren’t crazy about. They announced that they were going to do 2 months of re-shoots and it turned out that they did not want Edwards back to supervise the re-shoots. So it was somewhat similar to what happened to Lord and Miller, except Edwards was OK with Lucasfilm altering his movie. And as much as I am concerned about the directors hired for the Star Wars spin off movies, Lucasfilm went out and hired Collin Trevorrow. Trevorrow directed Jurassic World and that movie made an insane amount of money at the box office, but that movie did not scream, “this director should helm the final chapter of the latest Star Wars Trilogy”. His most recent movie, The Book Of Henry, is getting blasted by the critics. And before Jurassic World, he barely did anything. I sometimes think that Lucasfilm is just throwing darts at a dartboard over what directors to hire and which movies to make. One thing I am grateful for Lucasfilm is that at least if they see something is not working, they hit the brakes. They don’t just allow directors to finish what they started if they feel there is something seriously wrong with the direction of the film. Pirates Of The Caribbean: Dead Men Tell No Tales says hello.

 width=I think it is obvious that Disney and Lucasfilm are rushing these movies to recoup Disney’s $4 billion purchase of Lucasfilm. They are sacrificing quality for quantity and that never works out in the end. These spinoff movies are their own thing. They are not connected to the Star Wars Episodes, but I guess it is debatable with Rogue One. But still, Rogue One is Rogue One. It is not Star Wars: Episode 3.5. My point is the bread and butter for Disney and the fans should always be The Episodes or the Star Wars Saga. We all have a vested interest in those tales as they are the continuing story of the Skywalker family, so far. It seems that the time frame for the recent Episodes being released is about 2 years and in a way that may be pushing it. I would rather wait 4 years for an amazing Star Wars Episode than to have a deadline created by Disney so that they can pump them out every two years and they are expected to add to their revenues on their annual financial reports. It just seems like Disney is trying to follow the formula of the Marvel movies.  They now need one Star Wars movie every year, maybe even two in the future. That will be an addition $1 billion, at least, on their financials and make their shareholders happy.

 width=Rogue One was constantly referred to as an experiment. They wanted to see how audience received a Star Wars movie not centered around the Episodes. And of course, how much money would they bring in. But the stories being thrown out there just dont sound interesting. Solo films for Han Solo, Boba Fett, Yoda, Obi Wan Kenobi. I think what would work better is to introduce unknown characters in their own adventures.

Here is a perfect example. Two cinematic trailers from the game, “Star Wars: The Old Republic”. Tell me you wouldn’t love to see something like this on the big screen.

Star Wars: The Old Republic – Knight Of The Fallen Empire trailer:

Or this!

Star Wars: The Old Republic – “Deceived” Cinematic trailer:

You slap Star Wars on the title and people will still come, but if you want them to keep coming back, make them good stories and dont rush them.

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I think Disney and Lucasfilm should take a step back and really think about the direction of these Star Wars spinoff movies. It seems from the very start they have been riddled with problems and a lot of it has to do with studio interference over a director’s vision and that for the most part, release dates are set in stone. But like I said, this is Star Wars, and Star Wars is like no other franchise. These are not the Star Trek movies. It’s almost expected that every odd number sequel in the Star Trek franchise will be bad. But Star Wars has a higher standard to live up to. Star Wars is a way of life for people.  Last year, after the release of The Force Awakens, Kylo was ranked number 901 in the list of most popular baby names. Spock wasn’t on the list. Maybe Ron Howard can work some magic and save the Han Solo movie, but even if he was originally announced as the director, I still would not have been interested in it. I just don’t want to see a Han Solo: The Early Years movie. Some things should remain a mystery and just because you can make a Han Solo movie doesn’t mean you should.

Disney’s First 4K UltraHD Release is “Guardians Of The Galaxy Vol. 2”

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It may have taken Disney a long time to jump on the 4K UltraHD band wagon but they will finally start releasing movies on 4K Ultra HD. James Gunn made the official announcement on his Facebook page stating that “Guardians Of The Galaxy Vol. 2” will be the first Disney 4K UHD and will be released on August 22nd. We are looking forward to more exciting news regarding Disney and 4K UHD with hopefully announcements for classic Disney animated titles and Star Wars in 4K!

From James Gunn:

Yes, it’s true, & I am UNBELIEVABLY EXCITED to announce that, after a couple of years of me begging and pleading, Guardians of the Galaxy Vol. 2 will be coming to home video in 4K UltraHD. It will be the FIRST Disney release to be released this way.

4K UltraHD is almost certainly the best way you can see this movie at home – with more definition and the most vibrant colors possible on your home screen, and with the brightest brights and the blackest blacks. A being composed of light truly appears to be a being composed of light! This version is a roiling cinematic river of beauty and I’ve taken hundreds of hours personally making it look the best it can. This is one of the reasons why LIGHT and COLOR are such important elements of Vol. 2’s story, and why we screened the World Premiere in Los Angeles in essentially this format.

And yes for those of you asking, there will also be a 3D home release.

We will soon have lots more exciting announcements about the home release and some unbelievably cool additional content, including something that’s so amazing I’ve been chomping at the bit for months not being able to talk about it!

So more OFFICIAL announcements soon. Be careful what you listen to if it doesn’t come from here or Marvel Studios as sometimes things seep out into the world from artwork that isn’t finalized, etc.

And have a great Wednesday. Love to you all.

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Latest Issue Of Disney Twenty-Three Celebrates Thirty Years Of Disney Legends

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DISNEY TWENTY-THREE CELEBRATES 30 YEARS OF DISNEY LEGENDS   

TIM ALLEN, HAYLEY MILLS, PAIGE O’HARA, REGIS PHILBIN, ANIKA NONI ROSE, KURT RUSSELL, LEA SALONGA, RICHARD SHERMAN, DICK VAN DYKE, AND DOZENS OF HONOREES FEATURED IN EXCLUSIVE NEW PHOTOGRAPHS AND INTERVIEWS 

This year marks the 30th anniversary of the Disney Legends award, created to honor those who have made significant contributions to the Disney legacy. To mark the occasion, Disney twenty-three has created a unique stand-alone issue featuring all 267 current honorees, as well as the 10 new Legends, who will be inducted next week at D23 Expo 2017. Since 1987, the award has been given to individuals who have worked with and for Disney in front of the camera and behind the scenes, from the shining stars of the silver and small screen to the creative minds behind its films, attractions, music, and entertainment.

