WDWNT: The Magazine – Life Outside of the College Program

Life Outside of the College Program

By Bret Shroats

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[one_half]If you are interested in participating in the Disney College Program, you may have several questions about the program. One of the questions you should have is, “Will I have a life outside of the role Disney casts me for?”As a Disney College Program alumnus, I am pleased to report that the answer is completely up to you.

The Disney College Program offers a diverse amount of options for a cast member’s schedule; you may take as much or as little overtime at your work location as you want. Now, you have no control what you get scheduled, but you control the amount of overtime and what you do with your free time. I know participants who went to Walt Disney World to work, and that was all they wanted to do, and they were happy. They were living their dream, and they knew they would continue to live the dream as long as they wanted to. These people Walt Disney’s words, “You reach a point where you don’t work for money,” quite literally.

There are also people who apply and accept their offer to the Disney College Program so they can move to Orlando, Florida and party while they are there. They request as few hours as possible and try and give away hours whenever they can. They are also happy.

I, and many others like me, go down for the full experience of the Disney College Program and Orlando, Florida. I was completely content with the hours I was given, and I still made time to do almost everything Orlando and Tampa, Florida had to offer. Sometimes I even requested more hours. One week I worked almost 80 hours, and I had no complaints. During a separate week I had a 14 hour shift. Cast Members at the Magic Kingdom kept me busy; they knew if I was there the job would be done.

I was not a slave to Disney though; I did everything I could around the central Florida area that I wanted. I went to competition theme parks, and I went everywhere from Cocoa Beach to Clearwater Beach. I took the stroll down I-Drive, I shopped at the Florida Mall, and I did some of the activities that Disney offers to College Program participants.

Now, having a life doesn’t just happen when you have free time outside of work. Obviously, as you work in the role that Disney has casted you for, you will make friends with co-workers even if you do not work with them every day. You may have a social life at work and outside of work. I made some of my greatest memories hanging out with friends while working at Magic Kingdom such as the rare times when the park was slow or stopping work July 3rd and 4th to watch the Magic Kingdom’s July 4th fireworks show. Watching the same show as the rest of the near 100,000 crowd was a truly magical experience.[/one_half]

[one_half_last]Outside of work, there are many places Disney College Program participants enjoy. A couple of popular hangouts, for when we would get off after hours, were Steak and Shake and I-Hop. I can recount a myriad of times of getting off at 1 or 2 A.M. and going to one of those places with friends from Magic Kingdom or Downtown Disney. Another popular hangout spot is the Disney College Program’s apartment complexes. Each complex has plenty to do within in it, including: exercising, swimming, or playing a sport. Also, if you live in Chatham Square or Patterson Court, you live next to Mickey’s Retreat— a recreational area just for Disney cast members.

There is so much to do outside of working for Disney as a Disney College Program participant. Orlando is a fantastic place to live, work, and play. It has seven world class theme parks, and you can get into four of them for free anytime you want. There are four amazing water parks, and you can get into two of them for free at most times. There is great food, places to shop, and entertainment for everyone. It’s hard to not find something to enjoy. Because of this, Orlando, Florida was voted the #10 Best Vacation Spot in the United States by TripAdvisor in 2012. You do not get that ranking without some great things to do around the area. Additionally, the Tampa, Florida theme park and the beautiful beaches, overlooking the Atlantic Ocean and the Gulf of Mexico, are within reasonable driving distance.

One day, to remind myself from home, I created an exciting, memorable outing. I am originally from Cincinnati, Ohio, and I had a Cincinnati day in Tampa, Florida. I went to Clearwater, Florida for the beach and a Cincinnati restaurant—Skyline Chili. In that restaurant, they had a pennant from my high school. Later that night, the Cincinnati Reds were in town to take on the Tampa Bay Rays. The Reds won the game by a score of 5-0. It was a great reminder of home that I had time to create while attending the Disney College Program.

If you want a social life while working at Disney, you can have one. If you do not want a social life while working at Disney, you don’t have to have one. I recommend having the best of both worlds; if you don’t, the magic will wear off one day. It may not happen immediately, but it will eventually happen. When the magic does wear off, you will want friends to share your magical memories with. The magic will return with time away from Disney. Sometimes people overdose on magic; that’s when you need to step away and breathe in the breath of the sea or experience the frenzy of another local attraction. Once you do that, the magic will return to you, and you will continue to be successful and happy at “The Happiest Place on Earth.”

Have a magical day.[/one_half_last]

WDWNT: The Magazine – Test Track: First Impressions

Test Track: First Impressions

by Ron D’Anna

December 11, 1998 was a landmark day at Epcot. While not officially open, it was the first day Test Track saw riders. After over two years of waiting and delays, Epcot received its first thrill ride. While official Cast Member previews would begin the next day, Epcot cast members and their guests got to experience the attraction before anyone else. However, though I wasn’t working at Epcot, I managed to get in with a group of friends that night as well. After years of waiting for the ride to open, I was there for its first night, and what appeared to be its first breakdown. Just as I pulled into the unload area, the ride suddenly stopped and the Imagineers who had been lining the platforms scattered. It was a truly memorable first ride.

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Just a shade over 14 years later, I approach Test Track for the first time again, just after park opening on a Saturday morning. The line is already sticking out past the shade-providing canopy. The ride is down. “At least some things haven’t changed,” I think to myself. I’d seen plenty of reviews and videos of the so-called Tron Track and I hadn’t decided what to think about it. Rationally, I’d decided to wait to experience the ride before condemning it. I decided to get my Fastpass and come back later.

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Finally, I came back in the afternoon to ride via Fastpass. Immediately, I saw we were segregated from the main queue, though the few exhibits Fastpass and Single Riders see are interesting enough for the short wait. Finally we come to the design stations. We quickly select our predesigned vehicle, and within a couple of minutes we’re loading on to our Sim-Car and we’re off. Little did I know I had bypassed the most compelling component of the new experience.