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For the issue, exclusively for Gold Members of D23: The Official Disney Fan Club, Disney twenty-three Photo Editor Ty Popko photographed 40 Legends in Disney settings: from Walt Disney’s Office Suite and the Walt Disney Archives to Walt Disney World Resort and the Good Morning America studios. Featured Legends include Tim Allen, Hayley Mills, Paige O’Hara, Regis Philbin, Anika Noni Rose, Lea Salonga, Richard Sherman, and Dick Van Dyke. Kurt Russell, also photographed for this issue, gives a first-person account of his time working for Walt himself and the many Disney adventures he has had over the years.

Plus, Disney animator Eric Goldberg crafted a piece of artwork exclusively for this issue featuring more than 30 Disney Legends, including Julie Andrews, Steve Martin, Angela Lansbury, and Robin Williams, at a fabulous “Legend-ary” party. As a bonus, D23 Gold Members attending D23 Expo 2017 will be able to receive a complimentary print of the artwork at the event.

Also included in the fall issue of Disney twenty-three:

  • A Disney Legends-themed Ask Dave with Disney Legend Dave Smith
  • Photographs from Disney Legends Awards ceremonies through the years
  • A tribute to Annette Funicello by Richard Sherman

Disney twenty-three, which is delivered directly to fans’ doorsteps, is offered exclusively to D23 Gold and Gold Family Members as a benefit of their membership. The new issue will begin arriving in late July.

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REVIEW: “Spider-Man: Homecoming” is Fun, But Is It Spider-Man?

Look Out! Here Comes The Spider-Man!

But……He Aint My Spider-Man.

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Have you ever seen a movie that you feel gets so much right but also gets so much wrong? That is Spider-Man: Homecoming for me. And I am completely torn because as movie, this is a really great and fun movie. But as a fan of Spider-Man, I couldn’t help but wonder at times, what was Marvel thinking?

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I’ve been a fan of Spider-Man basically for as long as I can remember. Someone says Marvel to me and the first thought that comes into my mind is Spider-Man. What was so great about him was that he was one of the first superheroes that was relateable to kids because he was one of them. He wasn’t a millionaire. He was not chosen by the Gods to defend the Earth. He lived with his aunt and uncle in Queens. Peter experienced the same issues that most of us had to deal with in school. Peter had to deal with homework, high school crushes, bullying, and like every kid, he just wanted to be liked by his fellow students. But Peter’s life changed for him the day he was bitten by a radioactive spider that gave him super hero strength and the abilities of a spider, like crawling on walls, incredible reflexes and spider-sense. And if you have to sum up why Peter is Spider-Man, it comes down to the advice he received from his Uncle Ben when he said, “With great power comes great responsibility”. That is something that Peter once took for granted when he first became Spider-Man, but it became a powerful lesson for him after his choice resulted in the death of Uncle Ben.

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After Marvel had some major financial problems, they decided to sell the film rights to most of their superheroes in order to stay afloat. Sony acquired the film rights for Spider-Man back in 1999 for a measly $7 million dollars. If Marvel were to ever acquire the Spider-Man movie rights back from Sony, it would cost somewhere in the neighborhood of a billion or more dollars. Without a doubt, Spider-Man is the face of the Marvel Universe and Disney has been dying to reclaim their poster child back ever since they purchased Marvel back in 2009 for $4 billion. It’s like Disney having Goofy, Donald Duck, Minnie Mouse and Pluto, but no Mickey. And although there have been 5 Spider-Man movies made under Sony, and they have each made a ton of money for the company, they just are not as beloved as movies with lesser know characters in the Marvel Cinematic Universe (MCU). Marvel has always had excellent writers for their movies and they just seem to get the characters more than studios like Sony and Fox (who own the rights to X-Men, Wolverine, Fantastic Four and Deadpool). Luckily the fates aligned and Sony and Marvel came up with a deal that would mutually benefit both companies. This allowed Spider-Man to become part of the MCU and he first debuted in Captain America: Civil War, which was the best reception he has seen since he has been on the big screen. Sony gets all the profits and Marvel has creative control of the character and the fans get to see Spider-Man with The Avengers. Everyone is happy! Maybe not Disney though…

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Spider-Man: Homecoming takes place right after the events of Civil War. Tony (Robert Downy Jr.) and Happy (Jon Favreau) drop Peter (Tom Holland) off at his Aunt May’s (Marisa Tomei) apartment and Tony let’s Peter know that he can keep the suit that he used during the airport battle in Civil War. Peter was given a taste as to what it is like to be an Avenger and he cant wait for his next mission. Only problem is that it is starting to seem that Tony really doesn’t need him as Spider-Man anymore. Peter decides to take to the streets of Queens in his new duds as Spider-Man and finds it’s not all it was cracked up to be. Peter finally encounters The Vulture (Michael Keaton) and this new villain gives him a lot more trouble than your regular bank robbers. Peter is obsessed with taking The Vulture down, but things go from bad to worse and Tony decides that it was too early for him to have given Peter the suit and takes it away from him. Now Peter needs to win back the respect of Tony as well as prevent the Vulture from achieving his ultimate goal.

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As a film, I think it’s great and it’s a lot of fun. Its got an interesting story, great actors (for the most part), its got comedy and its got Spider-Man, and a special guest star in Iron Man. Marvel needed to come on board because Sony just never got Spider-Man or his villains right, with maybe the exception of Spider-Man 2. This is the first Spider-Man that really feels like it fits in with the MCU. I love that Marvel seems to feel in their movies that they need to first get the story right and then make sure that they have their characters properly represented, but as a Spider-Man fan, I feel Marvel, who is supposed to know the character, really dropped the ball at times. My biggest problem is Spider-Man’s suit. It is too tech heavy and he relies far too much on the enhancements that the suit has to do his job than to just be Spider-Man. Spider-Man’s suit was always a symbol and used to hide his identity. It was never a tool and never should be.

Is this a view from Iron Man’s mask or Spider-Man’s? Unfortunately it’s the later.

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Some minor spoilers relating to the suit follows. Peter finds out that although his suit can do many things, there are additional abilities that are blocked by a program that Tony installed called the “Training Wheels” protocol. Once he hacks and disables that protocol, he unlocks every ability of the suit and he is basically Iron Man without the armor.

OK, so I am going to try and list as many functions and abilities that I was able to remember (took notes while watching the movie) that Spider-Man’s suit has:

  • Karen – a built in AI program that acts a therapist and relationship expert to Peter.
  • Droney – an overly cute drone called that flies around and behaves like R2D2.
  • An Iron Man like built in user interface.
  • 576 web shooter combinations including taser webs, grenade webs and ricochet webs.
  • Reconnaissance mode that tracks criminals.
  • Advance combat mode (which I assume makes him fight in different fighting styles).
  • Advanced interrogation mode that alters Peter’s voice to sound like Christian Bale’s Batman.
  • Instant kill mode that assists him in killing all of the enemies around him.
  • Enhanced X-ray vision.
  • Enhanced magnification vision.
  • Enhanced thermal (heat) sensors.
  • Vacuum sealing suit.
  • Parachute that comes out of his back spider symbol.
  • Spider wings that acts as a glider.
  • Built in heater.
  • Built in camera that records everything Peter sees.
  • Mobile phone.
  • Face time with Tony Stark.
  • Built in GPS.

 width=The tech in this suit is just too much. And although I love the look of the suit, and missed it when he went back to his home made suit, I just wish it was “just” a suit. I really feel that Marvel failed at getting Spider-Man totally right for once. Not a complete failure, and they definitely got more things right than wrong, but to me this was a big thing. I can understand if it might not be a big thing for everyone though, but it is to me. Marvel was so focused on tying Spider-Man to the MCU that they forgot who he really was and he kind of came off as Iron Man’s Boy Wonder at times. I also missed Spider-Man web swinging through the city. I understand that since this took place in Queens, that there were not tall building and skyscrapers that he could normally swing from. I really didn’t want to see him running down the street after criminals or driving in a car, especially in his Spidey suit. It may be more realistic but it’s just not as much fun to see as him swinging throughout the city.

This scene is not in the movie but shown in every trailer.

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It was cool to see Iron Man in the movie and I do think that it is great that Spider-Man will be now popping up in future Avenger movies, but does Spider-Man really need to be an Avenger? Nope. Spider-Man for the most part is a solo act. Sure they will team him up with the Avengers and the Fantastic Four in the comics, but that is mostly to boost their sales. Spider-Man is more of a solo superhero. His story is far more interesting when it is about himself and he is not part of a team or a sidekick. I know they added Iron Man to this film in order to help increase ticket sales and Spider-Man’s popularity in the films but Marvel just needed to get Spider-Man right without gimmicks and special guest stars.

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So far, I know I ragged pretty hard on the movie, but like I originally said, on it’s own it is a very good, a funny film and one you should really see. Tom Holland is a fantastic actor and he does such a great job in this movie. Toby McGuire was a great Peter Parker but not the best Spider-Man. Andrew Garfield was a great Spider-Man but an awful Peter Parker. This kid nails both sides of the coin, and from the moment he is on screen, he is Peter and he is Spider-Man. You also have Jacob Batalon who plays Peter’s best friend Ned and if not for Holland’s great performance, he almost steals the show. Of course you have Robert Downey Jr returning as Tony Stark, but surprisingly everything you have seen in trailers and TV spots is mostly the amount of time he has on screen. And there is very little Iron Man at all. And I think that is smart because Iron Man should not always be there to bail him out. Spider-Man has to fight his own battles and overcome his own obstacles.  Downey as usual does a great performance as Tony Stark but was he really worth $40 million for I think less than 15 minutes of screen time? Also Tony and Happy (Jon Favreau), for the most part, are both real jerks throughout this movie.

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I though Michael Keaton was great as The Vulture and his performance is definitely up there with Tom Hiddelston’s take on Loki as one of the best villains in the MCU. But to me, Keaton did appear more menacing in the trailers then he did on screen and I would have liked to have seen him more psychotic and threatening. They definitely added some sympathy to Keaton’s character, but I appreciate that he was so smart and calculating. I wasn’t that impressed with the mechanics of The Vulture. Felt it was too mechanical and almost like an Iron Man suit with maybe some stolen Falcon parts. I like that we only had one villain instead of throwing in as many villains and story lines as possible. This had two story lines. Stopping The Vulture and Peter at school, and that was great. And yes, there are some familiar villains names from the comics that appear, but they were very low key. The main baddie was The Vulture.

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The musical score was disappointing. Guess it was better than most of the scores in the MCU but Michael Giacchino is a great composer and felt he just mailed this score in with very little effort. Maybe there is a theme, but nothing memorable. Was hoping that he was going to knock it out of the park but nope.

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Marisa Tomei as Aunt May: just a complete waste. I did not like her at all and did not buy that everyone and their brother was in love with her. She wasn’t overused but just felt that she really added nothing to the movie. I will admit that she did have the best line in the picture at the very end though.

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Both Marvel and Sony said from the very start that they were going to focus less on Peter’s romances, like they did with every single Spider-Man movie before, and make it more like a John Hughes film with Peter dealing with everyday life, getting in trouble with his friends and just growing up. And they definitely accomplished that. There was some romance in this movie but it definitely wasn’t major. The story was more about Peter wanting to impress Tony and being accepted by his school mates. And Peter and Ned were a whole lot of fun. This movie also reminded me of a PG version of Superbad too and I love that movie. Definitely some nice comedy and light moments and superhero movies like Spider-Man need to be fun and not dark and foreboding like Batman.