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What first hit me was how beautiful the environment of the ride track is. The graphics are incredible, and definitely convey the feeling of being in the computerized environment. However, I immediately began to feel at a loss of where I am and what I’m doing in the vehicle testing storyline. The ride track may be exactly the same, but the change in narration and décor of the building don’t quite impress on the riders what exactly they are testing. When the ride switches to the cornering and high-speed sections this lack of direction is essentially minimized as the ride’s focus switches to the sensations rather than the environment. Along the way the design ranking screens have been displaying how our cars have been doing, but having chosen a pre-made design I felt no real connection to my design.

Any emotional connection to the ride is lost by taking the Fastpass or Single Rider options. The heart and soul of the attraction lie in the design features, and after going back and playing with that, my entire outlook on the ride instantly changed. Exiting into the post show, I still felt somewhat cheated. All the elements of the post show revolve around your design. From the simple performance readouts to the interactive “create your own” commercial and the drive tables, I still had fun but it felt cold and sterile. Something was missing to make the new Test Track the E-Ticket anchor Epcot deserved.

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Everything changed again the second I found the design stations in the post-show area. After waiting for the station the person ahead of me had been using to time out (these desperately need a functional “I’m Done” button), I thoroughly enjoyed the design process, playing with option upon option for the full amount of time each section allowed. Everything I had just experienced hit me in a different light. I know the physical experience wouldn’t have changed, and it really hadn’t from the original ride, but I could see the emotional attachment to the car rankings and post show elements.

Unfortunately, I wasn’t able to take my new design back through again because of timing on a busy holiday weekend, the posted wait time was well over two hours. I really wanted to see how it felt with my own car. I found it hard to believe that something so intangible made all the difference in what is billed as a thrill ride. And even more surprising, Disney has finally come up with a compelling reason to skip Fastpass. Hopefully, the advent of MyMagic+ will allow guests to predesign their vehicles and allow those who use the Fastpass option the same experience as those in the standby queue with out the hour plus waits.

In all, the new Test Track is a worthy successor to the original, but the heart of the attraction isn’t the thrill factor, it’s the tie in you get from preshow to post show with the vehicle you create. Unless the option to design your car ahead of time is introduced, I will highly recommend making Test Track your first attraction in the morning, rather than relying on Fastpass to experience the full version.

Ron has been going to WDW longer than he can remember. As a former Cast Member, he has always tried to share his love of Walt Disney World. Ron can be reached at graceysbutler@gmail.com.

WDWNT: The Magazine – The LucasFilm Acquisition’s Impact to the Parks

LucasFilm Acquisition– The Impact to the Parks

by Nathan Bradley

Hello Humans! Wow have we hit the jackpot…It’s a match made in heaven: Disney and Star Wars…errr I mean LucasFilm (but mostly Star Wars).  Bob Iger, who is responsible for the acquisitions of Pixar, The Muppets, Marvel, and now Lucasfilm, is going to go down as one of the greatest company leaders.  Looking back at what WDI has done with Pixar in the parks and The Muppets to an extent, having Star Wars in WDI’s lineup almost becomes too much to imagine…but I’m going to try.

The Star Wars franchise right now is a bit of a mixed bag.  On one hand, fans have a sour taste in their mouth because the prequels simply didn’t meet expectations.  On the other hand is money, which is where Disney comes in.  They rightly consider Star Wars to be an “evergreen” franchise, a clever play on words meaning that the franchise never looses its luster like an evergreen tree and also that it is always green in terms of money.  The toy, video game, television, and movie (Episodes 7,8, and 9!) markets are all very successful for Star Wars; always have been, always will be.  This was clearly one of the main selling points to the Disney board of executives.  We already know that Disney believes in the franchise though.  As we all know Star Wars Weekends, Star Tours (both versions), Tatooine Traders, and The Jedi Training Academy are all favorites of Disney’s Hollywood Studios.  While we’re in the Studios, I’d like to mention that the Lucasfilm acquisition does not include the rights to Indiana Jones.  So although Disney has the theme park rights to Indy, they will likely not be adding as many new theme park experiences as they will with Star Wars because they won’t benefit from the perpetual success of the brand as a whole.

Many Star Wars fanboys have called for Disney to base an entire park around the franchise.  As theme park aficionados, we know that basing an entire park around a single franchise, even Star Wars, is ludicrous because the success of the park hangs on the popularity of a single property.  Nonetheless, tantalizing fan artwork has surfaced, such as the Magic Kingdom-style rendering pictured.  Do I wish this would become a reality?  Absolutely.  Do I think this will become a reality? Absolutely not.  The best we can hope for is a Star Wars land at DHS in my opinion.

If such a land were to come to fruition under the WDI roof, at least we know it wouldn’t be placed out west first.  Their Star Tours is located in Tomorrowland; if they want a Star Wars land, they will need to either devote an entire section of Disneyland to one franchise (not happening) or move the attraction between parks (unheard of).  Resting on that, let’s consider the realistic best-case scenario in Florida.  Will there be another Star Wars E-Ticket?  Doubt it.  I would wager on some type of interactive experience since that seems to be a growing trend at WDI.  As fans of the parks we should rejoice if we get an interactive Star Wars experience.  The prospect of a Yoda AA is exciting to say the least.  What if during the show he used the force and things flew around the room?  Turtle Talk, Laugh Floor, and recently Enchanted Tales have been universally well liked.  Also included in this best-case scenario is the conversion of The Backlot Express into the famed Mos Eisley Cantina from Episode IV.  What better way to immerse guests in the universe of the films?  I have always wondered why WDI doesn’t theme more restaurants around specific franchises.  With the general praise of Be Our Guest, I don’t see why they wouldn’t be ready to try their luck again.  Another interesting component could be meet-and-greets with the characters from the films.  Who doesn’t want a hug from Chewbacca or an Ewok?  I think an opportunity for kids to be outfitted like their favorite Star Wars character, along the lines of the Bibbidi Bobbidi Boutique, would also be a solid addition.  Finally, an improved merchandise location is in order if Star Wars land is built.  The carbon-freezing experience from the last Star Wars Weekend would make a fantastic addition.