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There are two after credit scenes once the film is over. One appears shortly after the movie is over, and the other one is at the very end after the last credit roles. The first one is more tied to this story and a potential reveal of a new, well known villain in the comics, and the second one is more of a big joke, but it is actually funny and thought it was worth it to stick around. Just don’t expect anything shocking or revealing.

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With all of the negatives that I said, I still liked this movie as a whole, especially the performances and the humor. Tom Holland really knocks it out of the park with his portrayal of both Spider-Man and Peter Parker. And you have to love Jacob Batalon as Ganke, I mean Ned (some will get that reference). What really bothered me most was Spider-Man’s “tech heavy”suit. Spider-Man is not Iron Man and at times that is what they tried to make him out to be in this movie. Big mistake on Marvel’s part. Definitely go see it and bring the kids and have a great time!

I give Spider-Man: Homecoming a 7/10. If they would have gotten the suit right, an 8 for sure.

VIDEO: Get Your First Look At The New “Frozen” Short, “Olaf’s Frozen Adventure”

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WALT DISNEY ANIMATION STUDIOS UNWRAPS

“OLAF’S FROZEN ADVENTURE” 

New Disney Holiday Featurette to Debut in Front of

Disney•Pixar’s “Coco” on Nov. 22, 2017

Walt Disney Animation Studios (WDAS) and Pixar Animation Studios are teaming up this holiday season when WDAS’ new featurette “Olaf’s Frozen Adventure”  opens in front of Disney•Pixar’s original feature film “Coco” on Nov. 22, 2017. The new trailer for the featurette will run in front of Disney•Pixar’s “Cars 3,” beginning this Friday, June 16, when Lightning McQueen’s new big-screen adventure opens in theaters nationwide.

“I’m thrilled that Disney Animation’s featurette ‘Olaf’s Frozen Adventure’ will be coming to theaters in November with Pixar’s ‘Coco,’” said John Lasseter, chief creative officer, Walt Disney and Pixar Animation Studios. “It’s a perfect pairing – they’re both beautiful, heartfelt films about families and how people carry traditions forward. I can’t wait for audiences to get to see both of these terrific projects together on the big screen.”

Featuring four new original songs, the 21-minute featurette welcomes the original cast and characters back to the big screen, including Olaf (voice of Josh Gad), who is on a mission to harness the best holiday traditions for Anna (voice of Kristen Bell), Elsa (voice of Idina Menzel) and Kristoff (voice of Jonathan Groff). Directed by Emmy®-winning filmmakers Kevin Deters and Stevie Wermers-Skelton (“Prep & Landing”), produced by Oscar® winner Roy Conli (“Big Hero 6”), with original songs by Elyssa Samsel and Kate Anderson (“Between the Lines”), “Olaf’s Frozen Adventure” will be in theaters for a limited time beginning Nov. 22.

“Stevie and I were deeply honored to be entrusted by John [Lasseter] to create an all-new story with these characters we love,” said Deters. “We’re thrilled to have our film play on the big screen with ‘Coco’ during the holidays.”

“We loved getting in the recording booth with these incredible actors who know their characters inside and out,” added Wermers-Skelton. “We can’t wait for audiences to see the featurette, enjoy their performances, and hear the incredible new songs written by Elyssa and Kate.”

“Olaf’s Frozen Adventure” celebrates characters who won over audiences worldwide when “Frozen” first hit the big screen in 2013. Earning more than $1.27 billion globally, the film won two Academy Awards® (best animated film and best original song with “Let It Go”) and a Golden Globe® (best animated feature film). Slated for November 2019, Walt Disney Animation Studios’ untitled feature-length follow-up to the hit film reunites filmmakers Jennifer Lee, Chris Buck and Peter Del Vecho with the Grammy®- and Oscar®-winning songwriting duo Kristen Anderson-Lopez and Robert Lopez.

ABOUT WDAS’ “OLAF’S FROZEN ADVENTURE”

Olaf (voice of Josh Gad) teams up with Sven on a merry mission in Walt Disney Animation Studios’ 21-minute featurette “Olaf’s Frozen Adventure.” It’s the first holiday season since the gates reopened and Anna (voice of Kristen Bell) and Elsa (voice of Idina Menzel) host a celebration for all of Arendelle. When the townspeople unexpectedly leave early to enjoy their individual holiday customs, the sisters realize they have no family traditions of their own. So, Olaf sets out to comb the kingdom to bring home the best traditions and save this first Christmas for his friends. Directed by Emmy®-winning filmmakers Kevin Deters and Stevie Wermers-Skelton (“Prep & Landing”), produced by Oscar® winner Roy Conli (“Big Hero 6”), and featuring a screenplay by Jac Schaeffer and four original songs by Elyssa Samsel and Kate Anderson, “Olaf’s Frozen Adventure” opens in front of Disney•Pixar’s original feature “Coco” in U.S. theaters on Nov. 22, 2017.

ABOUT DISNEY•PIXAR’S “COCO”

Despite his family’s baffling generations-old ban on music, Miguel (voice of newcomer Anthony Gonzalez) dreams of becoming an accomplished musician like his idol, Ernesto de la Cruz (voice of Benjamin Bratt). Desperate to prove his talent, Miguel finds himself magically transported to the stunning and colorful Land of the Dead following a mysterious chain of events. Along the way, he meets charming trickster Hector (voice of Gael García Bernal), and together, they set off on an extraordinary journey to unlock the real story behind Miguel’s family history. Directed by Lee Unkrich (“Toy Story 3”), co-directed by Adrian Molina (story artist “Monsters University”) and produced by Darla K. Anderson (“Toy Story 3”), Disney•Pixar’s “Coco” opens in U.S. theaters on Nov. 22, 2017.

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Legends of Imagineering, Hercules 20th Anniversary, Snow White 80th Anniversary, and More Join D23 Expo’s Roster of Exciting Presentations

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WHOOPI GOLDBERG, MARK HAMILL, LEONARD MALTIN, JOHN STAMOS, LESLEY ANN WARREN, THE STARS OF HERCULES, AND MANY MORE JOIN D23 EXPO’S ROSTER OF EXCITING ENTERTAINMENT AND PRESENTATIONS  

And, for the first time ever at D23 Expo, fans will get to enjoy a daily street party, featuring celebrities, Disney characters, and live music on the show floor. 

 

The excitement is ramping up from “zero to hero” for D23 Expo: The Ultimate Disney Fan Event. During the three-day spectacular, which takes place July 14–16 at the Anaheim Convention Center, guests will have the chance to celebrate the 20th anniversary of Hercules with members of the cast and creative team; hear from Disney Legends, including 2017 inductee MarkHamill, during a panel hosted by Leonard Maltin; and enjoy the music of Walt Disney’s classic live-action musicals in a remarkable stage production featuring Lesley Ann Warren and hosted by Whoopi Goldberg. John Stamos will host a chat with Legends of Walt Disney Imagineering. Plus, theWalt Disney Archives will host three days of presentations on its own stage. And, for the first time, guests will be able to enjoy a daily “Ultimate Fan Street Party” right on the show floor.

Just-announced panels:

Mousequerade

Friday, July 14, 11 a.m., Stage 28

Mousequerade, the fan-favorite costume competition that invitesparticipants to create their own Disney-inspired designs, returns to D23 Expo 2017. Join judges Ashley Eckstein (Star Wars Rebels), Kara Saun (costume designer for Descendants 2), Yvette Nicole Brown (ABC’s The Mayor), and the contest’s host, Disney’s Jim Babcock, to watch dozens of finalistscompete in five excitingcategories for the $2,300 grand prize!

The Golden Girls: A Celebration of Friendship, Laughter, and Cheesecake

Friday, July 14, 2:30 p.m., Stage 28

In the 25 years since the final episode of The Golden Girls aired in 1992, the television series has become an enduring fan favorite that continuesto be watched throughout the world. Celebrate with us as we bring together the show’s creators and other special guests for this unforgettable event.

Disney Legends 30th Anniversary

Friday, July 14, 4:15 p.m., Stage 28

Join film historian Leonard Maltin as he celebrates the 30th anniversary of the Disney Legends program with a remarkable lineup of individuals who have each left an indelible mark on the Disney legacy, including Bill Farmer (the voice of Goofy and Pluto), Imagineering Legend Bob Gurr, Walt Disney Archives founder Dave Smith, and 2017 inductee Mark Hamill.

Melodies in Walt’s Time: The Music of Disney Live-Action Films

Friday, July 14, 6 p.m., D23 Expo Arena 

In the 1960s, Walt Disney sought to expand his filmmaking style beyond animation and bring music to a variety of new live-action film projects. D23 Expo will celebrate these magical, musical movies in a live stage extravaganza—hosted by Whoopi Goldberg and featuring Lesley Ann Warren, Karen Dotrice, and other renowned guest stars, joined by live musical performers and a 20-voice chorus—to showcase Summer MagicMary PoppinsThe Happiest Millionaire, and The One and Only, Genuine, Original Family Band, as well as others.

Zero to Hero: The Making of Hercules 

Sunday, July 16, 12:30 p.m., D23 Expo Arena

From the heights of Mount Olympus to the depths of the Underworld, celebrate the 20th anniversary of the Disney classic that put the “glad” in gladiator! Join a group of legendary artists and filmmakers who brought Hercules to life, including directors John Musker and Ron Clements, animators Eric Goldberg (“Phil”) and Ken Duncan (“Megara”), as well as Megara and Hercules themselves—Susan Egan and Tate Donovan—as they recount stories of making one of the most epic animated features of all time.

Snow White and the Seven Dwarfs: 80th Anniversary Screening

Sunday, July 16, 3:15 p.m., D23 Expo Arena

For eight decades, Disney fans have whistled “Heigh Ho” while they worked. Now, in honor of the 80th anniversary of Walt Disney’s first-ever animated feature, D23 Expo is proud to presenta special screening of the film that startedit all: Snow White and the Seven Dwarfs.

Legends of Walt Disney Imagineering

Sunday, July 16, 6 p.m., D23 Expo Arena

Join a fascinating conversation, hosted by John Stamos, with three Imagineering Legends—Marty Sklar, Tony Baxter, and 2017 Disney Legend inductee Wayne Jackson—as they recount true-life anecdotes and share personalstories about the celebrated artists, designers, and technical wizards who established the foundation and guidingprinciples for groundbreaking Disney experiences around the globe.

Also coming to D23 Expo…

Walt Disney Archives Stage

The popular Walt Disney Archives Stage returns, more than doubling its capacity, as it hosts 17 panels and presentations throughout the weekend. Disney notables, such as director Pete Docter, Disney Legend Jim Cora, producer Don Hahn, Bret Iwan (the voice of Mickey Mouse), Imagineers Diana Brost, Jason Grandt, and Chris Merritt, plus many more, will participate in panels throughout the weekend. Fans will enjoy exploring many of Disney’s worlds, from the incredible work of Marc Davis and the original characters of the Disney Parks (such as Figment and the Country Bears) to the women of Disney animation and an incredible virtual walk-through of the Walt Disney Studios on Hyperon Avenue. Visit D23expo.com for the complete schedule.

Center Stage

Located in the center of the D23 Expo show floor, Center Stage will be the heartbeat of the Expo and a hub of activitythroughout the weekend. AimeeCarrero, the voice of Disney’s Elena of Avalor, will perform live for the first time, and will be joined by special guests including Lou DiamondPhillips who voices series’ villain, Victor Delgado.  Also performing on Center Stage will be TemeculaRoadTomasina, Billy Hill and the Hillbillies, nerd-rock group Kirby Krackle, and Susan Egan, who will sing favorites from Beautyand the Beast. Disney animators, including Eric Goldberg and Mark Henn, will show aspiringartists “how to draw” throughout the weekend. Marvel’s Brian Crosby will show fans how to draw Spider-Man and Groot. And BillRogers, the “voice of Disneyland,” will be on-hand each day to record fans’ outgoing voicemail messages in his signature dulcet tones. The comletelineup will be availablein the coming weeks on the D23 Expo app.