All sounds pretty reasonable, right? Let’s look at a more adventurous possibility…

 

           Star Wars takes over Tomorrowland.  Please, don’t shoot!  I know I just said that it wouldn’t be okay in Disneyland, but that’s because they don’t have enough space to be devoting a whole land to a single franchise.  In Florida, however, we have plenty.  Let’s look at current Tomorrowland.  Stitch’s Great Escape: “What a piece of junk!” Laugh Floor is a quality attraction but it isn’t so beloved that Star Wars couldn’t easily take its place.  Space Mountain is about as iconic as any ride on the planet, but the façade wouldn’t necessarily clash with a Star Wars land.  As for the content of the ride, you really wouldn’t have to change anything except for some queue elements to make it a Star Wars attraction; that is an awful queue anyway.  Then there’s The Tomorrowland Indy Speedway.  Never has any attraction had such a low ratio of quality to square footage.  I don’t think there is a person on this Earth who would object to a Star Wars themed attraction on that plot of land.  Two main problems now arise (besides the fact of it never happening of course).  #1: The current Star Wars elements at DHS are too well beloved to be simply discarded.  They would have to be moved to the Magic Kingdom by some miraculous act.  #2: The Carousel of Progress isn’t going anywhere.  Nonetheless, I think this option is plausible at best.  “I find your lack of faith disturbing…”

Could Star Wars go in Future World?  I say no way.  No science-fiction franchise should be the basis of an attraction in Epcot.  We may have strayed from the original Epcot creed, but not enough to include a film series, albeit a great one, that isn’t rooted in reality.  The aesthetics might coincide and the possibility of replacing Mission: Space with Star Wars is pretty appealing, but the message just wouldn’t be right.

Even thinking without limits of practicality, I can’t imagine even one decent way of incorporating Star Wars characters into DAK. So that’s that.

I would say that in general, as self-proclaimed scrutinizers of WDW, we should expect Star Wars additions to DHS in the near future.  I don’t think it’s really too much to hope for.  A cohesive land would be significantly more exciting than just new experiences because the locations of Star Wars are so rich.  A Star Wars land as a unit would lend itself to being filled with all kinds of hidden Star Wars references too.  There are almost too many possibilities for us as fans to speculate about.  One thing is for sure: Disney acquiring Lucasfilm can only be good for Walt Disney World.

 

Nathan Bradley is a high school student from the Philadelphia suburbs. He enjoys physics, mechanics, storytelling, and WDW (biannual trips and an avid disney geek). He plans on becoming an Imagineer when he’s older.

 

WDWNT: The Magazine – “Escape from Casey Jr.” by Daniel Butcher

Escape from Casey Jr.

By Daniel Butcher

You will probably find me strange.  It has been my dream to experience a significant evacuation from a Disney attraction.  I am convinced that it would be exciting and a cherished memory!  Seriously, how cool would it be to be walked off from Space Mountain with the lights on?  Would it not be great to see the Haunted Mansion from outside a Doom Buggy?  My daughter and I have both held our breaths as ours came to a halt in the graveyard scene.  Some may believe these sorts of incidents would lessen the magic, but for me it would only increase it!

Sure I have had my near misses but nothing significant.  Several years and a kid ago my family was stuck on Peter Pan’s Flight.  We dangled in our ship above the scene, staring at Captain Hook as the crocodile attempted to swallow him.  After about ten minutes of hanging, the ride resumed and we returned from Neverland.  In 2011, we were actually walked off, Monster Inc. Mike and Sully to the Rescue.  Yes we were guided past the immobile show scenes and led to the exit.  We were not even given a Fastpass for our troubles.  Of course, when I say walked off, we walked out from the very last scene and the only real difference in our tour of Monstropolis was Roz failed to speak to my family and we had to walk a little further.  These near misses just made me even more anxious for a significant ride evacuation.

All the signs for our August 2012 vacation pointed to the fact that a serious evacuation was going to happen!  Every day the entire family began to note the large number of attractions going 101, the Disneyland radio code for a closed attraction.  When the children begin to notice the number of closed rides, Disneyland you may have a problem.

Then the near misses began and my heart broke as I thought I missed my chance.  First, as we were standing waiting to enter our hanger at Soarin’ Over California, Patrick quit talking but we were still standing.  But we did not realize anything was atypical.  A cast member exited from the hanger and informed us that the ride was not working.  We were all given a special Fastpass, which we could use to speed our wait through the other hanger, or in the case of my family speeding up our wait for Toy Story Midway Mania later in the day since it could be used on most rides within Disney California Adventure.  Yes, Radiator Springs Racers was excluded!   In this near miss we did not even get to enter the ride and there was nothing backstage for us to witness.

A larger tragedy was to come.  The family had reentered Disney California Adventure after an afternoon nap.  Our direction was clear; the taller members of the family were set with our journey straight back to Paradise Pier to ride California Screamin’.  Then we made what to me was a critical error.  We stopped and took advantage of the short wait for Grizzly River Run since the whole family could enjoy the attraction together.  After getting soaked, we exited and headed back towards our desired roller coaster, hoping it would dry us off.  As we crested the path next to The Little Mermaid: Ariel’s Undersea Adventure, I saw the unthinkable.  Guests were standing on California Sreamin’s tallest lift hill, and I was not one of them.  I looked on with envy as the guests dismounted the train and stood staring out into what had to have been a fantastic view of the park and the sprawl around the park.  I imagined myself standing at the top of the lift hill with my cell phone out snapping photos that I would enjoy for a lifetime.  My wife awoke me from my daydream with, “we are so lucky we stopped, that could have been us.  I would have hated it.”  Dear, I would have been in heaven.  With a tear in my eye, I still did not know my day was coming as I decided to go undersea in a poor alternative to getting stuck on one of my favorite coasters.  My moment was awaiting me in Disneyland Park with an attraction that opened in the inaugural year of 1955.