D23 Expo’s Ultimate Fan Street Party

For the first time at D23 Expo, guests can enjoy a one-of-a-kind street party—right on the D23 Expo show floor. Twice each day the cavalcade will travel down Mickey Avenue, with a live band, beloved Disney characters, high-energy dancers, and celebrity grand marshals! Stan Lee and Mark Hamill will grand marshal the first cavalcade on Friday, July 14, and members of the cast of Descendants 2 will lead the second that day. Additional talent and times to be announced in the coming weeks and will be available on the D23 Expo app.

 

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BREAKING: Lucasfilm & Directors of “Han Solo” Movie Part Ways Leaving No Director

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Kathleen Kennedy just made a shocking announcement that directors Phil Lord And Christopher Miller are no longer attached to the Star Wars spinoff movie, “Han Solo”. There is currently no director attached to take over the film. We will keep you posted.

From StarWars.com:

A Message from Lucasfilm Regarding the Untitled Han Solo Film

The untitled Han Solo film will move forward with a directorial change.

“Phil Lord and Christopher Miller are talented filmmakers who have assembled an incredible cast and crew, but it’s become clear that we had different creative visions on this film, and we’ve decided to part ways. A new director will be announced soon,” said Kathleen Kennedy, president of Lucasfilm.

“Unfortunately, our vision and process weren’t aligned with our partners on this project. We normally aren’t fans of the phrase ‘creative differences’ but for once this cliché is true. We are really proud of the amazing and world-class work of our cast and crew,” stated Phil Lord and Christopher Miller.

The untitled Han Solo film remains scheduled for a May 2018 release.

Source: StarWars.com

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Ron Howard Will Now Direct The “Han Solo” Movie

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Can Ron Howard save the “Han Solo” movie? It seems that Kathleen Kennedy and Lucasfilm seem to thinks so as he has been chosen to take over the helm of the “Han Solo” movie. This week in a shocking announcement by Kathleen Kennedy, directors Phil Lord and Christopher Miller were let go over creative differences. Who knows what happened behind the scenes, but things must have been bad if they were let go after principal photography for the film was almost fully completed. Ron Howard is set to meet with the cast and crew of the film and then pour over all of the footage to see what can be salvaged. This story is far from over, and although it may take a long time, I’m sure we will find out what was Phil Lord and Christopher Miller’s version of the movie and how it differed from Ron Howard’s eventual version.

From The Hollywood Reporter:

 

Ron Howard has been named as the new director of Lucasfilm and Disney’s untitled Han Solo movie, sources tell The Hollywood Reporter exclusively. The official announcement is expected Thursday morning.

The move comes two days after directors Phil Lord and Chris Miller were let go from the movie they had spent over four-and-a-half months directing. Creative differences over style and tone came to a head between the duo and Lawrence Kasdan, with the studio backing the veteran screenwriter.

The firing sent shockwaves around Hollywood and beyond as the movie was about three-quarters through principal photography and the replacement of a director at that stage is near-unprecedented.

Howard, sources tell The Hollywood Reporter, will meet with the actors — Alden Ehrenreich is playing the iconic smuggler, Donald Glover is playing Lando Calrissian, with Woody Harrelson, Emilia Clarke and Thandie Newton also on the roll call — to soothe a rattled set and will pore over a rough edit to see what the project has and still needs.

The movie was scheduled to shoot for three-and-a-half more weeks, with five weeks of reshoots built into the schedule — the latter a standard procedure on large franchise productions.

Howard, who won an Oscar for directing 2002’s A Beautiful Mind, comes to the Han Solo film with several connections to George Lucas and the worlds of Lucasfilm. He appeared in Lucas’ 1973 breakout film American Graffiti, and implemented Lucas’ 1988 pet fantasy project Willow as helmer. Howard also revealed on a podcast in 2015 that Lucas had approached him to direct 1999’s Star Wars prequel The Phantom Menace.

Howard is considered to be a safe choice to complete the task, someone who will more than ably finish the movie while being a calming presence on set.

Howard’s recent movies include Inferno and In the Heart of the Sea, costly ventures that have underperformed at the box office.

Source: THR

Pixar Announces Voice Cast For “Coco”; Official Poster Released

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CHARACTER & TALENT LINEUP REVEALED

MEET THE EXTENDED FAMILY FROM DISNEY·PIXAR’S “COCO”

Upcoming Film Features Generations of Characters and All-Latino Voice Cast

Disney·Pixar’s “Coco,” a multi-generational story about the power of family relationships, features characters from the Land of the Living, and their loved ones who’ve moved on to the Land of the Dead. Joining aspiring musician Miguel, voiced by Anthony Gonzalez; charming trickster Hector, voiced by Gael García Bernal; and musical icon Ernesto de la Cruz, voiced by Benjamin Bratt; are a host of colorful characters and the voice talent behind them that bring both worlds to life. Directed by Lee Unkrich (“Toy Story 3”), co-directed by Adrian Molina (story artist “Monsters University”) and produced by Darla K. Anderson (“Toy Story 3”), “Coco” opens in U.S. theaters on Nov. 22, 2017.

“These parallel worlds couldn’t be more different,” said Unkrich. “One is the Rivera family’s charming and hardworking hometown of Santa Cecilia, and the other is the vibrant, rich land where loved ones go when they’ve passed. ‘Coco’ introduces characters from both worlds on the eve of Día de los Muertos—one extraordinary night when a living boy named Miguel gets a glimpse of the other side.”

Added Molina, “Our voice cast is incredibly talented, helping to shape our eclectic group of characters. Each actor has told us they find something relatable in this film, so they’re finding it easy to capture the heart of this story—it’s all about family, so we hope that these characters will resonate with everyone.”

FROM THE LAND OF THE LIVING

  • ANTHONY GONZALEZ (“Ice Box,” TNT’s “The Last Ship”) lends his voice to MIGUEL, a 12-year-old aspiring musician who struggles against his family’s generations-old ban on music. When a magical mishap lands him in the Land of the Dead, Miguel seeks out his idol, Ernesto de la Cruz, to help him return to the Land of the Living before it’s too late.
  • ANA OFELIA MURGUÍA (Amazon’s “Mozart in the Jungle,” “Bandidas”) voices Miguel’s cherished great-grandmother MAMÁ COCO. She is very old and fragile, but that doesn’t stop Miguel from sharing his daily adventures with her.
  • RENÉE VICTOR (“Weeds,” “The Apostle”) provides the authoritative voice of ABUELITA, Miguel’s grandmother and the ultimate enforcer of the Rivera family’s ban on music. She loves her family very much and will do anything to protect them. But when she gets angry, she wields a mean slipper.
  • JAIME CAMIL (CW’s “Jane the Virgin,” Disney Junior’s “Elena of Avalor,” “Secret Lives of Pets”) is the voice of PAPÁ, Miguel’s supportive father who hopes that someday Miguel will join him in the family shoemaking business.
  • SOFÍA ESPINOSA (“Gloria”) provides the voice of Miguel’s loving MAMÁ who gently encourages her son to embrace their family’s traditions.
  • LUIS VALDEZ (“Which Way Is Up,” director “La Bamba” & “Cisco Kid”) is the voice of TÍO BERTO, Miguel’s uncle, a hard worker in the Rivera family shoemaking business.
  • LOMBARDO BOYAR (“Happy Feet,” TNT’s “Murder in the First”) lends his voice to a friendly MARIACHI who Miguel encounters in Santa Cecilia Plaza.

FROM THE LAND OF THE DEAD

  • GAEL GARCÍA BERNAL (Amazon’s “Mozart in the Jungle”) helps bring to life HECTOR, a charming trickster in the Land of the Dead who is forced to enlist help from Miguel to visit the Land of the Living.
  • BENJAMIN BRATT (FOX’s “Star,” “Doctor Strange”) is the voice of Miguel’s idol ERNESTO DE LA CRUZ, the most famous musician in the history of Mexico. Revered by fans worldwide until his untimely death, the charming and charismatic musician is even more beloved in the Land of the Dead.   
  • EDWARD JAMES OLMOS (“Blade Runner,” “Stand and Deliver”) lends his voice to CHICHARRÓN, a curmudgeonly friend of Hector’s who is sadly being forgotten—an unfortunate condition in the Land of the Dead.
  • ALANNA UBACH (“Meet the Fockers,” Bravo’s “Girlfriends’ Guide to Divorce”) provides the voice of MAMÁ IMELDA, Miguel’s great-great-grandmother, the matriarch of the Rivera family and the founder of their successful shoemaking business. Miguel meets Mamá Imelda in the Land of the Dead and discovers she does not share his passion for music. 
  • SELENE LUNA (“My Bloody Valentine,” “Celebrity Wife Swap”) voices TÍA ROSITA, Miguel’s late aunt who resides in the Land of the Dead.
  • ALFONSO ARAU (“Three Amigos,” director/producer “Like Water for Chocolate,” director “A Walk in the Clouds”) is the voice of PAPÁ JULIO, Miguel’s late great-grandfather who he meets in Land of the Dead.
  • HERBERT SIGUENZA (“Larry Crowne,” “Ben 10: Alien Swarm”) lends his voice to both TÍO OSCAR and TÍO FELIPE, Miguel’s late identical twin uncles who he meets in the Land of the Dead.
  • OCTAVIO SOLIS playwright “Lydia, Santos & Santos”) is the voice of an ARRIVAL AGENT in the Land of the Dead’s Grand Central Station.
  • GABRIEL IGLESIAS (“Planes,” “The Nut Job,” “The Nut Job 2: Nutty by Nature”) provides the voice of the HEAD CLERK in the Land of the Dead’s “Department of Family Reunions.”
  • CHEECH MARIN (“Cars 3,” “Tin Cup,” CBS’ “Nash Bridges”) is the voice of a CORRECTIONS OFFICER in the Land of the Dead.
  • BLANCA ARACELI (“The Bridge”) voices the EMCEE for a colorful talent show in the Land of the Dead.

Despite his family’s baffling generations-old ban on music, Miguel (voice of newcomer Anthony Gonzalez) dreams of becoming an accomplished musician like his idol, Ernesto de la Cruz (voice of Benjamin Bratt). Desperate to prove his talent, Miguel finds himself magically transported to the stunning and colorful Land of the Dead following a mysterious chain of events. Along the way, he meets charming trickster Hector (voice of Gael García Bernal), and together, they set off on an extraordinary journey to unlock the real story behind Miguel’s family history. Directed by Lee Unkrich (“Toy Story 3”), co-directed by Adrian Molina (story artist “Monsters University”) and produced by Darla K. Anderson (“Toy Story 3”), Disney•Pixar’s “Coco” opens in U.S. theaters on Nov. 22, 2017.

Disney & Pixar Animation Studios Bring 3 Days Of Film Sneak Peeks, Presentations, Major Announcements And Immersive Show Floor Experiences To D23 2017, July 14-16

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WALT DISNEY ANIMATION STUDIOS AND PIXAR ANIMATION STUDIOS BRING THREE DAYS OF FILM SNEAK PEEKS, ENGAGING PRESENTATIONS, MAJOR ANNOUNCEMENTS, AND IMMERSIVE SHOW FLOOR EXPERIENCES TO D23 EXPO 2017, JULY 14–16

Pixar Animation Studios and Walt Disney Animation Studios are once again teaming up to bring a jam-packed weekend of announcements, presentations, displays, and giveaways to this year’s D23 Expo in Anaheim, California.

On the show floor, the two studios join forces for a must-see animation experience at D23 Expo. Artist demonstrations, autograph signings with top filmmakers, fan giveaways, and interactive displays featuring the latest films, including Cars 3, Coco, Olaf’s Frozen Adventure, and Ralph Breaks the Internet: Wreck-It Ralph 2, make this booth one to visit over and over again.