 The Train

It was a hot August morning at Disneyland.  The family had just exited from it’s a small world walking back into the heart of Fantasyland.  The youngest member of the family made his pitch to ride the Casey Jr. Circus Train, a ride we had yet to enjoy on this visit.  For the adults in the family we do not enjoy Casey Jr. since it is more of a kid sized ride.  And I for one am a full sized adult.  But knowing that he had been dragged to all the rides and shows the older members of the family wanted, I could not tell him no.  We walked up to the queue and were shocked to find the switchbacks not full of families.  I looked at my wife and said, “We have to do it.”  She looked back and gave me a look that said, “Enjoy!”  With my wife deciding to take a break from rides after our busy morning, the smart choice, I marched my kids up the ramp towards destiny.

As we moved through the queue the cast members were loading the train which was preparing to chug out the station.  I thought that we would likely be waiting until the next trip.  Except the cast members failed to shut the gate and my son in the lead proudly marched through and declared, “cages please.”  I had to admit, I liked the fact he knew what he wanted!  The cast member told me we would probably be waiting for the next train.  I reassured her it was fine.  Then the other loading cast member found a space for us in a monkey cage.  And as my son led me to my fate, he smiled from ear to ear knowing he was getting his desired seat.

I wedged myself into the corner of a monkey cage and noticed my riding companions.  Two young mothers and their daughters had already staked claim to most of the cage.  I nodded, knowing that our interactions would only be lasting the three minutes of our journey since their children clearly had not yet passed the blessed 42 inch barrier which had opened up a whole new world for my son.  I settled down to what I hoped would be a few moments of sitting and resting my feet, and a quick check of my email.

Everything was running as normal as we left the station.  The soundtrack was putting me in a good mood and Casey Jr. was reassuring us that he could.  But he couldn’t.  As we climbed up the hill behind the Storybook Land Canal Boats, Casey Jr. stopped!  Having been on rides which had stopped before for a variety of reasons I expected the train to restart at any moment, instead the engineer pulled on the whistle as a distress call.  That caught my attention.  After the whistle nothing happened yet again.  A few minutes later the silence was broken by the engineer informing us that Casey Jr. was not operating and she was awaiting assistance so we could be evacuated.  My dream had happened, on what could only be called a kiddy ride!

The cast member announcement was followed by sitting.  This is when I realized how different I was from my riding companions.  Yes, we may all have been parents but these young mothers began to alternate between gossiping about their daycare situations and giving me questioning looks.  Was this strange man in a baseball cap, t-shirt and shorts a threat?  If the train was forced to cannibalism how much of a threat was he, and if eaten first how many days could he feed their kids?  I attempted to avert my eyes and risk conversation with my companions.  Instead I texted my wife and let her know I would be on the train FOR-EV-ER! 

The sitting was fully on.  The next seven to ten minutes had none of the romance I dreamed of when daydreaming of a ride evacuation.  Instead it was a lot of sweating.  My son’s desired ride vehicle, the monkey cage, was quickly becoming the sweat box of prison movies and television shows.  We were in the hole!  And with the car stopped next to a high hedge, there was little air flow through the cage.  I moved my body to avoid the gaze of the moms, and so I could look out at what would have to be a unique view.  What could I see?  There were some bushes, a small part of the Story Book Canal, and some cage bar in my sights.  Then I remembered I could have been stuck at the top of California Screamin’ instead!  I stuck my phone through the bars and took some of the most boring pictures ever of the Story Book Canal, without boats, which suddenly quit passing by.  Perhaps Disney wished to avoid witnesses to the anarchy that was sure to break as the train passengers established new lives upon the hill!

The Evacuation

As I sat with my kids, reassuring them that someday we would leave the train, I wondered how we would escape.  And being locked in a hot cage, unlike those in the open cars, I did mean escape!  A second cast member arrived and began leading us to freedom.  Being locked in a monkey cage I could not see the exit route those in the cars in front of us were taking.  When we had been evacuated from Monster’s Inc. Mike and Sully to the Rescue, cast members walked guests out of the attraction.  They collected those in each vehicle one at a time and added to a group walking from the heart of the ride.  Here it appeared they were releasing guests one car at a time.  So hopes of walking the track back to the entrance seemed unlikely.

Finally, escape was provided for my family.  The car to the monkey cage was opened by a cast member who scooted between the hedge and the cage.  Then I saw problem one with our evacuation.  The closeness of the hedge meant there was only one path for escape.  The open door combined with the hedge created a gate which meant we could not exit to the rear of the car.  We would only be able to move to the front, and any attempts to walk back meant we would have to walk up to the engine and then walk back from the Story Book Canal Boats facing side of the train.

The second problem occurred as I attempted to leave the hot car first.  As I stepped out I saw next to the hedge was a small concrete lip, then a drop off and finally the monkey cage.  Therefore a misstep would result in fall for the escapees.  I moved my foot to the ledge and squeezed my frame up past the front of the monkey cage.  Then I saw the head of a cast member awaiting me, poking out from the hedge!  I paused and entered what turned out to the most anxious moments of my escape, my son on a ledge.  As the youngest member of the family he was also the least agile.  He reached out cautiously with his foot and very gingerly moved forward on the ledge with no stumbles and no fear in his eyes.  He understood the value of adventure.  Finally, my daughter followed, also serving as a safety net for her brother.  The two youngsters with their smaller masses proved to handle the small ledge with more confidence than I had!

I waited for my party of two to catch up to me.  Then we shimmed past two empty cars to the smiling cast member.  She led us to a hole that now existed in the hedge.  A hidden door was now evident with it open to the concrete areas of backstage behind the hedge that previously had appeared to be part of the landscape.  Then the smiling cast member gave me my first real direction, “Sir, please put away your cell phone, we are about to go backstage?”  I had kept my phone in my hand while I worked the ledge, acting as if I was texting my wife about our escape.  Instead, I was capturing precious memories of my children walking the ledge.  Yes, my camera was the open application.  And yes, I had intended to take pictures wherever we were lead.  Begrudgingly I turned off my phone and placed it in my pocket!  Disney had successfully kept me from preserving a hidden secret in pictures.

My traveling companion moms were still in the cage as I escaped with my family.  I guess they had spent enough time with the man bold enough to ride the Casey Jr. Circus Train unaccompanied by an adult female companion.

Warning, if you desire to keep magic preserved.  Stop reading now!

What we found backstage was an island of concrete.  The area we had dropped into was paved and clearly a service area.  From my left there was a concrete path that came from what I would assume were dressing rooms, more on that later.  What dominated my view were large metal trash bins.  I had found where the trash from Fantasyland came together.  Standing next to the bins and unconcerned with our comings and goings was a custodial cast member searching through the trash to reclaim recyclables, proving one should be kind to these hard working cast members by putting trash in trash bins and recyclables in recycling.  Because those things mishandled have to be manually separated by a person.

We walked down some stairs past the trash and were met by a third cast member.  She issued a Fastpass good for any ride, except the Matterhorn Bobsleds, for my entire party including my very lucky wife.  Yes, she benefited for our inconvenience!  The cast member then pointed us to exit to the right.  As my view moved I noticed a break table where two cast members in Fantasyland costumes were smoking and conversing.  They seemed to not notice the invasion of small groups of guests moving from the hedge.  We were clearly in their area, where they could relax and the inclusion of outsiders was not going to ruin their break before returning to the heat.  On the other side of the path was a storage area for the canal boats.  At least 16 unused boats were lined up side by side in a packed in area under a low ceiling.  The holding area appeared to be behind King Triton’s underwater castle from the boat ride.  This is the entry point where one can witness new boats being added to the attraction as additional capacity is needed.

But the real royal treat was yet to come!  As we made our turn we stepped behind a trio that was strolling from the path on the left.  We were suddenly in a party of Ariel, Belle and their royal attendant.  This grouping, I believe, noticed our presence and the fact I was accompanied by children.  For from the moment we spotted them they were regal!  The princesses walked side by side at a purposeful pace.  Their heads were both held high with their shoulders tall and straight.  Their hands were held high clasped together.  They had smiles on their face as they conversed, like two close friends sharing their tales of being princesses, not paid actresses.  They were perfect!  The attendant walked behind at a respectful pace.  With their presence and demeanor I could sense the magic was about to resume.  And I was correct, they slipped past a wooden partition ahead and we followed.  We spilled out into Fantasyland once more, directly facing the Disney princess meet and great area, being held on the walkway area opposite it’s a small world after the closing of the Princess Fantasy Faire.  My dream adventure was over!

As my wife returned to us she just giggled.  She knew I had finally been evacuated and had my adventure.  It was even on an attraction that Walt Disney would have been familiar with from his days personally overseeing Disneyland.  But in the end it was nothing like what I imagined or hoped for.  I will still continue to cross my fingers, for something to safely break!

 

Daniel Butcher is a husband and father who looks forward to spending time with
his family in Disney Parks. Daniel can be reached at dbutcher23@betweendisney.com.

 

WDWNT: The Magazine – “Marc Davis: Imagineering Master”

Marc Davis: Imagineering Master

By
Daniel Butcher

 

Everyday guests of the Walt Disney World Resort enjoy the efforts of largely unknown and unnamed Imagineers.  Imagineer Marc Davis began to impact theme parks years before Walt Disney dreamed of Disneyland.  Davis was a late comer to attraction design, working in animation when Disneyland opened.  From animation to attraction design, Davis has left a mark on the Disney experience and his legacy continues today where it started, in film.

Marc Fraser Davis was born March 30, 1913, in Bakersfield California.  But California is not where the Davis family stayed.  Davis’ father, Harry A. Davis, was a wandering jeweler and magician who attempted to strike it rich in the boomtowns of the United States with his wife Mildred and son in tow.  The nomadic life of the Davis family meant that young Marc was always the new kid in town, attending 23 different schools before he graduated.  From Florida to Oregon the Davis family was vagabonds.  Alone and generally friendless, Davis turned to drawing to fill his spare time.  He became a self-taught artist sketching at local zoos and copying illustrations from anatomy books he found in libraries.  After high school, Davis sought formal instruction at the Kansas City Institute of Arts and European art schools.  Realizing he desired to be a professional artist, Davis attempted to get hired by the Walt Disney Studio and submitted an application under the name M. Fraser Davis.  The studio rejected the inquiry, noting they were “not hiring women artists.”  Davis used his full first name in future inquiries to overcome the prejudices of the day and on December 2, 1935, started as a Disney artist.


marc-davis

Animator

            Davis’ first major assignment at Disney was to serve as an assistant animator to Grim Natwick on Snow White and the Seven Dwarfs.  Natwick had helped develop Betty Boop.  Natwick further Davis’ skills as an artist.  Being noticed for his talent, Davis was moved into the Character Model Department after concluding his work on Disney’s first feature film.  In his new role, Davis’ understanding of animal form shined with him developing the models for characters such as young Bambi and Thumper.  Walt Disney was especially impressed with the David designed skunk, Flower.  Bambi encompassed six years of Davis’ career as he was moved into an animator position.  Davis finished the 1940s at the studio animating more animals including Brer Rabbit and Brer Fox in Song of the South for which he was the directing animator.  He also began a 17 year teaching position at Chouinard Art Institute, where he met a young female student named Alice Estes who would later become his wife years later.