The lineup of presentations begins with an Expo tradition no animation fan should miss:

FRIDAY, JULY 14, 2:30 P.M. – HALL D23

Pixar and Walt Disney Animation Studios: The Upcoming Films, Hosted by John Lasseter

Were you there in 2015 when Ellen DeGeneres and Dwayne Johnson wowed the crowds? When Zootopia’s sloth scene screened for the very first time? And when Randy Newman, Buzz Lightyear, and Woody celebrated the 20th anniversary of Toy Story? Then you know the Animation presentation at Hall D23 is a MUST. Join host John Lasseter, chief creative officer of Pixar and Walt Disney Animation Studios, as he presents Pixar and Walt Disney Animation Studios: The Upcoming Films. Never-before-seen footage from Pixar’s upcoming feature Coco and Disney Animation’s Ralph Breaks the Internet: Wreck-It Ralph 2 will be unveiled, as well as surprise announcements, musical performances, and appearances by star voice talent. Cell phones, cameras, and all recording devices will be checked for this presentation.

Additional animation-focused panels include:

SATURDAY, JULY 15, 10:30 A.M. – STAGE 28

The Power of the Princess

Walt Disney Animation Studios invites you to The Power of the Princess, featuring Jodi Benson (Ariel), Ming-Na Wen (Mulan), Anika Noni Rose (Tiana), and Auli‘i Cravalho (Moana)—the talented actresses who brought these iconic characters to life—as they share stories of making their films and the impact of their characters on people around the world. Hosted by Walt Disney Animation Studios animators Amy Smeed and Kira Lehtomaki.

SATURDAY, JULY 15, 12:15 P.M. – STAGE 28

Creating the Worlds in Pixar’s Universe

Pixar’s films are filled with beloved characters living in relatable yet previously unimagined worlds. Join Pixar production designers and artists who have created the mountain tops, oceans, and “monstropolises” in which your favorite characters live. These artists create the setting and cultivate the mood of every scene using extensive research, incredible imagination, and each individual director’s vision, giving life to the amazing worlds in Pixar’s movies.

SATURDAY, JULY 15, 2:30 P.M. – STAGE 28

Olaf’s Frozen Adventure: A Sneak Peek at the New Frozen Short Film

Be among the first to see both exclusive and behind-the-scenes footage from Walt Disney Animation Studios’ newest Frozen holiday short film event, the highly anticipated Olaf’s Frozen Adventure. The film, which features the talents of the original Frozen cast, as well as brand-new songs, is directed by the Emmy®-winning team Stevie Wermers-Skelton and Kevin Deters (Prep & Landing) and produced by Oscar®-winning producer Roy Conli (Big Hero 6, Tangled).

SATURDAY, JULY 15, 6 P.M. – STAGE 28

The Evolution of Pixar’s Characters

From the waves in their hair to the shoes on their feet, Pixar characters are designed to be full of personality and to tell a story. Hear from the legendary Pixar artists who have created the most memorable characters in Pixar’s history. These are the visionaries who start with an initial doodle and see the evolution of a character through to final animation—the people who let technology influence the art and make the impossible, possible.

SUNDAY, JULY 16, 11:30 A.M. – WALT DISNEY ARCHIVES STAGE

Bambi’s 75th Anniversary

Join us as we commemorate the 75th anniversary and Walt Disney Signature Collection release of Bambi, the endearing, timeless tale of a wide-eyed fawn that has touched generations. Audiences can look forward to hearing personal stories from the voice cast, anecdotes behind the making of this film and its exquisite hand-drawn artwork, and much, much more. It’s groundbreaking animated classics like Bambi that were created or inspired by the imagination and legacy of Walt Disney and still influence many great visionaries and animators today.

Tickets for D23 Expo 2017 are available for $81 for one-day adult admission and $59 for children 3–9. Members of D23: The Official Disney Fan Club can purchase tickets for $72 for a one-day adult admission and $53 for children 3–9. Multi-day tickets are also available. For more information on tickets and D23 Expo 2017, visit D23Expo.com.

About Walt Disney Animation Studios

Combining masterful artistry and storytelling with groundbreaking technology, Walt Disney Animation Studios (WDAS) is a filmmaker-driven animation studio responsible for creating some of the most beloved films ever made. Located in Burbank, WDAS continues to build on its rich legacy of innovation and creativity, from the first fully animated feature film, 1937’s Snow White and the Seven Dwarfs, to 2013’s Academy Award®-winning Frozen, the biggest animated film of all time. Among the studio’s timeless creations are Pinocchio, Sleeping Beauty, The Jungle Book, The Little Mermaid, The Lion King, Big Hero 6, and Zootopia. 

About Pixar Animation Studios

Pixar Animation Studios, a wholly owned subsidiary of The Walt Disney Company, is an Academy Award®-winning film studio with world-renowned technical, creative and production capabilities in the art of computer animation.  The Northern California studio has created some of the most successful and beloved animated films of all time, including “Toy Story,” “Monsters, Inc.,” “Cars,” “The Incredibles,” “Ratatouille,” “WALL•E,” “Up,” “Toy Story 3,” “Brave,” and “Inside Out.” Its movies have won 32 AcademyAwards® and have grossedmore than $10 billion at the worldwide box office to date. “Cars 3,” Pixar’s 18th feature, will open in theaterson June 16, 2017.

About D23 Expo 2017

D23 Expo—The Ultimate Disney Fan Event—brings together all the worlds of Disney under one roof for three packed days of presentations, pavilions, experiences, concerts, sneak peeks, shopping, and more. The event, which will take place July 14–16 at the Anaheim Convention Center, provides fans with unprecedented access to Disney films, television, games, theme parks, and celebrities. For the latest D23 Expo 2017 news, visit D23expo.com. Presentations, talent, and schedulesubject to change. To join the D23 Expo conversation, be sure to follow DisneyD23 on Twitter, Facebook, Pinterest, Instagram, and YouTube, and use the hashtag #D23Expo.