With 1950’s Cinderella, Davis began over a decade of designing and animating female characters as he continued in feature films.  He was the directing animator for the title character Cinderella.  Additionally he animated one of Walt Disney’s favorite animation sequences ever, Cinderella descending the staircase in the mouse-made dress.  He also animated the Cinderella transformation scene as the fairy godmother dressed Cinderella for the ball.  Cinderella was followed by Davis overseeing the animation of Alice for 1951’s Alice in Wonderland.  For 1952’s Peter Pan Davis was charged with creating and animating Tinker Bell.  In Peter Pan, Davis had to draw a fairy that both communicated and emoted purely through motion being a character without a voice.  For Sleeping Beauty in 1959, Davis oversaw the development and animation of both Maleficent and Princess Aurora.  And finally Davis contributed the character of Cruella De Vil to 1961’s 101 Dalmatians, a character that he alone animated for the film.  Davis’ animation creations alone are sufficient to label him a Disney legend.

Davis’ female characters were known for having strong personalities.  A onetime avowed bachelor, Davis was known in the Disney studios for courting strong-willed women, and it was natural that the personality traits that he found attractive would emerge in his creations.  He designed characters with large hands so they could be more expressive when animated.  Many observed that Davis was able to create characters that audiences were attracted to.  However, Davis himself did not enjoy these years of designing female characters.  He found rotoscoping, tracing over live action film, uninteresting and desired to animate animals, not heroines and villainesses.

The legacy of Davis’ animation years can be seen throughout Walt Disney World, especially the Magic Kingdom.  Be it character development or animation, Davis helped construct the images and personalities of the characters guests love today.  At the heart of the Magic Kingdom Park guests find Cinderella’s Castle where one can meet Davis’ creation in flesh and blood at Cinderella’s Royal Table, and Aurora and Snow White may also be found in the dining room as well as through the park.  Tinker Bell also can be found throughout the Magic Kingdom from the magic of waking her up at Tinker Bell’s Treasures, flying high in Peter Pan’s Flight or seeing her star in the nightly fireworks streaking across the sky in Wishes.  Tinker Bell has been featured in the Magic Kingdom nightly fireworks since she took flight for the first time on July 4, 1985.   Fantasmic! at Disney’s Hollywood Studios features Maleficent as the villain ringleader invading Mickey’s dreams including co-conspirator Cruella De Vil.  And Snow White and Tinker Bell both make appearances in this nighttime spectacle.  From Snow White to Cruella De Vil, everyday Walt Disney World guests enjoy the fruit of Davis’ animation career.

legends-web

Imagineer

Davis had remained with animation for the early years of Disneyland’s existence.  In 1962, Walt Disney invited Davis to visit Disneyland and provide notes on the troubled Mine Train through Nature’s Wonderland attraction.  Davis suggested that the mine cars be reorientated to allow guests to better observe the story and provided suggestions on gags to make the ride more playful.  Pleased with his feedback, Disney asked Davis to provide direction on reimagining The Jungle Cruise.  Davis’ suggestions included the Indian elephant pool and the trapped African Safari, gags which were included in the Walt Disney World version of the attraction. Additionally, Davis supported the development of the Enchanted Tiki Room, in which Davis designed the talking Tiki poles and artwork adorning the attraction walls.   The Walt Disney World version of the attraction was available to guests on opening day titled Tropic Serenade and was re-imagined as The Enchanted Tiki Room (Under New Management) including Davis’ Tiki poles and art.  In summer 2011, Imagineers returned the attraction to its classic beginnings as the Enchanted Tiki Room.  With these attractions under his belt, the veteran animator would not return to feature animation, he would now animate in three dimensions.

Davis was assigned to all of Disney’s projects for the 1964-1965 World’s Fair, including those that would influence Walt Disney World attractions.  He was asked to animate the Audio-Animatronic’s movements including standing for Great Moments with Mr. Lincoln a precursor to the Hall of Presidents.  He added story elements to The Carousel of Progress which was moved from the fair to Disneyland.  On January 15, 1975, it reopened in its new home in the Florida Tomorrowland and is currently Walt Disney’s Carousel of Progress.  Finally for it’s a small world, Davis provided story ideas, including gags that adorned Imagineer Mary Blair’s backgrounds.  For this attraction he worked with his wife Alice who created costumes for the Audio-Animatronics.

Among the original projects Disney gave Davis was a pirate wax museum that had been in development since 1958.  Davis made some initial sketches, but put his work aside for the World’s Fair projects.  Past dark rides, enclosed in a show building, retold established Disney stories such as Peter Pan.  The pirate ride would lack a story that provided guests a pre-established context.  Instead of a story, Davis immersed guests into an experience.  He was teamed with former background painter Claude Coates who created the ride’s sets for Davis’ characters and humorous gags.  Davis and Coats lead the team which brought the Pirates of the Caribbeanride to completion on March 18, 1967, at Disneyland.   “Pirates of the Caribbean” was absent at the opening of Walt Disney World.  Davis had plans for an even more elaborate boat dark ride named Western River Expedition which would have taken guests through old west scenes.  But due to guest complaints about its absence, executives called for a version of the Disneyland ride.  Davis’ river ride was shelved for a new version of Pirates of the Caribbean.  Dissatisfied Davis did use the new ride as an opportunity to update the story, ending the ride in a treasure room instead of the arsenal.  The pirates of Florida would get their ill-gotten loot opening on December 15, 1973.  Meanwhile Audio-Animatronics planned for the Western River Expedition such as buffalos and chickens would make their way to Living with the Land at Epcot.  And concepts from Davis’ plans would help inspire Big Thunder Mountain Railroad and Splash Mountain.

A haunted house attraction had been planned for Disneyland as early in 1951 before the park opened.  The exterior had been completed during 1963 in New Orleans Square, but the attraction did not yet materialize despite promises of coming soon due to other commitments such as the World’s Fair.  A number of Imagineers including Ken Anderson, Rolly Crump, and Yale Gracey had worked on the attraction but progress was slow.  In 1964, Davis completed his first recommendations for the attraction, which included the introduction of the narrating Ghost Host.  But it was not until 1966 after the death of Walt Disney that Dick Irvine reunited Davis with Claude Coats to oversee the completion of the haunted house attraction.  The relationship was tense, with the designers divided between a Davis preferred funny attraction or a Coates preferred scary attraction.  Both got some of what they desired, delivering an attraction that included both scary and comedic moments.  Davis’s fingerprints are all over the design of the current Haunted Mansion.  He painted the stretching room paintings introducing visitors to the special humor of the ride and provided the climax in the graveyard filled with visual gags.  On August 9, 1969, the long awaited Disneyland “Haunted Mansion” opened to record crowds of 82,516.  While the Disneyland version was being produced, a second version with a Colonial façade was being built in Florida.  In April 1971 the attraction was complete and The Haunted Mansion was among the opening day attractions of Walt Disney World on October 1, 1971.

In November 1966, Walt Disney had visited Davis and discussed his future project, The Country Bear Jamboree for Disney’s Mineral King Ski Resort.  Disney told Davis his musical bears were a winner.  As he left, Disney did something he never did.  He said, “Good-by Marc.”  Three weeks later Disney died.  This had been Davis’ last meeting with Walt Disney.  Plans for the Mineral King resort fell through, but the musical bears made an appearance at Disneyland and still perform daily in Florida’s Frontierland.  Davis continued working as an Imagineer, developing his favorite attraction, America Sings, a musical Audio-Animatronics show featuring 114 characters which replaced Carousel of Progress at Disneyland.

           

The Artist’s Mark

In 1978, Davis retired after 43 years with Disney.  Even in retirement he still contributed creatively to Imagineering.  He consulted on Epcot’s World of Motion attraction and Tokyo Disneyland.  Davis’ humor was evident throughout this extinct attraction.  Included among the scenes was a train robbery originally intended for the Western River Expedition.  He continued to draw on a daily basis, spoke at Disney fan events, and enjoyed his retirement.  On January 12, 2000, Davis suffered a stroke.  Later in the day with Alice at his side, he passed away.

There are a number of tributes to Marc Davis throughout the Walt Disney World Resort.  The most obvious tribute is the window on the west side of Main Street U.S.A that bears his name.   The window lists, “Big Top Theatrical Productions” which has been “Famous Since 55.”  Also listed on the window are three other Imagineers including Davis’ Pirates and Haunted Mansion partner Claude Coats.  Another tribute can be found in Disney’s Hollywood Studio in the Magic of Disney Animation courtyard.  There four of Walt’s Nine Old Men including Davis set their handprints in concrete slabs.  Additionally there are hidden tributes to Davis throughout the Magic Kingdom Park.  In the final scene of Pirates of the Caribbean a family crest with the name “Marco Daviso” can be found hanging from the wall as Jack Sparrow delights in his treasure.  In the Haunted Mansion queue a tombstone tribute can be found.  The stone reads, “In Memory of Our Patriarch Dear Departed Grandpa Marc.  Finally, near Country Bear Jamboree a crate is labeled Davis Tobacco.  The subtle and not so subtle nods pay tribute to a true Imagineering legend.

Walt Disney Studios has honored Davis for the entirety of his Disney career.  In Disneyland he is honored with another Main Street window, “Far East Imports – Exotic Art” with Davis as proprietor.  The window celebrates his love of Papua New Guinea.  The neighboring window was revealed May 10, 2012.  The window announces Small World Costuming Co., with Seamstress to the Stars Alice Davis.  In 1989, Davis was named a Disney Legend.  Additionally the company awarded him the Mousecar, a highly exclusive honor, for service to company.

 

Back to the Movies

Davis’ career began in movies with Snow White so it is only fitting that his work as Imagineer has influenced recent movies.  In 2002, The Country Bears was released and though a box office disappointment started a line of Davis’ influenced movies.  In 2003, The Pirates of the Caribbean: The Curse of the Black Pearl became a blockbuster and featured gags designed by Davis that were adapted from the ride.  The original film was followed by three financially successful sequels.  Pirates of the Caribbean: The Curse of the Black Pearl was followed months later by the financially successful The Haunted Mansion starring Eddie Murphy which included Davis gags familiar to park goers including several from the graveyard.  Future Disney film projects continue to be influenced by Davis story work with a planned Jungle Cruise movie, sure to have an elephant bathing pool, and a second darker Haunted Mansion film to be directed by Guillermo del Toro.  It was just not his story work that has influenced movies but also his life story!  The story team for Disney Pixar’s 2009 Up interviewed former Imagineers to determine “What are the most important things in life?”  Alice Davis was interviewed and the Davis marriage including their shared love of adventure helped influence the development of the characters Carl and Ellie Frederickson.   

Marc Davis has left a long-lasting legacy on the Walt Disney World Resort.  The characters he both animated and designed are honored in the rides guests visit today.  Additionally, he helped design many of the attractions that today we label as classic.  Davis was a renowned story man, using character to move story forward in film and attractions, so it should be no surprise that his work continues to inspire Imagineers, movie makers and guests today.

Daniel Butcher is a husband and father who looks forward to spending time with
his family in Disney Parks. Daniel can be reached at
dbutcher23@betweendisney.com.

WDWNT: The Magazine Issue 14 Released

 

 

As we rapidly approach the 5th anniversary of the WDWNT Network this Summer, it’s hard not to get lost in the excitement happening at the Disney Parks right now. The Summer is theme park season, and there is that excitement in the air as out favorite special events return and some incredible new adventures prepare to unfold before us. WDWNT: The Magazine will be there for all the excitement starting next issue, so think of this issue as the “pre-show” to what will undoubtedly be a Summer to Remember.

For some, nothing means Summer more than just hanging out by the pool at your favorite Disney resort hotel, and Art of animation may very quickly be yours. We have a fantastic preview of the Finding Nemo wing of that resort for you to enjoy this month, just to wet your appetite. While we say hello to a new resort, we say goodbye to two beloved attractions as well this month: Test Track and Snow White’s Scary Adventures. In between, many of your favorite reoccurring articles and some other pieces for you to meander through abound.

We hope that this latest issue will get you ready for the blistering excitement of Summer 2012. If you have any suggestions or feedback, we are always happy to hear from our readers. Just send an email to WDWNTthemagazine@wdwnt.com and share your thoughts.

WDWNT: The Magazine Issue 14 Released

As we rapidly approach the 5th anniversary of the WDWNT Network this Summer, it’s hard not to get lost in the excitement happening at the Disney Parks right now. The Summer is theme park season, and there is that excitement in the air as out favorite special events return and some incredible new adventures prepare to unfold before us. WDWNT: The Magazine will be there for all the excitement starting next issue, so think of this issue as the “pre-show” to what will undoubtedly be a Summer to Remember.

For some, nothing means Summer more than just hanging out by the pool at your favorite Disney resort hotel, and Art of animation may very quickly be yours. We have a fantastic preview of the Finding Nemo wing of that resort for you to enjoy this month, just to wet your appetite. While we say hello to a new resort, we say goodbye to two beloved attractions as well this month: Test Track and Snow White’s Scary Adventures. In between, many of your favorite reoccurring articles and some other pieces for you to meander through abound.

We hope that this latest issue will get you ready for the blistering excitement of Summer 2012. If you have any suggestions or feedback, we are always happy to hear from our readers. Just send an email to WDWNTthemagazine@wdwnt.com and share your thoughts.

As a reminder, the magazine is available in digital form from our website (http://www.wdwntthemagazine.com) or in printed form from MagCloud (http://www.maglcoud.com). If you like what you’re reading, don’t forget to share it with your friends and family. No one likes someone who doesn’t share.

 

WDWNT: The Magazine Issue 17 Released

 

We are pleased to announce that Issue 17 of WDWNT: The Magazine is now released.  In this issue, we look back at 5 years of WDWNT.  We also consider diverse topics such as Disney voice actors, Ray Bradbury, the songs of Main Street, Disney and the teen-age experience, a profile of Richard Terpstra, and the newest installment of our Sorcerers of the Magic Kingdom fiction series.

It’s all available for free at http://www.wdwntthemagazine.com.

We hope that you will find the articles within both entertaining and educational.  If you have any suggestions or feedback, we are always happy to hear from our readers.  Just send an email to WDWNTthemagazine@wdwnt.com and share your thoughts.

As a reminder, the magazine is available in digital form from our website (http://www.wdwntthemagazine.com) or in printed form from MagCloud (http://www.magcloud.com).  If you like what you read here, please share it with your friends.

WDWNT: The Magazine Issue 16 Released

We’re happy to announce the release of issue 16 of WDWNT: The Magazine. This is clearly turning out to be the Summer of Disney.  Although the calendar may not agree, the Disney Summer kicked off with The Avengers, and now hits the highest of high points with the opening of Cars Land and Buena Vista Street.  The transformation of Disney California Adventure has been nothing short of spectacular, and it’s given us fans something to enjoy for years to come.

With that in mind, this issue summarizes WDWNT’s coverage of the Grand Re-Opening of DCA.  We also take the opportunity to look at some of Disney’s other large projects, such as the newest DVC resort, Aulani, and Pixar’s latest film, Brave.  We also cover a diverse range of other topics such as Disney voice actors, a look at a Disney Wedding, ticket prices over the years, attempting the ultimate Avengers marathon, and finally, a look at the tremendous work being done by Give Kids the World.

We hope that you will find the articles within both entertaining and educational.  If you have any suggestions or feedback, we are always happy to hear from our readers.  Just send an email to WDWNTthemagazine@wdwnt.com and share your thoughts.

As a reminder, the magazine is available in digital form from our website (http://www.wdwntthemagazine.com) or in printed form from MagCloud (http://www.magcloud.com).  If you like what you read, please share it with your friends.

WDWNT: The Magazine Issue 15 Released

 

We’re happy to announce the release of issue 15 of WDWNT: The Magazine.  Summer is almost upon us, and we are now in what feels like a holding pattern waiting for all the great additions to the Parks to come to fruition.  While we anxiously wait, this issue takes the opportunity to look back at some of our memories from the Parks.

This issue features articles looking back on Big Thunder Mountain, Life as a Cast Member, and Flight to the Moon / Mission to Mars.  Of course, we also can’t help but look forward to what will eventually replace Snow White’s Scary Adventures and the future of FASTpass.  And if children are our future, then how can we keep them entertained in Epcot’s vision of the future?  That topic is discussed in the article Epcot with Kids.   We also consider the topic of Thrill Rides and the Teenage Guest.  Finally, no discussion about the Disney company would be complete without mention the unmitigated success that is The Avengers, so we offer our unique view of the movie for which blockbuster is simply too small of a word.  And of course, this issue follows the continued adventures of Sorcerer’s of the Magic Kingdom with chapters 3 and 4 of the continuing series.

We hope that you will find the articles both entertaining and educational.  If you have any suggestions or feedback, we are always happy to hear from our readers.  Just send an email to WDWNTthemagazine@wdwnt.com and share your thoughts.

As a reminder, the magazine is available in digital form from our website (http://www.wdwntthemagazine.com) or in printed form from MagCloud (http://www.magcloud.com).  If you like what you read here, please share it with your friends.